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Tytuł:
ZGORZELSKIS THEORY OF LYRIC POETRY: GENOLOGY AND AXIOLOGY
Autorzy:
KUCZERA-CHACHULSKA, BERNADETTA
Powiązania:
https://bibliotekanauki.pl/articles/623947.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
CZESŁAW ZAGORZELSKI
LYRIC POETRY
Opis:
Czesław Zgorzelski is known predominantly as a historian of literature. But Zgorzelski was also a distinguished theoretician of the lyric poetry. His most renowned disciple, Marian Maciejewski, wrote about it in his commentaries to the works of Zgorzelski. Zgorzelski’s works on the lyric poetry contain, very important observations on the nature of the lyric poetry, and the model, gradual changes within this genre. Zgorzelski’s findings in this area are fundamental and can be applied into other non-Romantic areas of reaserch.
Źródło:
Colloquia Litteraria; 2018, 3; 133-139
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rezydencja poezji. O liryce Marty Podgórnik
Residence of poetry. Lyrics by Marta Podgórnik
Autorzy:
Czyżak, Agnieszk
Powiązania:
https://bibliotekanauki.pl/articles/1041519.pdf
Data publikacji:
2018-10-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
contemporary poetry
woman lyric
individuality
Opis:
The article contains interpretations of verses written by Marta Podgórnik during last twenty years (1996-2016). This analysis of Silesian writer’s poetry lead to recognitions of aspects, themes, images, particularites it includes. Podgórnik creates pictures of unsubmissive and indyvidualistic women, which must exist out of main discourses: patriarchal and feministic. But the most important in this poetry is language used for poetic but subversive descriptions of painful experiences, also by using intertextual references.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 33; 41-54
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
«Люблю Россию я». Жанровая традиция изображения России в лирическом жанре инвективы
„Lyublyu Rossiyu ya…”. The genre tradition of presentation Russia in the lyrical genre of invective
Autorzy:
Краковяк, Александра
Powiązania:
https://bibliotekanauki.pl/articles/22596200.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
genre
invective
lyric poetry
structure
Opis:
The author considers a group of Russian poetic texts aimed at the political foes of Russia as a state. The author argues that these texts are samples of lyrical genre of invective, which is proved by their semantic structure and the objective of the text as a kind of poetic expression. The structure of the genre and its tradition imply a specific image of Russia, which forms in all of the texts analysed, regardless of the literary epoch and political beliefs of the poets.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2012, 5; 21-29
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Поэт в интерьере: «знаки традиции» в русской лирике XIX века
Hero-poet and his furnishings: “signes of tradition” in Russian lyric of 19th
Autorzy:
Ляпина, Лариса
Powiązania:
https://bibliotekanauki.pl/articles/22446751.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
plot
Russian lyric
study room
Opis:
The article presents a study of the typical lyrical plot, representing the hero-poet in his study room. Comparative analysis of Russian lyric poems of different genres (elegy and others) and authors (Batyushkov, Pushkin, Fet, Polonsky and others) reveals the certain traditions in evolution of this plot – in comparison with the similar tradition in novel (investigated earlier by N. Nyagolova). In the beginning of 20th century these traditions can be observed in Bunin’s poetry and two poems of I. Annensky and N. Gumilev.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2013, 6; 23-30
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Об одном способе маркировать дискурсивную перспективу в лирической поэзии, Композиция и референциальные связи, или В чем неправы П. Хоппер и С. Томпсон
On One Way of Marking Discourse Perspective in Lyric Poetry. Composition and Referential Links, or Where P. Hopper and S. Thompson are Wrong
Autorzy:
Zeldowicz, Gennadij
Powiązania:
https://bibliotekanauki.pl/articles/568144.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Mikołaja Kopernika w Toruniu. Wydawnictwo UMK
Tematy:
lyric poetry
composition
foregrounding
backgrounding
Opis:
The paper focuses on one of the devices serving to mark the foregrounded part of a lyric poem, which is the break of referential continuity. It is shown that in many instances the most salient part of the poem, corresponding to the discovery of some important truth or some other change in the author’s attitude towards the world, is constructed in such a way that its referential links to the preceding text are either interrupted or seriously weakened. The important implications which this fact has for the general theory of grounding are discussed at some length.
Źródło:
Linguistica Copernicana; 2015, 12; 245-270
2080-1068
2391-7768
Pojawia się w:
Linguistica Copernicana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rev.:] Maria Mili Purymska, Na skrzydłach wiatru, Zagnańsk : Świętokrzyskie Towarzystwo Regionalne ; Chicago : [s.n.] 2012, 103, VIII p. [Maria Mili Purymska, On the wings of the wind, Zagnańsk: the Świętokrzyskie Regional Association; Chicago : [s.n.] 2012, 103, VIII p.
Autorzy:
Szymczyk, Alina
Powiązania:
https://bibliotekanauki.pl/articles/951896.pdf
Data publikacji:
2013
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
Purymska Maria Mili (1946 -)
Polish poetry in the United States
poetry of emigration
religious lyric poetry
patriotic lyric poetry
personal lyric poetry
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2013, 1(1); 145-148
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obraz przyrody w średniowiecznej niemieckiej liryce dworskiej oraz w Księdze natury Konrada von Megenberga
The image of nature in the medieval German court lyric poetry and in Konrad von Megenberg’s Buch der Natur
Autorzy:
Dubrowska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1954032.pdf
Data publikacji:
2004
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
liryka dworska
Minnesang
pieśni
liryka średniowieczna
natura
court lyric poetry
song
medieval lyric poetry
nature
Opis:
On selected examples the author analyzes the concept of nature in the medieval court poetry. German medieval court lyric poetry, identified with love poetry, being the only phenomenon of its kind in the history of literature, surprises one with multitude of forms and themes. Although the motif of nature does not constitute its essence, it still remains its complement, for the image of nature sketched by the poets that emerges from the court poetry is the background of thoughts about love. The article about the image of nature in Konrad von Megenburg's Buch der Natur makes the reader familiar with the first attempt at systematizing the nature written in German.
Źródło:
Roczniki Humanistyczne; 2004, 52, 4; 59-76
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Trebaju li čudovišta, mutanti i utvare glasati? Monstruozna hrvatska lirika i načelo demokratske jednakosti
Should Monsters, Mutants, and Ghosts Vote? Monstrous Croatian Lyric and the Principle of Democratic Equality
Autorzy:
Vuković, Tvrtko
Powiązania:
https://bibliotekanauki.pl/articles/636224.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Croatian Lyric
performativity
monstrosity
humanity
democracy
Opis:
The paper starts from the assumption that Croatian modern lyric, from Matoš to Maleš, is haunted by various monsters, phantoms and mutants, and possessed by ghosts. Phantasmal hair speaks, the body changed by illness acquires autonomy, bird-men, space-twins and angels inhabit the humanized world, the dead seek eternity, the turtle measures itʼs own existence in relation to space and time, and Jesus-fish according to the degree of its own evolutionary transformation, while language cyborgs and hybrid beings are born. The lyric about monsters is itself a monstrous discourse. In this discourse human existence is necessarily contaminated by the abhuman and the parahuman, language includes its own mutations, and the encounter with meaning depends on the ultimate deformation, hybridization and disappearance of meaning. Thus, in the very center of our humanity, in the artistic form that determines the measure of the humanity of our community, questions about what is humane and inhumane, how to determine the boundary between them, and is not the general understanding of humanity always-already determined by oneʼs own inhuman or a-human are raised. Looking at a series of lyric texts, the paper will analyze these relationships and subsequently show their possible political and legal effects. I will refer to theoreticians who read the lyric as a linguistic event and performative type of utterance (J. Culler, P. de Man, B. Johnson, and others) and to thinkers who, to say it simply, perceive the ideas of equality, law and justice as phantasmal, mutated, scandalous or monstrous democracy (G. Agamben, J. Rancière, J. Derrida, J-L. Nancy and others).
Źródło:
Poznańskie Studia Slawistyczne; 2019, 17; 285-301
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"What activism can learn from poetry": Lyric Opacity and Drone Warfare in Solmaz Sharif’s LOOK
Autorzy:
Finberg, Keegan Cook
Powiązania:
https://bibliotekanauki.pl/articles/2076963.pdf
Data publikacji:
2022-06-15
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Solmaz Sharif
Drones
Surveillance
Recognition
Opacity
Lyric
Opis:
The essay explores whether concealing humanness or emphasizing humanness is a more effective strategy for anti-drone activism that seeks to disrupt the conventional epistemologies of militarized surveillance. Building on Édouard Glissant’s decolonizing philosophy of relation and more recent theories of gender and surveillance such as Rachel Hall’s notion of “animal opacity,” the essay argues that poetry is one place we might find an answer to what seems like a binary problem of seeing versus unseeing humanity in technologically mediated aerial warfare. I illustrate that the 2016 poetry collection LOOK by Solmaz Sharif intervenes to suggest activism that steers readers away from the logics of recognition and toward the ethical potential of concealment. LOOK garners formal elements from lyric and experimental poetry traditions to employ a strategy of resistance-looking based in multiple valences of opacity.multiple valences of opacity.
Źródło:
Review of International American Studies; 2022, 15, 1; 69-87
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zofia Wojnarowska. Poetka dla dzieci – poetka miłości – poetka rewolucji
Zofia Wojnarowska. Children’s poetess – a poetess of love – a poetess of revolution
Autorzy:
Zawiszewska, Agata
Powiązania:
https://bibliotekanauki.pl/articles/1041640.pdf
Data publikacji:
2018-10-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
modernism
Polish poetry
Zofia Wojnarowska’s lyric
Opis:
The article discusses Zofia Wojnarowska’s (1881-1967) biography and poetry which were representative of the life path and artistic career of many other active Polish poetesses at the turn of the 19th  century. The output of Wojnarowska, who made her debut in the period of Young Poland and reached her artistic maturity in the interwar period, expresses a typical situation of an artist–epigone whose mediocre talent looks for its own expression and place in the literary Parnassus in the time of, important for the national community, political, economic and cultural changes. Political facts like the country’s occupation, World War I and a difficult process of the restoration of an independent country influenced the judgments of Polish critics who rarely applied esthetic criteria to the evaluation of poetesses’, including Wojnarowska’s, output and instead appreciated their subordination to the following functions: didactic (in children’s poetry), expressive (in love poetry) and ideological (in the poetry of proletarian revolution). The situation in which systemic and individual factors like the emancipation of women, the crystallization of literary professions literary critics’ lenient approach to the artistic output of women and the ease of writing overlapped, the need of success and ideological engagement, on the one hand, made it difficult for women writers to improve their own work, to function in higher mainstream and to play the roles of culture creators and, on the other hand, made it easier for them to function in the popular mainstream and play a role of literary craftsmen.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 32; 57-74
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polskie realia w kolędach i pastorałkach XVII i XVIII wieku (na materiale tzw. Kantyczek karmelitańskich)
The Image of the World in Christmas Carols and Songs of the 17th and 18th Century (Based on the So-called Kantyczek karmelitańskich [“Carmelite Canticles”])
Autorzy:
Borejszo, Maria
Powiązania:
https://bibliotekanauki.pl/articles/1045540.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Enlightenment
religious lyric poetry
song
Christmas carol
Opis:
The object of research for the author of the article has been the ancient realities recorded in the texts of carols from the 17th and 18th centuries. The material originates from an extensive manuscript collection of Christmas carols and songs, comprising 357 texts, owned by the cloister of Carmelite nuns in Cracow. This invaluable written monument of religious lyric poetry was published in print by Barbara Krzyżaniak in 1980. The image of the world presented in the Old-Polish carols reflects – in a careful and detailed manner – the realities of the Baroque and the Enlightenment periods, especially the realities of poor Polish rural areas, which the authors of Christmas carols must have known firsthand. Specific saturation of Christmas songs with lay motifs can be observed in the central and closing part of the studied collection.In the lexicon found in Kantyczki karmelitańskie, which describes Old-Polish realities, two basic categories can be distinguished: one of them is composed of proper names (mainly the names and nicknames of shepherds and the names of nuns), the second – much more extensive and internally diversified – comprises the names of all kinds of objects that appear in the descriptions of shepherds’ preparations prior to their journey or merry-making at Christ’s crib. They are, for example, the information about the clothes worn by shepherds, farming implements and household objects, the means of transportation, foodstuffs, dishes, the animals reared or living free, the plants cultivated by people or growing naturally, musical instruments etc. 
Źródło:
Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2014, 21, 1; 11-34
1233-8672
2450-4939
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Deotyma – Norwid’s “Tenth Muse”
Autorzy:
Krysowski, Olaf
Powiązania:
https://bibliotekanauki.pl/articles/17887789.pdf
Data publikacji:
2021-06-10
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Romanticism
lyric poetry
improvisation
Muse
inspiration
irony
Opis:
This article attempts to recreate the image of Jadwiga Łuszczewska from the literary works and letters by Cyprian Norwid. The young improviser sparked controversy not only among the critics, but also among the Warsaw socialites in Romantic period. Norwid, however, considered her personality as original, modern and capable of refreshing Polish poetry. In his poems he describes her as “the tenth Muse” and compares her to Sappho, who was called exactly the same name by Plato in recognition of her poetic talent. Moreover, he depicts her in an idealized manner, like a contemporary sibyl who advises the nation on how to proceed in a tragic historical period. Norwid’s enthusiasm waned at the beginning of the 1860s when it became clear that the poetic works by Deotyma were becoming repetitive, constantly revisiting the same motives, ideas and aesthetic means, unable to go beyond the horizon defined at the onset of her career. He realized that behind the female figure he himself ennobled – as comforter, Samaritan, visionary, and statuesque Muse – there is a human being, imperfect and, in some aspects trivial, affected or even philistine.
Źródło:
Studia Norwidiana; 2020, 38 English Version; 5-20
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Драматичні етюди Олександра Олеся: символізм і театральність
Short Drama Stories of Oleksandr Oles’: Symbolism and Theatricality
Autorzy:
Chorob, Stepan
Powiązania:
https://bibliotekanauki.pl/articles/1807315.pdf
Data publikacji:
2016-02-02
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
theatricality of poetry
lyric drama
poetic theatre
the lyric hero’s character
symbolistic dramaturgical sketches by O. Oles’
Opis:
The article raises the issue of the existence of Ukrainian poetic/lyric dramaturgy. Based on the example of the analysis of lyric-intimate symbolist dramaturgical sketches by O. Oles’, it is proved that the characteristic features of such types of works are the lyric self-expression of the hero resulting from poetic speech, the incredible tenseness of monologues and dialogues, intensification of inner psychological conflict, reduction and erosion of the plot pattern of events, extension of theatricality and the emotional perception of the world and the mental condition of the dramatis personae, et cetera. For clarification of such dramaturgy of the writer, typologically similar plays by other Ukrainian and foreign authors are given.
Źródło:
Studia Ucrainica Varsoviensia; 2016, 4; 463-473
2299-7237
Pojawia się w:
Studia Ucrainica Varsoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O zbawieniu (z Wierszy ostatnich Czesława Miłosza)
O zbawieniu [On salvation] (From Last poems by Czesław Miłosz)
Autorzy:
Bernacki, Marek
Powiązania:
https://bibliotekanauki.pl/articles/511618.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz.
Adam Mickiewicz,
lyric of vanitas,
interpretation
Opis:
The article is dedicated to detailed analyzing and interpreting the Miłosz’s poem O zbawieniu [On salvation]. This poem was most probably written two years before Miłosz’s death and was located at the end of the volume Last Poems (2006). The author confronts “the last poem” of Miłosz with Mickiewicz’s “the cry poem” written in Lausanne (“wiersz płacz” as Przyboś called it): “I shed pure tears, countless tears…”. Both poems – though representing different genres – (Mickiewicz’s poem is a model example of immediate lyrical confession; Miłosz’s poem has a form of poetic minitreaty) express related ideas through similar fig-ures such as: repetition, enumeration, synecdoche, ellipse. Both texts can be related not only because of the similarities in composition and structure, but also because of their catharsis- aimed character. Mickiewicz achieves purification through tears shed over his life and humble acceptance of the fact that a project formed in his youth resulted in a disaster in his manhood. Miłosz presents the state of liberating salvation as a result of the peaceful and lighted with non-of-this-world gleam contemplation of the difficult truth concerning the necessity of giving up all the earthly things. Both “last poems” of the great poets can be regarded as the masterpieces of a lyric of vanitas. Their main aim can be described as an attempt to confront the mystery of eschatological dimension of human existence.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 257-273
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bezoar z łez ludzkich czasu powietrza morowego by Walenty Bartoszewski as an Example of “A Prescription for the Soul and the Body” at the Time of the Plague
Autorzy:
Kardasz, Monika
Powiązania:
https://bibliotekanauki.pl/articles/2030569.pdf
Data publikacji:
2021-02-21
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
lyric song
religious poetry
Jesuit poetry
bezoar
plague
Opis:
The article is an attempt to interpret a hardly known collection of poems by Walenty Bartoszewski, a Jesuit in Vilnius, published in reaction to the outbreakof the plague in Vilnius in the years 1629–1632, which constitutes the testimony of increased religiousness in the face of an epidemic. In the article, the author of the collection is presented, as well as his poetic oeuvre. Also, a brief description of the social background of those events is given. Then, other texts from the 16th–18th centuries, concerned with the topic of the epidemic are characterized. They include sermons, secular works, religious songs and prayers. The main part of the article is devoted to the interpretation of the collection by Bartoszewski in the context of the most important aspects of the volume Bezoar z łez ludzkich czasu powietrza morowego [Bezoar of Human Tears Shed at the Time of the Plague], which include: the manifestation of religiousness at the beginning of the 18th century, the realities of the epidemic depicted in lyrics, the vision of God and Christ, ways of protecting the faithful against the plague, and the intercession of the Mother of God.
Źródło:
Tematy i Konteksty; 2020, 1; 121-149
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
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