Temat: fiction and politics - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: L’écriture en crise pour un pays en crise. "Alger, journal intense" de Mustapha Benfodil
Writing in Crisis for a Country in Crisis. "Alger, journal intense" of Mustapha Benfodil
Autorzy:: Brodziak, Sylvie
Powiązania:: https://bibliotekanauki.pl/articles/2130962.pdf
Data publikacji:: 2022-08-12
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Crises, journal intime
Algérie
écritures du trauma
fiction et politique
processus créatif
Mustapha Benfodil
Crises, diary
Algeria
trauma writings
fiction and politics
creative process
Opis:: Depuis son roman Archéologie du chaos (amoureux) paru en 2007, Mustapha Benfodil s’applique à mettre en œuvre le programme énoncé par l’un de ses personnages : DECONSTRUIRE L’ORDRE NARRATIF NATIONAL. Son dernier roman, Alger, journal intense, publié en septembre 2019, en témoigne. Dans celui-ci comme dans tous ses textes, Benfodil fait exploser la langue, les genres, les formes discursives et éditoriales. Avec jubilation, colère et humour, il met à nouveau l’écriture en crise pour conter l’Algérie victime, depuis octobre 1988, d’une terrible série de crises. Ainsi, douze ans après, nous verrons comment, grâce à l’écriture déjantée de la fiction, Benfodil saisit le chaos historique dont l’Algérie post-coloniale essaie de sortir.
Since the publication his novel Archaeology of chaos (in love) in 2007, Mustapha Benfodil has applied himself to implementing the program set out by one of his characters: the DECONSTRUCTION OF THE NATIONAL NARRATIVE ORDER. His latest novel, Alger, journal intense, published in September of 2019, realises this project. As in his other texts, Benfodil challenges the rules of languages, genres, and even discursive and editorial forms. With jubilation, anger and humour, once again he puts writing in crisis to tell the story of Algeria that has been the victim of a terrible series of crises since October 1988. Twelve years later, Benfodil’s unstifled writing style captures the “historical chaos” from which post-colonial Algeria is trying to recover.
Źródło:: Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2022, 17, 1; 79-89
1505-9065
2449-8831
Pojawia się w:: Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Gdy runął mur. Literatura polska w dobie przełomu
When the wall fell. Polish literature in the wake of the change
Autorzy:: Bereś, Stanisław
Powiązania:: https://bibliotekanauki.pl/articles/559902.pdf
Data publikacji:: 2019
Wydawca:: Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:: Communism
Berlin Wall
Opposition’s ethos
servile writers
emigrant literature
literary awards
new literature and media
literary magazines
book market
feminism
speculative fiction
reportage
politics
art zines
e-zines
Opis:: The year of the fall of the Berlin Wall is an important turning point in the history of the 20th century Europe. It symbolises the erosion of the communist system, which in Poland had began thirteen years earlier – with breaking the omnipotence of censorship by the independent self-publishing. When in 1989 the Opposition came to power, they changed both the economic and political system, which in turn changed the whole Polish culture – the book market, publishers’ position, function of the magazines, and even writers’ status. The readers’ first reaction was a sudden increase of interest in the emigrant, gulag, and underground literature, however, not even a decade passed, when that interest started fading. Then came the second wave: popular literature (romances, crime stories, thrillers, speculative fiction). Also, there were changes in the literary life: the dominant role of the capital city during the Polish People’s Republic had been undermined by local initiatives (including art zines, publishing houses in the provinces), “the headquarters’” position was nevertheless maintained by the state television and the authority of the Nike Literary Award, which had been created in 1996. Poetry was dominated by “the old poets” (Cz. Miłosz, T. Różewicz, Z. Herbert, W. Szymborska), who, despite nearing the ends of their lives, were in an exceptionally good literary shape. They were accompanied by the authors of The New Wave, with whom the poets of “BruLion” group soon waged war. In prose, the writers born around 1960, who are well-known today in Europe (e.g. O. Tokarczuk), gained a strong position. The world recognition was also won over by the masters of the Polish reportage (e.g. R. Kapuściński, H. Krall) and their pupils (W. Tochman, W. Jagielski, M. Szczygieł).
Źródło:: Orbis Linguarum; 2019, 53; 247-262
1426-7241
Pojawia się w:: Orbis Linguarum
Dostawca treści:: Biblioteka Nauki

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