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    Wyświetlanie 1-6 z 6
    Tytuł:
    Bacch. Fr. 63 M. – Commento
    Bacch. FR. 63 M. – Commentary
    Autorzy:
    Tibiletti, Antonio
    Powiązania:
    https://bibliotekanauki.pl/articles/52401926.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Bacchylides
    Muses
    Olympia
    Pelops and Oenomaus
    Opis:
    This paper provides a commentary to Bacchylides’ fragmentum dubium 63 M. and off some further considerations about its interpretation. 1) The Muses, daughters of Mnemosyne, are the patrons of chant and present their sweet song to mankind. But few men have ever been gifted poetical knowledge, and the poet’s duty is to be their servant, herald and prophet: he must give their words voice and disclose, through Memory’s intervention, the past, present and future events. 2) Few other words are still readable: they seem to delineate a mythical conflict on horse or chariot. Which one?
    Źródło:
    Collectanea Philologica; 2015, 18; 25-36
    1733-0319
    2353-0901
    Pojawia się w:
    Collectanea Philologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The House of Aion in Nea Paphos: seat of an artistic synodos?
    Autorzy:
    Jastrzębowska, Elżbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/2033315.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    triclinium
    mosaics
    paintings
    Dionysus
    Apollo
    Muses
    theater
    associations
    Opis:
    The article presents some archaeological observations based on recent publications and the author’s survey in situ of the so-called “House of Aion” at Nea Paphos in Cyprus. The archaeological context (coins and pottery) dates the last phase of this building to the 320s, its partial destruction to the earthquake of 332/342, and its final annihilation by another quake to 365. The much-discussed mosaic with mythological decoration in the triclinium and the newly analyzed wall paintings in one of the rooms (No. 7), preserving the figures of Apollo and three of the Muses, are typical decorative elements of late antique Roman elite houses. And yet, the layout of the building, the triclinium located at the entrance to the house, and the presence of two rooms with a wooden floor, laid over an earlier water cistern converted into a cellar, possibly a treasury, suggest that the function of the complex was not residential at all. Indeed, the close proximity of the “Villa of Theseus”, which was rebuilt in the same period and converted into the praetorium of the governor of the island in the first half of the 4th century, suggests that the so-called “House of Aion” could have been the seat of a Roman association, probably a synodos of Dionysiac artists (ex-technitai) who presented themselves in the theater of Paphos. Therefore, it would be better to call this building the Synodeion of Late Roman Cyprus.
    Źródło:
    Polish Archaeology in the Mediterranean; 2021, 30(2); 339-386
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Furies et Muses dans la Thébaïde de Stace
    Autorzy:
    Delarue, Fernand
    Powiązania:
    https://bibliotekanauki.pl/articles/559761.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
    Tematy:
    Statius
    Thebaid
    latin epics
    allegory
    Furies
    Muses
    « Longinus »
    Seneca
    Opis:
    Furies and Muses in the Thebaid of Statius The Thebaid, by the Latin poet Statius, is at the crossroads between the traditional epic and the later “Psychomachiae”. Muses and Furies are fully fictional characters, yet they “symbolise” also inspiration and murderous madness. Thus, far from being outdated, this mythological epic refers to contemporary occupations.
    Źródło:
    Orbis Linguarum; 2018, 50; 187-197
    1426-7241
    Pojawia się w:
    Orbis Linguarum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Winowajczyni, niewinna, femme fatale, pocieszycielka... – Muzy w twórczości wygnańczej Owidiusza
    The Culprit, Innocent, femme fatale, Consoler... – Muses in Ovid’s Works from Exile
    Autorzy:
    Moskalewicz, Monika
    Powiązania:
    https://bibliotekanauki.pl/articles/2043427.pdf
    Data publikacji:
    2021-12-30
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Muses
    Ovid
    exile
    Epistulae ex Ponto
    Ibis
    Greek and Roman mythology
    Opis:
    The main purpose of this paper is to present the variable and diverse Ovid’s attitude towards Muses in his works from exile (Tristia, Epistulae ex Ponto and Ibis). The poet seeks in these goddesses both the comfort and the cause of his exile, identifies them with his poetry frequently, as their faithful servant feels deceived but also hopes that Muses can ease the anger of Augustus. The article is an attempt to analyze this complex relationship.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 2; 9-26
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wall paintings from the House of Aion at Nea Paphos
    Autorzy:
    Jastrzębowska, Elzbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/1682773.pdf
    Data publikacji:
    2019-05-14
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Paphos
    House of Aion
    wall paintings
    stratigraphy
    muses
    Thalia
    Urania
    Euterpe
    Opis:
    This paper studies a collection of painted plaster fragments excavated between 1984 and 1989 in the northern part of the so-called House of Aion, that is, three small rooms (Nos 3, 13, 14, 15 and 7). The architectural context of these finds and their dating is first recapitulated: the house was constructed in the second half of the 4th century only to be demolished by a strong earthquake at the end of the century or the beginning of the following one. Most of the plaster pieces were small and of little significance in terms of the remaining colors, but a few from Room 7 were sufficiently well preserved to support a reconstruction of parts of five figural images (three muses, Apollo and a mask) and determine their hypothetical position in this room. Parallels, in painting and floor mosaics, range from Ephesos and Kos in the east to Vichen (Luxembourg) in the west. Based on the iIonographic identification, the 4th century AD Muses from Paphos could be recognized as: a standing Thalia holding a mask, a seated Urania and a standing Euterpe with a double flute in her hand, accompanied by Apollo holding a lyre. Together they constituted typical decoration of a Mediterranean Roman house, common from the early Empire through late antiquity.
    Źródło:
    Polish Archaeology in the Mediterranean; 2018, 27(1); 527-597
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Readers of 17th-Century English Manuscript Commonplace Book Hesperides, or the Muses’ Garden
    Autorzy:
    Hao, Tianhu
    Powiązania:
    https://bibliotekanauki.pl/articles/1812153.pdf
    Data publikacji:
    2021-06-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    William Shakespeare
    Hesperides, or the Muses’ Garden
    commonplace book
    readers
    Humphrey Moseley
    James Orchard Halliwell-Phillipps
    manuscript study
    Opis:
    Hesperides, or the Muses’ Garden is a 17th-century manuscript commonplace book known primarily for its Shakespearean connections. The readers of Hesperides generally combine reading and thinking, or reading and writing. Though few, Hesperides is not without its “fit audience.” In addition to the few modern scholars who have examined the manuscripts, the actual known readers of Hesperides include Humphrey Moseley the 17th-century publisher, James Orchard Halliwell-Phillipps in the Victorian period, and a late-18th-century anonymous reader. The last of this group copies Shakespearean and dramatic extracts into the commonplace book and is identified through internal evidence based on paleography. The intended readers of Hesperides, including the Courtier, would make use of it as a linguistic aid, to learn how to speak and write well from literary models. They take the commonplace book as a reference library.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2021, 23, 38; 197-209
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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