Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "reverie" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-4 z 4
    Tytuł:
    Writing and describing water. Dreamy contemplations in the novel “Madame Orpha” by Marie Gevers
    Autorzy:
    Pop, Daniela-Anastasia
    Powiązania:
    https://bibliotekanauki.pl/articles/605549.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    Marie Gevers
    reverie
    symbol
    thematic study
    water
    Marie Gevers, living water, mirror water, profane water, reverie, sacred water, symbol, water of death
    Opis:
    Der Band enthält die Abstracts ausschließlich in englischer Sprache.
    One of the most common symbols used in literature, water, which is both a source of life and a rich symbol of meaning, is a theme that has transformed into a real instrument of aesthetic research over the last centuries. In this article, we show how the Francophone woman writer, Marie Gevers, uses the symbol of water in Madame Orpha. We also identify some of the functions that this element has in her autobiographical text and we analyze the way in which the reveries on water are reconstituted in order to give a coherent and a meaningful writing.
    Le numéro contient uniquement les résumés en anglais.
    Том содержит аннотацию только на английском языке.
    Źródło:
    Lublin Studies in Modern Languages and Literature; 2018, 42, 3
    0137-4699
    Pojawia się w:
    Lublin Studies in Modern Languages and Literature
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „В некоторых стихиях опознаешь себя” — метафизическая интерпретация материального образа воды в эссе Иосифа Брод¬ского „Набережная неисцелимых”
    “One recognizes oneself in certain elements” — a metaphysical interpretation of the material image of water in Joseph Brodskys “Watermark”
    Autorzy:
    Nigiel, Adrianna
    Powiązania:
    https://bibliotekanauki.pl/articles/915337.pdf
    Data publikacji:
    2018-09-22
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Bachelard
    phenomenology of poetic imagination
    metaphysics
    cosmic reverie
    Brodsky
    water image
    material imagination
    Opis:
    Describing the poetry of Venclova, Brodsky states that „every major poet has an idiosyncratic inner landscape against which his voice sounds in his mind or, if you prefer, subconsciously”[1]. We cannot but look at it as a potentially auto-referential remark. For Brodsky, definitely a major poet, such a place is Venice, yet it is surprising that his chief essay on that place does not capture many scholars’ attention. At the same time, there are relatively few studies that focus exclusively on the poetic images in Brodsky’s works as the material realization the poet’s reverie. That seems to be a huge negligence given that the metaphysical concern so characteristic of the poet is at its peak in this literary piece. The present study focuses on the images of water in Brodsky’s essay as being the chief substance of his cosmic reverie. The methodology derives from Bachelard’s phenomenological method, the aim of which is to communicate with the imagining consciousness of the poet who creates original images specific to him- or herself. While the poet’s experiences are not taken into account in uch an approach, the cosmology they recreate in poetry is and should be. The main aspects of Brodsky’s cosmic reverie communicated through water are that of the inherent connection between the poet and the universe he creates (а „diffuse ontology”), the existential conflict between human life and absolute Time that is a typical motif in Brodsky’s literary work, as well as the transcendental quality of poetry. All the abovementioned supports Bachelard’s intuition and encourages further study of the poet’s work in this context. 
    Źródło:
    Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2016, 6; 151-162
    2391-470X
    Pojawia się w:
    Kultury Wschodniosłowiańskie – Oblicza i Dialog
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Emma, Luiza i inne, czyli bovaryzm w Portugalii i Brazylii
    Emma, Louise and the others, or the bovarism in Portugal and Brazil
    Autorzy:
    Kalewska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/649102.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    the History of Ideas
    poetics of la revêrie
    French literature
    le bovarysme
    Lusophone literature
    Opis:
    The author uses the traditional methodology of literary history, making references to the critics of the myth and phantoms and the history of ideas. Based on the ideas of the theorists and writers of the West (George Sand, Charles Baudelaire, Vladimir Nabokov, Frederic Brown) and prominent Polish scholars (Maria Janion, among others), the author analyses the notion of le bovarysme within the realm of tragic „romantic dream taken out from romantic oeuvres” (MJ). The moral collapse of Emma Bovary and Luiza Mendonca as the heroines of Gustave Flaubert and Eca de Queiroz (in the novel Cousin Bazilio, 1878) would have a relation with the exhaustion of the pattern of the romantic poetics of dreaming (la reverie) and with undertaking by the Portuguese and Brazilian writers of the tasks outlined before the realistic literature „of a thesis” –what is summoned up is the thesis of the susceptibility of a woman to adultery. The Lusopohone metamorphoses and continuations of Emma Bovary are in a close relationship with the literary creation of Eca de Queiroz (in the novel in question and in the tale In the Windmill) as well as of Machado de Assis – the predecessor of the Brazilian realism and of numerous writers who use Portuguese and Spanish in Europe and Latin America.
    -
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2018, 49, 3; 61-83
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zmiana postrzegania melancholii w XVIII wieku i jej nowe odmiany przedstawione w dziełach literackich epoki
    The change in the perception of melancholy in the 18th century and its new variations presented in the literary works of the era
    Autorzy:
    Muranowicz, Sylwia
    Powiązania:
    https://bibliotekanauki.pl/articles/28408511.pdf
    Data publikacji:
    2021-11-04
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    melancholy
    sweet melancholy
    boredom
    spleen
    daydreaming
    reverie
    sadness
    emotions
    sensitivity
    emotional state
    Rousseau
    de Boissy
    du Deffand
    Opis:
    Until the 18th century, melancholy functioned in people’s consciousness like a disease or a genetic condition. During the Enlightenment, some changes allowed to perceive it as emotional states, without any medical connotations. Among the many works, in which melancholy is mentioned, one can find several types of it, although everyone describing it, treated it in a personal way. A few of the most common new terms are sweet melancholy (douce mélancolie), boredom (ennui ), vapours (vapeurs), spleen, consomption, reverie (rêverie). Thanks to the sensitivity that was fashionable in the 18th century, emotional dilemmas were perceived not only negatively, and sometimes even desirable.
    Źródło:
    Wiek Oświecenia; 2021, 37; 130-153
    0137-6942
    Pojawia się w:
    Wiek Oświecenia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies