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Wyświetlanie 1-15 z 301
Tytuł:
Hélène Cixous: Autobiography in Question
Autorzy:
M’besso, Anicet Modeste
Powiązania:
https://bibliotekanauki.pl/articles/606239.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
autobiography
dream
writing
Opis:
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
Hélène Cixous constantly challenges any generic categorization and any autobiographical reading of her works, despite strong autobiographical evidence identifying the writer to the narrator. This challenge, as curious as it is, nevertheless has a reason to be. The works of Helene Cixous put into a narration a hybrid “I”, both fictional and real, a “Me” on the edge of a dream, which cannot have any real reference, so much so that it is impossible to read them as an autobiography, strictly speaking. Whether Les Rêveries de la femme sauvage. Scènes primitives or Le Jour où je n’étais pas là or even Philippines Prédelles, the autobiographical works on which the present study is based all have in common a challenge to any autobiographical reading.
Le numéro contient uniquement les résumés en anglais.
Том не содержит аннотаций на английском языке.
Źródło:
Lublin Studies in Modern Languages and Literature; 2016, 40, 2
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Timothy Findley, His Biographers, and The Piano Man’s Daughter
Autorzy:
Grace, Sherrill
Powiązania:
https://bibliotekanauki.pl/articles/641492.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Timothy Findley
AutoBiography
Opis:
In this paper, Sherrill Grace, Findley’s biographer, will examine her biographical practices in the context of Findley’s own memoir, Inside Memory, and his interest in creating fictional auto/biographers and auto/biography in several of his major novels (notably The Wars, Famous Last Words, The Telling of Lies, and The Piano Man’s Daughter). His fictional auto/biographers often use the same categories of document that Findley himself used-journals, diaries, archives-and this reality produces some fascinating challenges for a Findley biographer, not least the difficulty of separating fact from fiction, or, as Mauberley says in Famous Last Words, truth from lies. Like many writers, Findley kept journals all his life, and they are a key source of information for his biographer; however, his way of recording information and his creation of fictional journals means that a biographer (like the readers of his fictional auto/biographers) must tread carefully. While not a theoretical study of auto/biography, in this paper Grace will offer insights into the traps that lie in waiting for a biographer, especially when dealing with a biographee who is as self-conscious an auto/biographer as Findley.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 413-430
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Life as Fiction: the Autofictional Turn in Women’s Writing of the Maghreb
Autorzy:
Ali, Nancy Nabil
Powiązania:
https://bibliotekanauki.pl/articles/606217.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
autobiography
autofiction
collective autobiography
storytellers
postcolonial literature
feminisation of history
Opis:
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
The twentieth century witnessed the birth of a feminine strand of autofictional writing coming from the ancient colonies, of which Fantasia: An Algerian Cavalcade, by the francophone Algerian writer Assia Djebar, and the Arabic Memory in the flesh, by the Algerian writer Ahlam Mosteghanemi, are emblematic. Whether it be in the Arabic or French language, the women writers of the Maghreb risked writing an autobiography in a culture that stresses the anonymity of women. The coming to writing for these women is often accompanied by a desire – or necessity – to revisit the collective past from a female perspective. For these women, literary writing also meant writing their stories on the palimpsest of dominant history, in order to carve their place in it. To fight the forced amnesia of historical discourse constructed by man, they must create works that give voice to the stories silenced by the totalizing male narrative. Djebar and Mosteghanemi both insist that the emancipation of women is possible only if the subaltern woman becomes subject not object of her story/history.
Le numéro contient uniquement les résumés en anglais.
Том не содержит аннотаций на английском языке
Źródło:
Lublin Studies in Modern Languages and Literature; 2016, 40, 2
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Autobiografia, traktat, kultura ludowa
Autobiography, Treaty, Folk Culture
Autorzy:
Madejski, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/1377589.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
autobiography
academic autobiography
folk culture
autobiografia
autobiografia akademicka
kultura ludowa
Opis:
Autor przybliża nową książkę Andrzeja Mencwela, której fragment składa się na czwarty numer "Autobiografii". Ukazuje ją zarówno w kontekście zainteresowań badawczych wybitnego antropologa kultury, jak i w nawiązaniu do polskich prac ludoznawczych oraz w relacji do prozy profesorów.
The author introduces a new book by Andrzej Mencwel published in parts in fourth issue of "Autobiography". The book by Mencwel is shown both in the context of the research interests of this eminent cultural anthropologist, as well as in relation to the Polish ethnographic works and in relation to academic prose.
Źródło:
Autobiografia Literatura Kultura Media; 2015, 4, 1; 7-12
2353-8694
2719-4361
Pojawia się w:
Autobiografia Literatura Kultura Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Specyfika postrzegania historii własnego życia. Rozważania nad tekstami autobiograficznymi J.-J. Rousseau
Autorzy:
Winkler, Marta
Powiązania:
https://bibliotekanauki.pl/articles/600650.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
autobiography
autobiographical memory
Rousseau
Opis:
Autobiographical memory is a specific kind of memory concerning events and issues related to yourself. Your conception of your own life involves narratives in which all of yours experiences are interrelated. Autobiographical memory connects your present self with your past experiences (that’s why it’s important for theories about continuity of self). In this article I will analyse autobiographical texts of French philosopher Jean-Jacques Rousseau in the context of autobiographical memory theories.
Źródło:
Internetowy Magazyn Filozoficzny Hybris; 2015, 30
1689-4286
Pojawia się w:
Internetowy Magazyn Filozoficzny Hybris
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Edukacyjny wymiar biografii Innych, czyli czego uczy „Roman” Polańskiego?
The Educational Potential of Biographies of Others, or What Does Polanski’s Roman Teach?
Autorzy:
Jakubowski, Witold
Powiązania:
https://bibliotekanauki.pl/articles/50471241.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
education
biography
autobiography
learning
Opis:
The aim of this article is to point out the educational potential of biographies of Others. Published and presented in the form of feature films and documentaries, biographies allow today’s cultural participant to “enter the world” of other people, to learn about their dramas and lived trajectories of life. “The other” here is the “bearer” of experience, who provides the viewer, in his or her biographical story, with a certain knowledge of life. Biography can be treated as a text and interpreted as such. A particularly interesting theoretical interpretation to explain the educational dimension of biography is Hans Georg Gadamer’s proposed model of hermeneutic interpretation of the text. The field of analysis in the article became the biography of Roman Polanski.
Źródło:
Studia Edukacyjne; 2023, 70; 75-92
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sergio Pitol. El sedimento autobiográfico
Autorzy:
Pascual Gay, Juan
Powiązania:
https://bibliotekanauki.pl/articles/2080003.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
fiction
autobiography
travel
memory
modernity
Opis:
La escritura autobiográfica de sergio Pitol supone una rebeldía frente al género autobiográfico mismo. es la desconfianza del autor hacia la palabra como instrumento eficiente para recuperar un pasado ya desvirtuado por la memoria la que privilegia la ficción como motor de ese recuerdo. así, el “sedimento autobiográfico” no condiciona la escritura ni la clasifica dentro de los géneros autobiográficos, sino que origina ese proceso de ficcionalización.
Źródło:
Itinerarios; 2014, 19; 113-129
1507-7241
Pojawia się w:
Itinerarios
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Apologia poetyki
Apology of poetics
Autorzy:
Madejski, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/1041742.pdf
Data publikacji:
2017-09-28
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Edward Balcerzan
poetics
interpretation
autobiography
Opis:
The article deals with Edward Balcerzan’s book called Pochwała poezji (Praise of poetry ) (Mikoł.w 2013). The author discusses it in the context of modern academic writing, as well as in relation to tradition and today’s autobiographical practice, but above all shows what task does structuralist poetics accomplish and how it influences the interpretation of a literary work.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2017, 30; 367-384
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Timespace for Emotions: Anachronism in Flaubert, Bal/Williams Gamaker, Munch and Knausgård
Autorzy:
Hernández Navarro, Miguel Ángel
Powiązania:
https://bibliotekanauki.pl/articles/641667.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
timespace
anachronism
autobiography
exhibitions
intimacy
Opis:
Quoting Flaubert through time, Mieke Bal and Michelle Williams Gamaker’s Madame B brings Madame Bovary’s reflections on love and emotions to the present day, in a productive anachronism. Their work produces an intertemporal space where the past is relevant for the present, and the present enables us to understand the past. Intimacy and routine are central in their exploration of Flaubert’s contemporaneity. Those issues are precisely one of the keys in Karl Ove Knausgård’s project of literary autobiography, where he expands narration foreclosing the ellipsis and giving visibility to small things and emotions; a project with some resonances with Munch’s crude-obscene uses of intimacy. This essay explores how both proposals, Bal and Williams Gamaker in film, and Knausgård in literature, can serve us to connect present and past sensibilities and, more than that, demonstrate resistances to the hegemonic discourses of temporality.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2017, 7; 98-113
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Autobiografia w rodzinie, rodzina w autobiografii. Szkic historyczny
Autobiography in Family, Family in Autobiography. Historical Draught
Autorzy:
Pekaniec, Anna
Powiązania:
https://bibliotekanauki.pl/articles/528911.pdf
Data publikacji:
2013
Wydawca:
Krakowska Akademia im. Andrzeja Frycza Modrzewskiego
Tematy:
autobiography
family
history
family relations
Opis:
The main aim of this paper is to show how model of family changed through the centuries (especially in XIX and XX century). Objects of examinations are women’s autobiographies treated as very interesting archive of different topics – one of them is family. Family in women’s personal documents isn’t only a topic, but also it shapes private stories. Autobiographies in this perspective solidify stories about families and help to settle up with family memory, it positive and negative side. Gender aspects of narrations makes more visible cultural, related with customs and historical contexts shaping model of family. In this text traditional and unconventional families are going to be presented as well as relations between family members.
Źródło:
Państwo i Społeczeństwo; 2013, 3; 129-151
1643-8299
2451-0858
Pojawia się w:
Państwo i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Menedżerowie i mafiosi: etyka motywowania w autobiografich self-made manów
Manages and Mafiosi: Ethics of Motivation in the Autobiographies of Self-Made Men
Autorzy:
Szukała, Michał
Powiązania:
https://bibliotekanauki.pl/articles/965093.pdf
Data publikacji:
2015-02
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
motivation
autobiography
ethos
corporation
manager
Opis:
The paper is an attempt to verify the assumptions of the motivation-hygiene theory by Frederick Herzberg in the context of the values and practices of leading managers of the U.S. economy. The two-factor theory is a part of every synthesis of management science, although its assumptions raise serious controversies. The subject matter of the analysis is the biographies of the most prominent managers, such as Henry Ford, Lee Iacocca, Walter P. Chrysler and Jordan Belfort (known as the ‘Wolf of Wall Street’). The basic aim of the analysis is to check their biographical story in the context of their motivation issues. The selection of characters has been imposed by the feature of being self-made men. It seems that their descriptions of how to motivate employees may be interpreted as a specific manifestation of values important to them in the perception of economic life and the interpersonal relations in structures of corporations functioning in different market circumstances. The choice of source materials from different historical moments and different economic spheres shows a conversion of values and goals in the American economy. One of the results of the analysis is the observation that Herzberg’s theory does not reflect the multiplicity of factors that may have a significant impact on the motivation of employees to perform their duties as well as possible. One of the aims of the discussion is to indicate the unusual source material, considered by many researchers as anecdotal, as potentially attractive for analyses in the field of the management sciences.
Źródło:
Annales. Etyka w Życiu Gospodarczym; 2015, 18, 1
1899-2226
2353-4869
Pojawia się w:
Annales. Etyka w Życiu Gospodarczym
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Du souvenir à l’image : enjeux narratifs dans L’Amant
From memory to image – the narrative technique in The Lover
Autorzy:
Ledwina, Anna
Powiązania:
https://bibliotekanauki.pl/articles/483744.pdf
Data publikacji:
2015
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Duras
image
autobiography
memory
narration
Opis:
In Marguerite Duras’ works the boundaries between text and image become fluid. This is particularly evident in The Lover, where descriptions of events and characters resemble yellowed photographs, constantly evoking images. The author strives to recreate faithfully certain past incidents, particularly from childhood and youth, such as meeting a Chinese millionaire, which was of paramount importance in her life. However, she is inconsistent in this and does not always follow typical rules of writing a semi-autobiographical work. She attempts to reconstruct the story of her life, emphasising the image in text and its perception by the character and the reader. Breaking of the "autobiographical pact" by blending fact and fiction, truth and falsehood implies a novel narrative technique, visible e.g. in the characteristic duality of the narrator, who is also the protagonist, present in the first and third person, either the subject or an object. This is an intriguing vision of reality, understood as an image locked in memories, created with original narrative solutions, where the reader becomes a spectator.
Źródło:
Quêtes littéraires; 2015, 5; 171-179
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wspomnienia głosem pisane. O autobiografiach śpiewaków
Memories sung in words — singers autobiographies
Autorzy:
Kornatowska, Beata
Powiązania:
https://bibliotekanauki.pl/articles/650201.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
polish singers
polish literature
autobiography
Opis:
The article Memories sung in words — singers' autobiographies aims at identifying main topics and patterns present in autobiographical writings of classical singers. Discovering of vocal talent and musicality, desire to become a singer, role of voice teachers and men-tors (conductors, stage directors etc.), highlights of the career, fears and failures, vocal crises, dealing with criticism and negative judgements, daily routines aimed on vocal fitness, balancing private and professional life, cultural and historical background — all these aspects are discussed here on two remarkable examples: ... und ich wäre so gern Primadonna gewesen. Erinnerungen (Berlin 1994, English: In My Own Voice. Memoirs. New York 2009) by Christa Ludwig, one of the greatest mezzo-sopranos of postwar opera, and Zeit eines Lebens. Auf Fährtensuche (Stuttgart 2000) by Dietrich Fischer-Dieskau, one of the most famous Lieder performers, often called in Germany ‘the voice of the 20th cen-tury’. Verbalizing the universe of their artistic and life experience they both express the essence of being a classical singer: ‘The singing profession is slavery! It only looks easy and enviable from the outside. You are showered with bravas and blossoms [...], but from the beginning the sword of Damocles always hangs over your head. After a certain age you no longer have the ease, and your voice is no longer as radiant. Indeed, you must stop singing just at the time when you finally know what singing is all about’ (Christa Ludwig, In My Own Voice. Memoirs).
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 16, 2; 140-154
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ДА ЖАНРАВА-СТЫЛЯВЫХ АСАБЛІВАСЦЕЙ РАМАНА ЯНКІ БРЫЛЯ ПТУШКІ І ГНЁЗДЫ
GENERIC AND STYLISTIC FEATURES IN YANKA BRYL’S NOVEL PTUSHKI I GNYOZDI
Autorzy:
Alsztyniuk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/444220.pdf
Data publikacji:
2015-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
novel
lyricism
autobiography
hero
patriotism
Opis:
This article is devoted to the analysis of generic and stylistic features in Yanka Bryl’s novel Ptushki i gnyozdi. The discussion is focused on the ways the main hero is presented as well as on the role of lyricism in the novel. The hero is in the center of composition that describes his feeling and expresses his thoughts and attitudes.
Źródło:
Acta Neophilologica; 2015, XVII/1; 87-93
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czas nie mija, czas nie stoi… Krótkie filmy Wojciecha Hasa w perspektywie autobiograficznej
Autorzy:
Grodź, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/1040464.pdf
Data publikacji:
2020-06-24
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
film
Wojciech Has
autobiografizm
autobiography
Opis:
Tematem tekstu są krótkie filmy Wojciecha Hasa, przede wszystkim, takie jak Harmonia (1947), Moje miasto (1950) i poszukiwanie w nich śladów (auto)biografizmu. Celem było pokazanie ich potencjału semantycznego, zwrócenie uwagi na bogactwo możliwych interpretacji. Tylko postawa badawczej otwartości pozwala uniknąć ciężaru wszelkich fundamentalizmów, pewników, całościowych ujęć. Perspektywa edukacyjna ujawniała się w aktualizacji narzędzi badawczych z zakresu tematologii i hermeneutyki.
The paper describes short films made by Wojciech Has, for example Harmonia (1947), Moje Miasto (1950), and searches for traces of (auto)biography in them. The purpose was to show their semantic potential and to draw attention to the richness of possible interpretations. Only an attitude of scientific openness enables the avoidance of the burden of all fundamentalisms, certainties, and holistic approaches. The educational perspective was revealed in the update of research tools related to hermeneutics and thematic perspective.
Źródło:
Nauki o Wychowaniu. Studia Interdyscyplinarne; 2020, 10, 1; 238-249
2450-4491
Pojawia się w:
Nauki o Wychowaniu. Studia Interdyscyplinarne
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 301

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