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    Wyświetlanie 1-4 z 4
    Tytuł:
    Ślady dołkowe na obszarze Polski - katalog
    Cup Marks in the Polish Territory: a Catalogue
    Autorzy:
    Pauch, Seweryn
    Powiązania:
    https://bibliotekanauki.pl/articles/2077197.pdf
    Data publikacji:
    2020-12-30
    Wydawca:
    Wydawnictwo Bernardinum
    Tematy:
    cup marks
    catalogue
    16th – 18th century
    religiousness
    gothic churches
    ślady dołkowe
    katalog
    XVI-XVIII w.
    religijność
    kościoły gotyckie
    Opis:
    Prezentowany tekst jest zestawieniem miejscowości z obszaru całej Polski, w których znajdują się świątynie posiadające na swych elewacjach ślady dołkowe. Celem niniejszego tekstu jest wskazanie rozległości występowania tak charakterystycznego zjawiska, które pozostaje niejednoznacznie rozpoznane w swej genezie. Przedstawiony katalog pozwala też prześledzić zmiany zachodzące w ilości śladów zinwentaryzowanych przez kolejnych badaczy, co wskazuje jednoznacznie na zanikanie przedmiotowych otworów.  
    Hereby text is a catalogue of places from the area of Poland where are located churches which have cup marks on their elevations. The aim of the text is to point the expense of this characteristic phenomenon, which is so ambiguous in its genesis. The catalogue allows to follow changes in the number of traces tracked by numerous researchers. It also points out clearly the disappearance of cup marks. 
    Źródło:
    Studia Pelplińskie; 2020, 54; 233-259
    0239-4456
    Pojawia się w:
    Studia Pelplińskie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Z prac Instytutu Sztuki PAN nad dokumentacją drewnianej architektury sakralnej w Polsce 1962-2002
    Select Documentation of Wooden Sacral Architecture in Poland in 1962-2002 at the Institute of Art of the Polish Academy of Sciences
    Autorzy:
    Brykowski, Ryszard
    Powiązania:
    https://bibliotekanauki.pl/articles/537666.pdf
    Data publikacji:
    2002
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    Instytut Sztuki PAN
    Dokumentacja Drewnianej Architektury Sakralnej w Polsce
    drewniane kościoły w Polsce
    najstarsze kościoły katolickie
    gotyckie kościoły drewniane
    prof. Michał Walicki
    Opis:
    June 2002 marks the fortieth anniversary of the inauguration of work conducted on the Documentation of Wooden Sacral Architecture in Poland (further as: DDAS) commenced at the Institute of Art of the Polish Academy of Sciences upon the initiative of Prof. Michał Walicki. In the introduction the author recalls the premises of the specialist documentation which was to be composed of two basic files: inventory of particular monuments and iconography as well as numerous auxiliary catalogues relating to extant and n o n -ex tan t monuments, bibliography, as well as archival and bibliographic abstracts. The first stage of the research encompassed the oldest church buildings from the fifteenth and sixteenth century as well as Uniate objects. The results of the research were to be published in Inwentarz Drewnianej Architektury Sakralnej w Polsce (Inventory of Wooden Sacral Architecture in Poland). First on-the-spot investigations were carried out in 1962, and the first inventory entry concerning the church in Skrzyszów (1517), in which the original vault with stencilled painted decoration dating from the time of the erection of the building was discovered, was issued in 1969. The period under discussion encompasses 21 expeditions (lasting from two to seven days) in connection with more than 300 sacral monuments. The Institute collections grew thanks to the addition of over 5 000 photographs and 67 architectural measurements of C atholic and Uniate churches. Four Inwentarz fascicles containing 28 entries — monographic studies of assorted churches — were issued in 1983— 1993. The fifth fascicle, with five entries, is in print. The DDAS archive contains further 39 entries prepared in 1976-1989. In 1982 pertinent research was expanded so as to include wooden church architecture from the nineteenth and twentieth century; in the wake of the political changes of 1990 it encompassed lands within the former cultural range of the Commonwealth of Two Nations — the joint Polish-Lithuanian state from the end of the fourteenth century to 1795. The enclosed footnotes mention some of the publications which appeared thanks to the conducted investigations, with particular attention due to the following books: Drewniana architektura cerkiewna w Polsce, na Słowacji i Rusi Zakarpackiej (Wooden Orthodox and Uniate Church Architecture in Poland, Slovakia and Carpathian Ruthenia, 1986); Drewniana architektura cerkiewna na koronnych ziemiach Rzeczypospolitej (Wooden Uniate Church A rchitecture in the Crown Lands of the Commonwealth, by Ryszard Brykowski, 1995) and Drewniane kościoły w Polsce 1918-1939. Tradycja i nowoczesność (Wooden Churches in Poland 1918-1939. Tradition and Modern Times, by Grażyna Ruszczyk).
    Źródło:
    Ochrona Zabytków; 2002, 2; 152-169
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Znaczenie naukowe odkryć malowideł ściennych w Małopolsce południowej
    SCIENTIFIC SIGNIFICANCE OF THE MURALS REVEALED IN THE SOUTH OF LITTLE POLAND
    Autorzy:
    Pieńkowska, Hanna
    Powiązania:
    https://bibliotekanauki.pl/articles/536303.pdf
    Data publikacji:
    1977
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    malowidła ścienne ziemi krakowskiej
    odkrycia konserwatorskie Małopolski
    malowidła romańskie Małopolski
    malowidła gotyckie
    krańce podstropowe
    malarstwo patronowe
    Stanisław Samostrzelnik
    podkarpackie kościoły drewniane
    Opis:
    The paper, by the late Hanna Pieńkowska — deceased in 1976, Assistant Professor and former Voivodship Conservator of Historical Monuments in Cracow — was delivered at the 25th Session o f the Historians o f Art, November 1975. The author had recapitulated therein the results o f the work o f conservation service on preserving the murals in the former voivodship of Cracow. At the outset there are discussed the research trends which gave rise to the present postulate for integrated conservation research. The place of prominence is taken therein by research on plasters. Investigations of this kind were carried out on 120 historical monuments situated in the former voivodship o f Cracow, 60 paintings thus revealed having been subject to conservation. The murals found in the Romanesque churches in the countryside refer to the decorations typical then of the fine arts in Austria, Bohemia and Hungary (12th—13 th centuries). In Gothic painting two trends have been singled out : the didactic (precepts o f faith, Biblical scenes) and the folk one. Another fact ascertained was perseverance of the favourite schemes and forms o f painting decoration applied since the mediaeval period till the mid-seventeenth century. The works o f art revealed in the course of the research discussed have brought into relief, both the variety o f artistic stimuli and the wealth o f the source o f inspiration. Moreover, they have enabled as well the study o f the then artistic centres outside Cracow (Tarnów, Olkusz, Nowy Sącz). Last but not least, the conservators’ discoveries made in the course o f conservation research have also provided for determination o f the ’’specialty” o f painting in Little Poland in the following fields : 1. decoration o f the interiors o f wooden churches ; 2. decoration o f manor houses; and 3. decoration of burgher houses. What was o f great significance to the history o f art was the fact of ascertainment o f the authors o f various works o f art, e.g. of Stanisław Samostrzelnik and of the person o f their patrons and founders, like Bishop Tomasz of Płaza. The author goes on to describe in greater detail the discovery o f the murals dating from various periods beginning with the Romanesque one (e.g. those at Tropie — end o f the 11th century, Wysocice — early 13th century). In Gothic painting there are to be singled out the uniform compositions o f interior decoration (Bolechowice, ca 1415), the loosely arranged paintings (e.g. at Olkusz, 14th century) and the polychromy o f architectural monuments (Staniątki, Stary Sącz). The next problem discussed is that o f the discovered Renaissance paintings classed into the respective groups according to their common artistic features. A separate complex make the so-called stencil paintings (e.g. at Dębno Podhalańskie, XV—XVI century) and the great ideological and formal cycles (Łękawica, 1630). Another set make as well the works o f outstanding artists, e.g. those by Stanisław Samostrzelnik (decorations in the Cistercian Church at Mogiła, 16th century) and paintings in minor interiors (polychromy in the chapel o f the church at Niepołomice, 1596) or decoration o f the burger houses in Cracow, Tarnów and Stary Sącz). The author mentions as well such sets as the Passion o f Christ, and those o f the Virgin Mary, linking on Gothic traditions (Racławice Olkuskie, mid-seventeenth century). The 17th century decorations o f castles, palaces, manorhouses and various interiors in town, dating from the 17th-century and continued in the 19th (Tęgoborze, Zator) are also described. The author concludes her paper in the statement that the number of subjects waiting for more detailed examination is simply enormous and the wealth o f the material disclosed in the course o f the said conservation research in Little Poland makes it possible for work o f synthetic character to be taken up.
    Źródło:
    Ochrona Zabytków; 1977, 1-2; 3-20
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    KRONIKA. Województwo olsztyńskie
    Autorzy:
    Brwiliński, Z.
    Powiązania:
    https://bibliotekanauki.pl/articles/538115.pdf
    Data publikacji:
    1953
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    zamek w Lidzbarku Warmińskim
    wieża w Przezmarku
    muzeum skansenowskie w Olsztynku
    zamek w Nidzicy
    kościoły Ornety
    gotyckie zabytki woj. olsztyńskiego
    kościół w Świętej Lipce
    zamek gotycki w Kętrzynie
    zamek w Ostródzie
    Muzeum Kopernika
    Źródło:
    Ochrona Zabytków; 1953, 1; 64-67
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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