Temat: Wojciechowski, Stanisław - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Zawsze w pobliżu. Ochrona prezydentów Rzeczypospolitej
Always by their side. Presidential security in the Second Republic of Poland
Autorzy:: Szumiec-Zielińska, Elżbieta
Powiązania:: https://bibliotekanauki.pl/articles/16006060.pdf
Data publikacji:: 2022-12-27
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: assassination attempt on Gabriel Narutowicz
presidential protection
protective instructions
Belvedere
President Stanisław Wojciechowski
President Ignacy Mościcki
Opis:: The paper discusses issues relating to the protection of the presidents in the Second Republic of Poland. Selected regulations are outlined to show the legal foundation on which a system for ensuring the safety of people protected by dedicated services was organized. Subsequently, the author shows how the presidential security operated so that the heads of state could feel safe at work, in their residences, during travels and leisure.
Źródło:: Studia Europaea Gnesnensia; 2022, 24; 9-27
2082-5951
Pojawia się w:: Studia Europaea Gnesnensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Przerwane śniadanie z Braćmi Mongolfier
The Montgolfier Brothers’ Interrupted Breakfast
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/920831.pdf
Data publikacji:: 2015-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Michał Tarkowski
student film
Lodz Film School
Piotr Wojciechowski
Kurt Vonnegut
Stanisław Ignacy Witkiewicz
Opis:: Marek Hendrykowski’s study presents an analysis of a unique film made in 1979 by the young Polish director Michał Tarkowski during his studies in the Lodz Film School. The author argues that in several respects Tarkowski’s The Montgolfier Brothers’ Interrupted Breakfast is a perfect example illustrating the original use of art-cinema conventions and forms for what might be interpreted as the aesthetics of camp, but also as mediated “landscape of events” (based on a term invented by Paul Virilio).
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 317-324
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: … prosta nieskończona… Wanda Czełkowska, Krystian Jarnuszkiewicz, Andrzej Wojciechowski
...A Straight Infinite Line... Wanda Czełkowska, Krystian Jaruszkiewicz, Andrzej Wojciechowski
Autorzy:: Grubba, Dorota
Powiązania:: https://bibliotekanauki.pl/articles/424728.pdf
Data publikacji:: 2012
Wydawca:: Akademia Sztuk Pięknych w Gdańsku
Tematy:: CONCEPTUALISM
CONCEPTUAL ART
INSTALLATION ART
EDINBURGH 1972
MULTIPLE
STRUCTURE
SERIALISM
MODULE
ENVIRONMENT
KRAKOW GROUP
ART GROUPS
WANDA CZELKOWSKA
KRYSTIAN JARUSZKIEWICZ
ANDRZEJ WOJCIECHOWSKI
STANISŁAW DROZDZ
KAZIMIERZ MALEWICZ
XAWERY DUNIKOWSKI
ROBERT MORRIS
JERZY LUDWINSKI
LE CORBUSIER
ROLAND BARTHES
MODULOR
POD MONA LISA GALLERY
Opis:: In the paper, I recall three independent individuals, whose work oscillated around conceptual art. They shared a strong interest situated on the borderline of mathematics and art philosophy (including problems such as: an open space, the concept of central – axial point, infinite line etc.) and research on semantic and lexical possibilities of geometry. The work of these three extremely different artists, Wanda Czelkowska, Krystian Jaruszkiewicz, Andrzej Wojciechowski, seems to be tied together by a common element; building spatial utterances based on forms that existed on the border of contemporary and archetypical language. They evoke reflections (e.g. sociological and cultural) by the use of a strongly individualised and meta-artistic code. I analysed the following artworks: Wanda Czelkowska's Conceptual Information about a Table presented in 1972 in Edinburgh at The International Art Festival and another work entitled Absolute elimination of sculpture as a notion of shape (66 concrete slabs and 66 light points) from 1972; the project of a room independent of gravity (1959/1960), Capitel as the structure of space from 1952; Krystian Jaruszkiewicz's multi-material object entitled Sacrifice to Xawery Dunikowski (1975), that incorporated an old Polish definition of the ‘obiata’ (sacrifice) custom taken from Bogumił Linde’s dictionary in its original graphic version into an ascetic form; Andrzej Wojciechowski's works from the period when he co-operated with Stanislaw Drozdz, among them a series of photographs SALVE from 1970 (a stone with a Latin greeting found in an empty field), a model and an idea of the Self-sustaining Plinth from the Symposium “Wrocław’70”, an action entitled The Tower of Joy 23 VII 1970 built with the residents of Wrocław, and a philosophical and formal dialogue with S. Drozdz A Sphere and a stone – two perfections (1974).
Źródło:: Sztuka i Dokumentacja; 2012, 6; 163-169
2080-413X
Pojawia się w:: Sztuka i Dokumentacja
Dostawca treści:: Biblioteka Nauki

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