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Tytuł:
Hermeneutyka symbolu w ujęciu Paula Ricoeura
Paul Ricoeur’s Hermeneutics of Symbols
Autorzy:
Pondel, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/558851.pdf
Data publikacji:
2016
Wydawca:
Gdańskie Seminarium Duchowne
Tematy:
ejdetyka
fenomenologia symbolu
hermeneutyka symbolu
Eidetics
phenomenology of symbols
hermeneutics of symbols
Opis:
W swojej rozprawie zatytułowanej Symbol daje do myślenia Paul Ricoeur trafnie zauważył, że symbol jest czymś pierwotnym wobec każdego myślenia, czymś danym. Aby podjąć temat hermeneutyki symbolu, czyli zacząć o nim myśleć, trzeba pokonać krętą drogę myślenia: najpierw metodycznie wyodrębnić z pojęć to, co istotne w symbolu (ejdetyka), następnie odsłonić jego spoistość i całość (fenomenologia), by ostatecznie poddać krytyce i zacząć o nim właściwie myśleć (hermeneutyka). Tak zarysowana droga Ricoeurowskiej hermeneutyki symbolu stała się współczesną próbą poszukiwania filozofii z jej czterema zadaniami: zrozumieniem, odsłonięciem, krytyką i teorią. Autor nie daje się zamknąć w czystym formalizmie, statystykach, zaczyna szukać źródła w najbardziej pierwotnych doświadczeniach człowieka, w tym co nazywamy „przedzrozumieniem”. By nie zatrzymywać się jedynie na dociekaniach i czystych spekulacjach, Ricoeur posłużył się symbolem zła. Zaczynając od pierwszego upadku Adama, pokazał, jak w człowieku dokonuje się odmitologizowanie sensu, czyli przeniesienie upadku Adamowego na każdorazowe ludzkie intymne „ja”, w którym toczy się nieustanna walka, nieustanny wolny wybór. Dla niego życie jest ciągłym dynamis, ciągłym odmitologizowaniem symboli, ciągłą drogą między fenomenologicznym oglądem, a własną dziejowością, własnym stawaniem się. Tak zarysowana filozofia w ujęciu hermeneutycznym w drodze do sacrum stanowi podwaliny pod Ricoeurowską fenomenologię religii.
In his work entitled The Symbol Gives Rise to Thought, Paul Ricoeur accurately noted that a symbol is primeval in nature with regard to every process of thought, as something which is given. In order to take up the hermeneutics of symbols, i.e. to start thinking about them, one has to engage successfully in a complicated thinking process: first, it is necessary to set apart methodologically from among a variety of notions only those which are essential to the symbol (eidetics); next, one needs to uncover the symbol’s cohesion and wholeness (phenomenology), in order to analyze it and begin to think properly about it (hermeneutics). Ricoeur’s hermeneutic of symbols, described in this fashion, has become a contemporary attempt to find a philosophy with its four tasks: understanding, uncovering, criticism and theory. Ricoeur does not allow himself to be boxed in within the boundaries of pure formalism and statistics. He begins to look for sources in the most primeval experiences of man, including the so-called state of “pre-understanding”. In order to avoid dwelling merely upon inquiries and pure speculations, Ricoeur has made use of the symbolism of evil. Beginning from the first fall of Adam, he has shown how the demythologization of sense takes place in the mind every human being. Such demythologization consists of the transference of Adam’s fall on to every intimate human I, within which a constant battle takes place together with an endless process of choosing. For Ricoeur, life is a constant dynamis, a constant demythologization of symbols, an unending path between phenomenological examination and personal history, personal becoming. It is a philosophy thus outlined, understood hermeneutically on the way towards the sacred, which constitutes the foundation of Ricoeur’s phenomenology of religion.
Źródło:
Studia Gdańskie; 2016, 39; 165-173
0137-4338
Pojawia się w:
Studia Gdańskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dyplomacja symboli w stosunkach między Polską a Niemcami na przełomie XX i XXI wieku
The Diplomacy of Symbols in the Relations between Poland and Germany at the Turn of the 21st Century
Autorzy:
Kącka, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/519214.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Mikołaja Kopernika w Toruniu. Wydawnictwo UMK
Tematy:
symbols
diplomacy
Polish-German relations
Opis:
End of the 1980s and early 1990s brought a complete change of almost all factors influencing the position of both Germany and Poland in the international arena. The two countries – for the first time in history – faced the challenge of regulating their neighborly relations based on democratic values and principles of international law. This situation was an opportunity to create the foundations of “good neighborliness and friendly cooperation”, but at the same time once again brought about the need to confront the past – especially the events dating back about 50 years. As it turned out, the two countries not only have not always been in agreement in the mutual perceptions of their place in the new political reality, but disagreed also in the interpretation of common history. In addition, they differ in their views on the shape of mutual relations and prospects for their development. The formal regulation of Polish-German relations in the form of agreements and treaties were confronted with different real-life practice – mainly because of the lack of political will on both sides, coupled with the weakness in terms of implementation of the above documents, and were not enough to solve a number of contentious issues. Also the constant presence in the discussion of current issues and disputes of the historical legacy and resulting burdens did not facilitate conducting a meaningful, to-the-matter dialogue. The article shows the place and role of the past history in contemporary Polish-German relations, how it is used in the political and social discourse, and how it affects the thinking and outlook of the two nations today.
Źródło:
Historia i Polityka; 2014, 11(18); 75-91
1899-5160
2391-7652
Pojawia się w:
Historia i Polityka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Symbolika narodowa w polskiej sztuce ulicy
National Symbolism in the Polish Street Art
Autorzy:
Sławek-Czochra, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1807041.pdf
Data publikacji:
2020-01-03
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
symbole narodowe
symbole konstytucyjne
symbole historyczne
sztuka ulicy
Żołnierze Wyklęci
Polish national symbols
constitutional symbols
historical symbols
street art
Doomed Soldiers
Opis:
Do obecności sztuki ulicy w przestrzeni polskich miast zdążyliśmy się już przyzwyczaić. Naścienne obrazy wnoszą kolor w szare ulice, cieszą oko, czasem nas smucą i zmuszają do zadumy. W sposób niezauważalny dla odbiorcy dzielą Polaków i budują wspólnoty. Choć sztuka ulicy jest zjawiskiem globalnym, rodzimi artyści są przede wszystkim Polakami. Ich językiem ojczystym jest język polski, a kulturą, w której wzrastali, i w której zostali zsocjalizowani jest polska kultura. Pierwsza część artykułu definiuje symbol w kulturze narodowej z punktu widzenia socjologii i antropologii kultury. W drugiej ukazano zarys rozwoju sztuki ulicznej w Polsce. Kolejne części prezentują wyniki analizy zawartości i analizy porównawczej murali zebranych w 2016 i 2018 roku pod kątem występujących w nich symboli narodowych. Do najczęściej utrwalanych symboli w polskim street arcie należy flaga i barwy narodowe. Najrzadziej na murach umieszczany jest polski hymn. Namalowane przez ulicznych artystów symbole konstytucyjne często ulegają modyfikacjom i nie są traktowane z należytym szacunkiem. Wśród symboli historycznych najczęściej pojawia się polski mundur i znaczące postacie. W artykule wykorzystano analizę zawartości i analizę porównawczą. Uzyskane wyniki analiz szczegółowych mają charakter faktograficzny i są przyczynkiem do dalszych badań w obszernym temacie funkcjonowania symboliki narodowej w przestrzeni publicznej.
The article refers to the figure of Socrates and its contemporary reception as a cultural We have already managed to get used to street art in the space of Polish cities. Mural art pieces bring colour into ordinary streets, delight the eye, sometimes make us sad and thoughtful. In a way unnoticeable to the member of an audience they divide Poles and build communities. Although street art is a global phenomenon, native artists are Poles above all. Polish is their mother tongue, and the culture in which they have been growing up and in which they have gone through the socialization process is the Polish culture. The first part of the article defines a symbol in the national culture from the point of view of sociology and cultural anthropology. In second part the development of street art in Poland is outlined. In the next sections of the article the results of the content analysis and the comparative analysis of the murals collected in 2016 and in 2018 are presented. The analyses pay special attention to the national symbols included in the pieces. The Polish flag and national colours are the most popular national symbols in patriotic street art. The Polish anthem is placed on walls the least frequently. Constitutional symbols painted by street artists often undergo modifications and are not treated with adequate respect. Amongst historical symbols the Polish military uniform and well-respected people are the most popular. In the article the analysis of the content and the comparative analysis are used. The results of the detailed analyses have a factual character and represent a contribution to further research on the ways in which national symbols function in the public sphere.
Źródło:
Roczniki Kulturoznawcze; 2018, 9, 3; 97-121
2082-8578
Pojawia się w:
Roczniki Kulturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
How words and emotions control behavior
Autorzy:
Łysiuk, Lidia
Powiązania:
https://bibliotekanauki.pl/articles/2106013.pdf
Data publikacji:
2020-03-11
Wydawca:
Fundacja Edukacji Medycznej, Promocji Zdrowia, Sztuki i Kultury Ars Medica
Tematy:
symbols
ideas
beliefs
manipulation
genocide
Opis:
It is now being realized that people are driven by their emotions too much greater extent than by their intellect. Therefore, most influential are those leaders who knew how to evoke appropriate emotional states in their listeners. Examples of successful propaganda provide Nazi Germany, the Soviet Union, and recently Rwanda. In fact, both Nazi and Soviet propaganda made it possible to exterminate thousands of people with a silent consent of common citizens. Most people are easy to manipulate because they do not realize that words are symbols that bear strong emotional load. Moreover, party and religious leaders are often not aware of the consequences of the words they use. Whether they speak of an “enemy” of the nation, religion or society their eager followers will sooner or later come to the conclusion that the enemy is a serious obstacle in the welfare of the state. It made the revolutionary to slaughter all those who dared to think and act in a different way. On the other hand, words can also create positive attitudes persuading people to offer help to those in need. It is closely connected with the way the brain works. The studies found that common are not only sensual illusions but cognitive illusions as well. They make people to act in accordance with schemas they have internalized, and to react with negative emotions to those who try to change their word outlook, and the manner of thinking since they in terpret it as an attack on their basic values.
Źródło:
Acta Neuropsychologica; 2020, 18(1); 127-140
1730-7503
2084-4298
Pojawia się w:
Acta Neuropsychologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Średniowieczne chrzcielnice kamienne w kościołach na terenie Żuław Wiślanych: inwentaryzacja, funkcje, symbolika
Autorzy:
Piasek, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/28711400.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Tematy:
baptismal font
symbols
inventory
Żuławy Wiślane
Opis:
Stone baptismal fonts, today often serving as stoups, are the best preserved elements of the medieval appointments of many historic churches in Żuławy Wiślane. Originally, they were probably placed near the entrance to the church, which symbolized the beginning of the Christian’s path to salvation, a transition from the profanum to the sacrum, and inclusion within the community of the faithful. For security reasons, baptismal fonts were surrounded by decorative grilles and closed with special covers, of which metal pins in the edge of the bowl have often survived to this day. Despite the simple, functional design and material (granite) that is difficult to work, many of them have simple decorative elements, the symbolism of which refers in particular to the meaning of the numbers 6, 8, and 12, and, less often, to apocalyptic motifs in the form of the 12 gates of the heavenly Jerusalem.
Źródło:
Studia z Dziejów Średniowiecza; 2023, 26; 136-162
2544-2562
Pojawia się w:
Studia z Dziejów Średniowiecza
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Symbol of the Cross in Popular Culture: an Analysis of the Use and Transformation of the Symbol in Machina Magazine
Autorzy:
Kołodziejska, Marta
Powiązania:
https://bibliotekanauki.pl/articles/1930037.pdf
Data publikacji:
2013-06-25
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
desacralisation
desymbolisation
popular culture
religion
symbols
Opis:
The article focuses on the use and transformation of religious symbols in popular culture. The Polish pop culture magazine, Machina, was chosen as a case study. Popular culture, based strongly on visual communication, has fluid canons and is of an (auto)ironic nature. Symbols from different domains are transformed within this culture so that they fit its rules of communication. Religious symbols have been used extensively in Machina in a conventional, humorous and deriding manner. According to the results of the analysis, the use of religious symbols in popular culture is inevitably connected to the overlapping of religious communication and pop cultural communication, which creates a particular ambivalence of the meaning of the symbol. One should ask if resulting adaptations of religious symbols by popular culture might be considered to be a process of desacralisation. On the basis of the above-mentioned case study, one cannot give an unequivocal answer. Although pop cultural communication may lead to simplification and the deconstruction of symbols, one cannot claim it is de-symbolised as such. Desymbolisation and desacralisation are ongoing processes, but they are parallel to the process of creation and transformation of symbols as well. The research may be an inspiration for further analysis of the way religious symbols function within the realm of popular culture.
Źródło:
Polish Sociological Review; 2013, 182, 2; 209-222
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Symbole religijne i metafory mądrościowe Laozi
Religious symbols and wisdom metaphors Laozi
Autorzy:
Korczak, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/943534.pdf
Data publikacji:
2019
Wydawca:
Polskie Towarzystwo Religioznawcze
Tematy:
Dao De Jing
symbols
metaphors
wisdom
Opis:
There are both religious symbols and wisdom metaphors in Dao De Jing by Laozi. They suggest that the ultimate reality is above the human intellect. The most important metaphor is Dao – “Way”. The metaphor of “the mother” of the world plays a very important role. This metaphor suggests that wisdom consists in penetrating the source of all being. The metaphor of the “Heaven Gates”, which indicates the transition from common sense to the supernatural. The metaphor of “the child” suggests that wisdom is not about accumulating knowledge, but on spiritual integration. The metaphor of yin, or metaphysical femininity, plays a very important role.
Źródło:
Przegląd Religioznawczy; 2019, 3/273
1230-4379
Pojawia się w:
Przegląd Religioznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The representation of legitimacy in Sassanian coins (Kavad I and Zamasp eras)
Autorzy:
Rahbar, Ilnaz
Tavoosi, Mahmoud
Afhami, Reza
Powiązania:
https://bibliotekanauki.pl/articles/678097.pdf
Data publikacji:
2015
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Sassanids
legitimacy of power
coins
symbols
Opis:
The representation of legitimacy in Sassanian coins (Kavad I and Zamasp eras)In each era, social, cultural and political aspects, and their changes have a prominent role on the creation of the Governmental artworks that tries to act as a public media to show their power and legitimacy trends. This study wishes to survey the symbols of Sassanian coins and the role of this visual media from the power and legitimacy point of view during Kavad I (r. 488-531 AD) and Zamasp (r. 496-499 AD) eras, as a challenging period of the Sassanid dynasty. We try to show how Sassanid kings used artworks, especially coins, because of their spreads to transfer their legitimacy messages, thus they used it as the most principal media to show the power and its changes to publics. The result shows the changes during the first reign of Kavad I and after his deposing by clergies due to supporting the Mazdakites doctrine, raise of Zamasp to the throne and the second reign of Kavad I that they used various icons and symbols rooted in Zoroastrian beliefs to show their power and legitimacy according to condition changes. The emphasis of Kavad I on astrologic signs as the symbol of charisma and, in contrast, the representation of Zamasp, the successor of Kavad I after deposing, in the form of receiving diadem as a sign of his superiority and power, and the reuse of traditional symbols of legitimacy by Kavad I in the combination of diadem as the representation of his legitimacy after his second reign are some documents of visual changes of this challenging period. Wizerunkowa legitymizacja władzy na monetach Sasanidów (za Kavada i za I Zamaspa)W każdej epoce zmienne czynniki społeczne, kulturowe i polityczne mają istotne znaczenie dla tworzenia dzieł sztuki, które w sferze publicznej mają się stać nośnikiem legitymizowania przez sprawujących rządy ich władzy politycznej. Celem niniejszego studium jest zbadanie symboli przedstawionych na monetach bitych przez władców z dynastii Sasanidów i ich roli jako medium wizualnego w legitymizowaniu władzy w trudnym dla Sasanidów okresie za panowania Kawada I (488-531) i Zamaspa (496-499). Chcemy pokazać, w jaki sposób obaj królowie sasanidzcy w przekazie społecznym wykorzystywali dzieła sztuki, przede wszystkim monety, jako podstawowe medium dla ugruntowania legitymizowanych zmian na tronie. W rezultacie podjętych badań ustalono, że wobec zmiany sytuacji w pierwszym okresie panowania Kawada I i po jego obaleniu przez kapłanów z powodu wspierania przez króla nauk Mazdaka, po osadzeniu na tronie Zamaspa i w czasie drugiego panowania Kawada I wykorzystywane były różne wizerunki i symbole, zakorzenione w zaratusztranizmie, po to by umocnić władców i legitymizować ich władzę, adekwatnie do zachodzących zmian. Podkreślenie przez Kawada I roli znaków astrologicznych jako symbolu charyzmy, z drugiej zaś strony przedstawienie wizerunku Zamaspa – następcy usuniętego z tronu Kawada – jako tego, który otrzymuje diadem na znak jego zwierzchności i władzy, jak też ponowne wykorzystanie przez Kawada I tradycyjnych symboli legitymizacji w powiązaniu z diademem wyobrażającym go jako prawowitego władcę w drugim okresie jego panowania – to niektóre ze świadectw dokumentujących przemiany wizerunkowe w okresie trudnych wyzwań.
Źródło:
Sprawy Narodowościowe; 2015, 47
2392-2427
Pojawia się w:
Sprawy Narodowościowe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Year Five Pupils’ Number Sense and Algebraic Thinking: the Mediating Role of Symbol and Pattern Sense
Autorzy:
Somasundram, Piriya
Akmar, Sharifah Norul
Eu, Leong Kwan
Powiązania:
https://bibliotekanauki.pl/articles/1967800.pdf
Data publikacji:
2019-03-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
early algebra
generalisation
patterns
sense making
symbols
Opis:
This study mainly focused on the relationship between number sense and algebraic thinking. Previous studies have provided evidence that number sense plays an important role in developing algebraic thinking. The role of symbol and pattern sense are yet to discover in relation to number sense and algebraic thinking. The purpose of this study was to identify the mediating effects of symbol sense and pattern sense in year five pupils’ relationship between number sense and algebraic thinking. To do so, two mathematics tests were carried out among 720 year five pupils in the district of Malacca, Malaysia. The collected data were analysed using a partial least squares-structural equation modeling approach. The data collected were analysed using SPSS 22.0 and SmartPLS 3.0. Results demonstrated that symbol sense and pattern sense are good mediators between year five pupils’ number sense and algebraic thinking. This result of the study supports the past studies related to the role of number sense, symbol and pattern sense in developing algebraic thinking. The presented study provides suggestions as intervention to increase students’ making sense ability in numbers, symbols and patterns to develop algebraic thinking.
Źródło:
The New Educational Review; 2019, 55; 100-111
1732-6729
Pojawia się w:
The New Educational Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ZE STUDIÓW NAD SYMBOLAMI CECHOWYMI DZIEWIĘTNASTOWIECZNA PIECZĘĆ CECHU SZEWCÓW Z SZADKU
FROM STUDIES ON CRAFTSMEN’S GUILD SIGNS – 19TH CENTURY STAMP OF SHOEMAKERS’ GUILD IN SZADEK
Autorzy:
Adamczewski, Marek
Stulczewski, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/510496.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
craftsmen’s guild symbols
stamps
shoemakers
Szadek
Opis:
The stamp of the shoemakers’ guild in Szadek was made at the beginning of the 19th century, in accordance with legal regulations of 1816, which reorganized craftsmen’s guilds in the Kingdom of Poland. These regulations, in force throughout the whole 19th century and at the beginning of the 20th century, defined the structure and the way of managing a guild, professional competences of masters and craftsmen, and rules for professional advance. The regulations of 1816 also affected the shape and functions of craftsmen’s stamps. Under these rules, a guild was governed by a board of elders, which was reflected in the legends of the stamps. The term “profession” to refer to the work of craftsmen was introduced at that time. The legend of the seal of the shoemakers’ guild in Szadek speaks about “the shoemakers’ profession”. As regards the appearance of craftsmen’s stamps, they differed from other official stamps (e.g. those of administrative authorities) of the Kingdom of Poland in that they contained elements representative of particular “professions”. In the case of Szadek shoemakers’ it was a high boot with a heel spur, a knife and an awl. This stamp was evidently carved by a very skilful engraver. It is now part of the collection of the Sieradz Museum.
Źródło:
Biuletyn Szadkowski; 2015, 15; 109-128
1643-0700
Pojawia się w:
Biuletyn Szadkowski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Orthodoxy – the symbolic language of the drama July by Ivan Vyrypaev
Autorzy:
Karlikowska-Pąsiek, Magdalena Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/628182.pdf
Data publikacji:
2019
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
Orthodoxy
theatre
Vyrypaev
symbols
demons
Polska
Russia
Opis:
Aim. The aim of the paper is to interpret and analyse Orthodox symbols through the prism of the Orthodox theology. Methods. The senses of the Orthodox symbolism as proposed by the artist are not always compliant with Orthodox doctrine. Therefore, in order to fully understand the sense of Ivan Vyrypaev’s drama, it is necessary to first decode the Orthodox symbols that make up the language of the work discussed. For this reason, the major Orthodox symbols occurring in July will be listed at the very beginning of the paper. Then, they will be discussed in the context of the Orthodox theology as well as the artist’s own words. This task will contribute to the decoding of the language of I. Vyrypaev’s work. Results. According to I. Vyrypaev, the cruelty of a patient of the Smolensk madhouse is an inverted hierarchy of values which at the same time serves as his path of inquiry. On the other hand, the superficial attitudes, such as good, culture, humanitarianism, liberal values or democracy are obstacles (demons) which he has to overcome in order to find himself and God. The Orthodox symbols in July are allegories by means of which the author wants to show the main hero’s path to the truth. Furthermore, a justification for this way of thinking is one of the mottos that I. Vyrypaev included in July.             Conclusions. In the drama July, I. Vyrypaev utilised the following sacral symbols: the theological significance of the Church in the Orthodox faith, the idea of communality, the concept of Orthodox humility as well as the idea of deification and martyrdom. The threads of the Orthodox symbolism used by I. Vyrypaev are superficial and should not be interpreted literally. The author consciously inverts the hierarchy of the Orthodox symbols in his work in order to show the bewilderment and corruption of the modern society. In the drama July I. Vyrypaev is more focused on being inspired by the Orthodox culture than on closely reflecting its senses. The symbolism of the altar and the ideas of martyrdom as applied in July are similar to the Christian symbols in the Roman Catholic approach.
Źródło:
Journal of Education Culture and Society; 2019, 10, 2; 233-238
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Arch Macedonia”, from Pseudo Classicism to Monument of Culture, from Political Ritualization to Civil Demystification
„Порта Македонија”, од псевдокласицизам до споменик на културата, од политичка ритуализација до граѓанска демистификација
Autorzy:
Ристески, Љупчо С.
Powiązania:
https://bibliotekanauki.pl/articles/635748.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Skopje 2014 project
Macedonia
monuments
symbols
nationalism
Opis:
In this paper, we are considering the social aspects of the object “Porta Macedonia” as a part of the project “Skopje 2014”, its political and cultural meanings, its symbolic aspects and its reflection on identity policies in contemporary Macedonia. We read buildings and monuments of “Skopje 2014” project as texts, interpret them as symbols recognizing as signs of multilayered ideas and interpretations of the nation under strong political patronage. The text shows how a monument in a very short period creates multiple layers of symbolism which, depending on social contexts, can be read in different ways.
Źródło:
Poznańskie Studia Slawistyczne; 2017, 13
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Emblem of the Polish Republic as Part of the National Culture: The Genesis of the Symbol
Autorzy:
Grabowski, Radosław
Powiązania:
https://bibliotekanauki.pl/articles/2007525.pdf
Data publikacji:
2016-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
national emblem
Polska
coat of arms
national symbols
Opis:
The theme of this article is the evolution of the Polish national emblem. Without knowledge of the genesis and history of this national symbol, it is difficult to understand the value of education in terms of nationality and the sense of national unity. Appearance, shape, colour evolved due to the political centrifugation in the country, but always and invariably meant Poland as the home of those who lived in the country and emigrated.
Źródło:
Kultura i Edukacja; 2016, 4(114); 200-209
1230-266X
Pojawia się w:
Kultura i Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The adoption of state symbols in Russia: a compromise of traditions
Autorzy:
Chernyshov, Yuri
Powiązania:
https://bibliotekanauki.pl/articles/1201878.pdf
Data publikacji:
2017-08-30
Wydawca:
Uniwersytet Gdański. Instytut Geografii
Tematy:
state symbols
identity
image
historical traditions
modern Russia
Opis:
The author considers the process of adopting of a new state symbols in Russia after the collapse of the USSR. This process was influenced by different traditions and by the struggle of different political forces that sought to consolidate their own „own” symbols and values (democratic, national-imperial, communistic, etc.). As a result, the adoption of the new flag, the coat of arms and the anthem was the result of a „compromise imposed from above” which ended the „war of symbols”, but confirmed the uncertainty of the national idea.
Źródło:
Journal of Geography, Politics and Society; 2017, 7, 3; 12-18
2084-0497
2451-2249
Pojawia się w:
Journal of Geography, Politics and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Гностические мотивы в творчестве Владимира Набокова (на примере повести Соглядатай)
Autorzy:
Kortus, Nadzieja
Powiązania:
https://bibliotekanauki.pl/articles/1023417.pdf
Data publikacji:
2019-09-05
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Gnostic symbols
Vladimir Nabokov
The Eye
initiation path
Opis:
There are many works that discuss the prose of Vladimir Nabokov in the Gnostic context. The article is an attempt to confront the short novel The Eye of this outstanding writer with the most important determinants of the Gnostic initiation.
Źródło:
Studia Rossica Posnaniensia; 2019, 44, 2; 101-112
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł

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