Temat: comic style - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Adesp. 741 K.-A. Some Aspects of Comic Stylistics
Adesp. 741 K.-A. Niektóre aspekty stylistyki komediowej
Autorzy:: Bartol, Krystyna
Powiązania:: https://bibliotekanauki.pl/articles/1806893.pdf
Data publikacji:: 2021-10-12
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Adesp. 741 K.-A
Old Comedy
anaphora
comic style
Plutarch
Opis:: This article explores the thematic and stylistic function of the anaphora in the anonymous fragment of Old Comedy (741 K.-A.). It also analyses an interpretation of Plutarch’s comment on these lines.
Źródło:: Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 1; 29-34
0302-7384
Pojawia się w:: Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Stripovni stil pjesničkoga subjekta u suvremenom hrvatskome pjesništvu iskustva intermedijalnosti i postintermedijalnosti
The comic book style of the poetical subject in the contemporary Croatian poetry of intermedial and postintermedial experience
Autorzy:: Jukić, Sanja
Powiązania:: https://bibliotekanauki.pl/articles/635899.pdf
Data publikacji:: 2012
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: poetic subject
media subject
comic book style
comic book subject
intermedial and postintermedial poetry
Opis:: This paper deals with poetic subjects in the comic book format as presented in the media. The subject of media entity dominates the corpus of texts in intermedial and post-intermedial poetry experience. These aspects of Croatian poetry from 1968 up to the present day, whose structures are primarily determined by contacts with different media culture texts, are defined by Goran Rem. This paper explores the ways in which the media inter-mediates comic book semiotics into the poetic code of that particular part of contemporary Croatian poetry and thus determines the paradigmatic forms of the subject of media/comic book.
This paper deals with poetic subjects in the comic book format as presented in the media. The subject of media entity dominates the corpus of texts in intermedial and post-intermedial poetry experience. These aspects of Croatian poetry from 1968 up to the present day, whose structures are primarily determined by contacts with different media culture texts, are defined by Goran Rem. This paper explores the ways in which the media inter-mediates comic book semiotics into the poetic code of that particular part of contemporary Croatian poetry and thus determines the paradigmatic forms of the subject of media/comic book.
Źródło:: Poznańskie Studia Slawistyczne; 2012, 2
2084-3011
Pojawia się w:: Poznańskie Studia Slawistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Giovanni Battista Pergolesi i jego theatrum doloris
Autorzy:: Szywalski, Paweł
Powiązania:: https://bibliotekanauki.pl/articles/668959.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:: Giovanni Battista Pergolesi
opera
comic opera
opera buffa
the Enlightenment
sentimentalism
galant style
opera komiczna
oświecenie
sentymentalizm
styl galant
Opis:: Stabat Mater is one of the last compositions by Giovanni Battista Pergolesi and today it is probably the most well-known and valued arrangement of those ancient sequences. The composer translated the incredibly moving medieval poem into the sounds with a great mastery. He managed to create a musical fresco placing us in the centre of the suffering true mystery. The power of his music is so real and stimulating that it is not possible to remain indifferent.The following essay presents the phenomenon of Pergolesi’s artistic genius on the background of that time cultural changes and it focuses on his posthumous fame. The author analyses the composer’s achievement of galant style and discusses Pergolesi’s Stabat Mater in relation to the language of emotions related to sentimental literature. Moreover, he suggests to comprehend that music through the prism of the Italian Marian devotion phenomenon. Scientists are still intrigued by the figure of Giovanni Battista Pergolesi. They try to reconstruct his life story and to deal with the confusion concerning his legacy. The success story of Pergolesi’s Stabat Mater is particularly interesting. Thus, successive generations of musicologists ask a question what the fame origin of this work and its creator could be. The author of this essay presents a few clues that might help us to get closer to the answer to this question.
Stabat Mater is one of the last compositions by Giovanni Battista Pergolesi and today it is probably the most well-known and valued arrangement of those ancient sequences. The composer translated the incredibly moving medieval poem into the sounds with a great mastery. He managed to create a musical fresco placing us in the centre of the suffering true mystery. The power of his music is so real and stimulating that it is not possible to remain indifferent.The following essay presents the phenomenon of Pergolesi’s artistic genius on the background of that time cultural changes and it focuses on his posthumous fame. The author analyses the composer’s achievement of galant style and discusses Pergolesi’s Stabat Mater in relation to the language of emotions related to sentimental literature. Moreover, he suggests to comprehend that music through the prism of the Italian Marian devotion phenomenon. Scientists are still intrigued by the figure of Giovanni Battista Pergolesi. They try to reconstruct his life story and to deal with the confusion concerning his legacy. The success story of Pergolesi’s Stabat Mater is particularly interesting. Thus, successive generations of musicologists ask a question what the fame origin of this work and its creator could be. The author of this essay presents a few clues that might help us to get closer to the answer to this question.
Źródło:: Pro Musica Sacra; 2013, 11
2083-4039
Pojawia się w:: Pro Musica Sacra
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Autobus Linkego jako parodia PRL. Studium intertekstualne
Linke's "Autobus" as a parody of the Polish People's Republic. Intertextual study
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/917993.pdf
Data publikacji:: 2014-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: parody
caricature
comic effect
surrealism
texture
stereotype
symbole
style
poetics
aesthetics
turpism
art of the 1950s
image
reality
personal and social experience
Linke
panorama
intertext
allusion
distance
point of view
counterpoint
tragedy
catharsis
Opis:: Marek Hendrykowski’s study is concerned with the close-reading analysis and interpretation of the Autobus (1955–1961) oil on canvas painted by Bronisław Wojciech Linke. This masterpiece of Polish peinture of the 1950s is deeply related to history and conditions of human life in Poland and other East European countries after World War II where everyday life is based on ideology imposed on society. Linke’s peinture gives emblematic ironic image of it created as an anti-social realist protest based on paradigm of Polish culture and art of the period.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 65-79
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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