Temat: film financing - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Film and finance. An attempt at a statistical comparison of the attendance results and ratings of Polish films in the years 2012–2015
Autorzy:: Adamczak, Marcin
Orankiewicz, Agnieszka
Powiązania:: https://bibliotekanauki.pl/articles/923136.pdf
Data publikacji:: 2018-12-22
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Polish film market
film economy
film financing
film and statistics
Opis:: The article is an attempt to use essential statistical tools for analysis of market performance of films and its aes- thetical judgements made by film critics and fans. The authors describe differences between evaluations of films by professional and non-professional viewers, correlations between market performance and artistic merit and impact of level of public support for success and quality of movies. The material for analysis are Polish films in cinema distribution between 2012 and 2015.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 23, 32
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Uwaga, ekran, akcja, reakcja. Czym jest dokument interaktywny – perspektywy rozwoju w Polsce na podstawie badań
Camera rolling, action, reaction. Interactive document – study of development prospects in Poland
Autorzy:: Desponds, Anna
Szylar, Anna
Powiązania:: https://bibliotekanauki.pl/articles/923073.pdf
Data publikacji:: 2018-04-26
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: interactivity
new narratives
webdok
i-doc
interactive document financing
research
creators
documentary
film
audiovisual
trans-media
new media
Opis:: Interactive documentaries bring new possibilities of artistic expression. They allow innovative ways of engaging the viewer, personalizing experiences, and building a community. At the same time interactive documentaries bring challenges: the need of new production skills, openness to experimentation, the development of new financing models. There is still a need to create a language to describe new formats. The semantic elusiveity of this area seems to be reflected in its market position. The genre is suspended between film, documentary film and computer games and both the audience and the distributors have difficulties defining it. This text is an attempt to describe what an interactive documentary might be, what sets it apart from other formats, and what’s the viewer’s role in this type of audio-visual formats. We present a few flagship projects from different countries and we look at the Polish audio-visual industry. We conducted a survey, asking Polish artists working on so-called new narratives about their work conditions and the biggest challenges they are facing. The second part of the text covers the results of our study.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 21, 30
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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