Temat: śpiewniki - Katalog OPAC zbiorów

Tytuł:: "Cithara octochorda" – najważniejszy śpiewnik kościelny w dziejach Chorwacji
The most important songbook of the church in the history of Croatia
Autorzy:: Baer, Magdalena
Powiązania:: https://bibliotekanauki.pl/articles/951016.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:: Chorwacja
XVIII wiek
śpiewniki kościelne
Cithara octochorda
Opis:: Octochorda cithara songbook was first published in Vienna in 1701. The texts which were included in it came from the second half of the seventeenth century from the area of the Archdiocese of Zagreb, as this set was created as the main songbook in that area. Cithara Octochorda became so important because it is the first printed collection of songs in Croatian church containing the notation. All the previous works of this type written in Latin, are printed, but do not have the notation, and those written in the earlier period in various dialects of the Croatian language at that time remained still in manuscript form, but often have the musical notation. The purpose of this paper is to present the most famous Croatian church songbook, which became a model for the editors of later works of a similar nature. The paper includes such issues as a language, literary and cultural role that cithara Octochorda played in the development of consciousness and national identity of Croats. The paper will also mention research capabilities that Cihtara Octochorda songbook gives researchers of different scientific fields. The songbook also contains Croatian texts written in kajkavian dialect used in the eighteenth century as a literary language in the Archdiocese of Zagreb, which is the reason why from the linguistic point of view the work is a source for linguistic analysis. For musicologists this collection is important and valuable, as it contains the notation of many songs, which is one of the first in Croatia. Songbook can also be a source of historical research because of the names of the authors of some texts and melodies.
Źródło:: Studia Wschodniosłowiańskie; 2014, 14; 7-14
1642-557X
Pojawia się w:: Studia Wschodniosłowiańskie
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: Śpiewnik Pieśni i Piosenek Legionowych z repertuaru Reprezentacyjnego Zespołu Artystycznego Wojska Polskiego
Współwytwórcy:: Lewandowski, Paweł. Redakcja
Cierocki, Henryk. Redakcja
Racewicz, Mirosław. Redakcja
Wiechowska, Małgorzata. Redakcja
Gniewek, Arkadiusz. Redakcja
Reprezentacyjny Zespół Artystyczny Wojska Polskiego. Instytucja sprawcza
Data publikacji:: 2018
Wydawca:: Warszawa : [Wydawca nieznany]
Tematy:: Legiony Polskie (1914-1917)
Piosenka wojskowa
Śpiewniki wojskowe
Opis:: U dołu strony tytułowej: Wydanie okolicznościowe z okazji 100. rocznicy Odzyskania Niepodległości.
Dostawca treści:: Bibliografia CBW

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Skocz do pozycji: 8.

Tytuł:: Pieśń ujdzie cało : śpiewnik. T. 1-2
Współwytwórcy:: Korniewski, Wiesław. Opracowanie
Łochowski, Leon. Opracowanie
Kazimierczyk, Barbara. Recenzja
Data publikacji:: 1992-1995
Wydawca:: Warszawa
Tematy:: Recenzja
Śpiewniki wojskowe
Muzyka wojskowa
Pieśń i piosenka
Dostawca treści:: Bibliografia CBW

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Skocz do pozycji: 9.

Tytuł:: O przepaścista długa wieczności – próba ocalenia pieśni „pustej nocy” na Kaszubach
Autorzy:: Bronk, Sławomir
Misiaszek, Antoni
Powiązania:: https://bibliotekanauki.pl/chapters/1047471.pdf
Data publikacji:: 2017
Wydawca:: Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:: śpiewniki kaszubskie
pieśń "pustej nocy"
ks. Józef Mazurowski
muzyka kaszubska
muzyka chóralna
Opis:: The “home death” model was dominating at the Kashubian villages, beginning approximately in the second half of the XX century. Both family and neighbours of the dying would present in the time leading up to their death. Any post-mortal processes, such as preparing the corpses for burial, funeral arrangements and daily devotions took place in the house of the deceased. During the first two evenings, the ‘rosary’s prayer’ would be recited and on the third evening, once all of the locals and relatives of the deceased were gathered together, the prayer vigil, named “The Empty Night”, would be extended until the morning. Throughout the night, hymns would be sung, periodically interrupted for the rosary’s prayer. Most of these hymns would be published for the singers although many others would have been learned by memory. The collection of Catholic pious songs for both the church and home use, was written by Fr. Stephen Keller (1827–1872), published in Pelpin, in 1871, 1880, 1886, 1901 and 1902. These are some of the oldest Hymnals. Another collection of religious songs, often encountered today, are the New Canticle of pious songs; according to the rite of Sts. Catholic church at the annual celebration, published in Poznań (1908) by Jan Herman Szczypior from Załakowo. Ethnographic studies were conducted during the last spring at the Kashubian area, which included the group of “Empty Night’s” songs. However, unfortunately these findings have since disappeared. The aim of the recordings undertaken was to release the Kashubian’s “Empty Night” Hymnal which, as opposed to the original publication, would include the melody score.
Źródło:: TOŻSAMOŚĆ MUZYKI SAKRALNEJ W DIALOGU Z KULTURĄ WSPÓŁCZESNĄ; 199-215
9788364615276
Dostawca treści:: Biblioteka Nauki