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Wyświetlanie 1-8 z 8
Tytuł:
„Angels and Men’ assisted by this Art, May Sing together, though they Dwell apart”– angielskie antologie świeckiej i religijnej muzyki wokalnej z drugiej połowy XVII wieku w kolekcji Biblioteki Jagiellońskiej
“Angels and Men’ assisted by this Art, May Sing together, though they Dwell apart” – early English prints of court ayres and sacred songs from the second half of the seventeenth century kept in the Jagiellonian Library
Autorzy:
Różańska, Róża
Powiązania:
https://bibliotekanauki.pl/articles/513914.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
John Playford
Henry Playford
ayre
Opis:
The article describes the group of seventeen early English prints from the second half of the 17th century. The prints are part of the collection of the former Preusische Staatsbibliothek in Berlin kept in The Jagiellonian University and contain ayres and religious songs. Fourteen of them were published by John and Henry Playford. The first part of the paper shows the biographies of the publishers and brings the state of research on their work. The second part includes the detailed description of the seventeen of early English prints. The final part presents the content of the prints and biographies of its most important composers.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2016, 2(29); 120-138
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wokół opery Giulio Cesare in Egitto (HWV 17) G.F. Handla. Kontekst historyczny i struktura dzieła. Maestria partii solowych bohaterów pierwszoplanowych – pomiędzy neapolitańskim przepychem a późnobarokowym dążeniem do dramatyzmu
On G.F. Handel’s opera Giulio Cesare in Egitto (HWV 17). Historical context and structure of work. Virtuosity of main characters’ vocal arias
Autorzy:
Różańska, Róża
Powiązania:
https://bibliotekanauki.pl/articles/513950.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
G.F. Handel
opera seria
Giulio Cesare in Egitto
Opis:
The article is dedicated to virtuosity of vocal arias in Giulio Cesare in Egitto by George Frideric Handel. The main goal of this text is to examine the form of the opera and the role of an artistic expression in the arias. This paper presents the overall situation of Italian opera in Britain in the eighteenth century and justifies the position of G.F. Handel as a leading composer of that period. The text shows fiction and reality in libretto by N.F. Haym (a comparison of the real history of Caesar and Cleopatra with the opera, by means of juxtaposition of historical works and translations of sources from ancient Rome known in the British Isles in the early eighteenth century).
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2014, 1(20); 20-46
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wilk w owczej skórze? Bohaterowie lub/i nikczemnicy obojga płci w operach G.F. Händla na przykładzie postaci Kserksesa, Polinessa, Grimoalda, Alciny i Tolomea
The wolf in sheep's clothing? Heroes or/and villains both sexes in G. F. Handel's operas illustrated by characters of Xerxes, Polinesso, Grimoaldo, Alcina and Tolomeo
Autorzy:
Różańska, Róża
Powiązania:
https://bibliotekanauki.pl/articles/513988.pdf
Data publikacji:
2014-04-01
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
George Frideric Handel
opera seria
Giulio Cesare in Egitto (HWV 17)
Rodelinda (HWV 19)
Ariodante (HWV 33)
Alcina (HWV 34)
Xerxes (HWV 40)
villains and heroes operatic characters
Opis:
The article is dedicated to hidden meaning in musical arrangement of the operatic arias by George Frideric Handel. The main goal of this text is to redefine the true nature of villains heroes in Handel's operas. The analysis contains examples of five works: Giulio Cesare in Egitto (HWV 17), Rodelinda (HWV 19), Ariodante (HWV 33), Alcina (HWV 34) and Xerxes (HWV 40) upon which examination of traditional role of rascals (which are Tolomeo, Grimoaldo, Polinesso, Alcina and Xerxes) reveals their secret keeping positive aspects. The composer changed the original meaning of the libretti by using compositional techniques traditionally linked with positive heroes. In addition the comparison of listed works allows to assess to what extent the strict categories form a opera seria type were modified by Handel and shapes new questions for further examination.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2014, 2(21); 46-97
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Technika parodii w Mszy Doctor Bonus Giovanniego Francesca Aneria
The parody technique in Giovanni Francesco Anerio’s Mass Doctor bonus
Autorzy:
Różańska, Róża
Powiązania:
https://bibliotekanauki.pl/articles/514112.pdf
Data publikacji:
2013-07-01
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Giovanni Francesco Anerio
Giovanni Pierluigi da Palestrina
parody Mass
parody technique
Doctor bonus
Opis:
The main topic of the article is the analysis of the parody technique in the Mass Doctor bonus by Giovanni Francesco Anerio. The text consists of two parts: a historical presentation of the artist’s biography and an analytical study. The first part presents the composer’s life and musical achievements as well as the state of research on the history of the genre, while the second part describes the rules of the parody technique, in the light of treatises of the era, in comparison with equally entitled Palestrina’s motet. The parody technique allows Anerio to quote both entire polyphonic structures and single melodic lines. However, despite the strong convergence essential for the procedure of parody, the composer was able to present their own solutions while adhering to the rules of classical counterpoint and the style of his famous Roman predecessor. Thus, the piece is entirely based on Palestrina’s ideas, such as interweaving phrases with the equality of votes, shaping of phrases or use of intervals with Anerio’s own texture very alike. Therefore, the Mass, based on the perception of parody in the late Renaissance era, should be assessed as a perfect musical work.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2013, 9(19); 1-34
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Leone Leoni – zapomniany kompozytor wczesnego baroku
Leone Leoni as a forgotten composer of the Early Baroque era
Autorzy:
Różańska, Różą
Powiązania:
https://bibliotekanauki.pl/articles/514106.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Leone Leoni,
small-scale concerto,
madrigal,
early Baroque
Opis:
The article is a pioneer attempt in Polish literature to develop a syn¬thetic resume and the characteristics of the work of the Italian Baroque composer Leone Leoni. Leoni was highly valued in his time; also, he is said to be one of the creators of dramma per musica genre, and his religious compositions served as model examples of counterpoint for many centuries. The first part of the text presents the state of research concerning the life and work of the artist; then, the second part con¬tains his biography. The last part discusses Leoni’s works. Finally, the rank of his output is regarded.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2017, 1(32); 57-77
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nieodkryte silva rerum. Francuskie druki muzyczne z XVII i XVIII stulecia w zbiorach Biblioteki Czartoryskich
Unexplored silva rerum. French printed music of the seventeenth and eighteenth centuries in the collection of The Princes Czartoryski Library in Cracow
Autorzy:
Różańska, Róża
Powiązania:
https://bibliotekanauki.pl/articles/513972.pdf
Data publikacji:
2014-10-01
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
The Princes Czartoryski Library in Cracow
French musical prints
Jean-Baptiste Lully
Charles Simon Favart
Opis:
The article is a contribution to the musical life of the Polish aristocracy in the 17th and 18th centuries on example of French musical prints kept in The Princes Czartoryski Library in Cracow (Biblioteka Książąt Czartoryskich). The Library is very famous for their historical resources, yet the music collection remains scientifically unexplored: the only access to the content is a card catalog. Among roughly fifteen hundred musical prints and manuscripts stands out a very unique group of 45 French prints, associated with the repertoire of the court in Versailles. The text presents a brief description of these resources divided into three groups in terms of genre, depicted in the tables in the annex. The printings is presented chronologically in three separate categories, which reflect both the importance of the authors and the number of prints. Hence, the first category consists of prints of Jean-Baptiste Lully’s works (which are four, among others’ second editions of Thesée and Armide), the next category includes the works of Charles Simon Favart (five librettos and thirteen stage works), and finally the last category collects single prints of composers worked for Versailles in the 17th and 18th centuries.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2014, 4(23); 46-66
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Leone Leoni as a Forgotten Composer of the Early Baroque Era
Autorzy:
Różańska, Róża
Powiązania:
https://bibliotekanauki.pl/articles/514128.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Leone Leoni
small-scale concerto
madrigal
early Baroque
Opis:
The article is a pioneer attempt in Polish literature to develop a syn¬thetic resume and the characteristics of the work of the Italian Baroque composer Leone Leoni. Leoni was highly valued in his time; also, he is said to be one of the creators of dramma per musica genre, and his religious compositions served as model examples of counterpoint for many centuries. The first part of the text presents the state of research concerning the life and work of the artist; then, the second part contains his biography. The last part discusses Leoni’s works. Finally, the rank of his output is regarded.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2017, 1(32) Eng; 57-75
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sponsoring innowacyjnych wydarzeń w obszarze muzyki klasycznej na przykładzie projektu the met live in hd
The Case of The Metropolitan Opera Live in Holproject
Autorzy:
Różańska, Róża Zuzanna
Powiązania:
https://bibliotekanauki.pl/articles/1052676.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
ponsorship
artistic patronage
CSR
technological innovations
opera performances
classical music concerts
The Met Live in HD
Digital Concert Hall
Opis:
Technological innovations are becoming a truly global phenomenon in the course of the twentieth first century. The article draws attention to the issue of sponsorship of two innovative projects dedicated to classical music – The Met Live in HD movie-theatre transmissions and Digital Concert Hall concerts on demand. The text shows how NGOs and commercial companies have been supporting the projects. The analysis includes all supporters. These are, respectively, Bloomberg, Toll Brothers and The Neubauer Family Foundation for The Met, and Sony and Deutsche Bank for Berliner Philharmoniker. Case study was chosen as the research method. The analysis revealed flexibility between the patterns of sponsorship and patronage, as well as absence of CSR term within campanies’ self-descriptions, except Deutsche Bank case.
Źródło:
Zarządzanie Mediami; 2016, 4, 1; 39-54
2353-5938
Pojawia się w:
Zarządzanie Mediami
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-8 z 8

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