Temat: projektowanie ogrodu - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: „Eden” – mistyczny ogród mariawicki w Felicjanowie
“Eden” – the mystical mariavite garden in Felicjanów
Autorzy:: Markowski, Sławomir
Powiązania:: https://bibliotekanauki.pl/articles/460952.pdf
Data publikacji:: 2020
Wydawca:: Mazowieckie Biuro Planowania Regionalnego w Warszawie
Tematy:: mariawicki
istota bytu
symbole
projektowanie ogrodu
Mariavite
essence of being
symbols
garden design
Opis:: Celem artykułu jest próba przedstawienia zespołu cech o mistycznej tożsamości zabytkowego ogrodu w Felicjanowie. Unikatowy charakter ogrodu, choć wynika z pozornie banalnego widzenia jego przestrzeni, sam w sobie niesie wielki ładunek sacrum, zawierający istotne dla wyznania mariawickiego symbole. Kontekst przyrodniczo-przestrzenny zawarty został w mistycznym odniesieniu do ogrodu Eden.
The aim of this article is to present the mystical features of the antique garden in Felicjanów. The unique character of the garden may come from a seemingly banal perception of its expanse; however, it bears a great load of sacrum, including symbols significant for the Mariavite religious movement. The natural and spatial context is implicated in the mystical reference to the garden of Eden.
Źródło:: MAZOWSZE Studia Regionalne; 2020, 34; 115-129
1689-4774
Pojawia się w:: MAZOWSZE Studia Regionalne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Antoine-Joseph Dezallier d’Argenville i jego dzieło
ANTOINE-JOSEPH DEZALLIER DARGENVILLE
Autorzy:: Sikora, Dorota
Powiązania:: https://bibliotekanauki.pl/articles/537107.pdf
Data publikacji:: 2002
Wydawca:: Narodowy Instytut Dziedzictwa
Tematy:: Antoine-Joseph Dezallier d’Argenville
dzieło Dezalliera
Ogród w Wolborzu
La Théorie et Pratique du Jardinage
sztuka ogrodowa
teoria sztuki ogrodowej
teoretycy ogrodu klasycznego
kompozycja ogrodu klasycznego
ogród Branickich w Choroszczy
ogród w Wilanowie
ogrodnictwo
projektowanie ogrodów
teoria ogrodnictwa
ogród przy Pałacu Błękitnym w Warszawie
Opis:: is indissolubly associated with the eighteenth-century Classical garden thanks to his treatise La Théorie et Pratique du Ja rdinage , published in Paris in 1709. Dezallier presented assorted issues concerning garden design in mathematical and geometrical rules, lavishly illustrated with drawings (the majority by Alexandre Jean-Baptiste Le Blond) which rendered the principles expounded by him easily translatable into foreign languages and transferable to conditions other than French. The wide impact and international popularity of La Théorie et Pratique du Jardinage were linked with the adaptation of the proposed spatial solutions to the financial potential of the less prosperous social strata, and not limited to elites associated with the monarch and their closest entourage, as was the case with works by Dezallier’s predecessors. The treatise is composed of two parts: the theory of the art of gardening and practice. The first considers the principles of selecting the localisation of the residential building and the garden, the general layout of the garden, the creation of beds and parterres, the planting and cultivation of avenues, rows, and bosquets, the creation of indentations, the erection of garden pavilions, and the suitable display of figurative sculpture and other elements of architectural garden decorations. The second part deals with the application of the principles of geometry while planning gardens, conducting earth work, the construction of terraces and stairs, the transference of projects into the terrain, the selection of plants, and nursery beds. The last two chapters discuss spatial elements connected with water: fountains, cascades, pools and canals. La Théorie et Pratique du Jardinage was widely known in eighteenth-century Poland, and the principles presented therein were reflected in the gardens established at the time. The vista offered from the main avenue of the Branicki Garden in Białystok looking onto the Stag and Fallow Deer Park appears to be taken straight out of Dezallier. The same holds true for garden pavilions along the axis in the Białystok garden while the localisation of the pavilion closing the main garden axis in Choroszcz, offering a distant view of the Narew valley, coincides with Dezallier’s recommendations. Green walks as well as grass-covered stairs and ascents were universally used in Wilanów Garden at the time of Maria Zofia and August Czartoryski. The considerable differentiation of the shape of the bouquets in this particular garden seems to refer to the principle frequently mentioned in the treatise, which called for the introduction of various spatial forms into garden compositions. In turn, the garden of the Blue Palace in Warsaw, with a semi-circular enclosure of the garden salon and strong architectural emphasis on the main axis as well as thicketsat the two extremes, planted in order to restore symmetry to the composition, recall the examples of small urban gardens in La Théorie et Pratique du Jardinage. The contents of the Dezallier work assumes particular significance while conducting the revalorisation makes it possible to supplement information which cannot be supplied by the often extremely modest archival sources. It also enables a fuller comprehension of the principles of the functioning of an eighteenth-century garden and its cultivation. Many of the mechanisms and behaviour associated with establishing gardens, described by Dezallier, especially those concerning the mutual relations between the investor and the designer, remain surprisingly topical.
Źródło:: Ochrona Zabytków; 2002, 3-4; 391-403
0029-8247
Pojawia się w:: Ochrona Zabytków
Dostawca treści:: Biblioteka Nauki

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