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Wyświetlanie 1-4 z 4
Tytuł:
Rola pszczół i wosku pszczelego w tworzeniu głagolickich liter
The Role of Bees and Beeswax in Creating Glagolitic Letters
Autorzy:
Mikołajczak, Aleksander Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/1890685.pdf
Data publikacji:
2021-09-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Glagolitic
St. Cyril the Philosophe
wax tablets
writing
bees
Opis:
The article shows what role the writing instruments, in particular wax tablets, used by St. Cyril the Philosopher, could play in shaping the material form of Glagolitic writing. In this research approach, writing is treated not only as a system of abstract signs, but also as their factual figure formed by a tool on a writing material. In the case of the Glagolitic alphabet, its creation was therefore both a mental and physical process involving objects such as wax tablets. The ease of engraving the shapes of new letters on a soft surface and the possibility of repeatedly erasing them allowed Cyril to experiment with their forms without consuming valuable parchment. Therefore, this process depended mainly on the material properties of the wax produced by honeybees, which was used to cover the wooden tablets designed for writing with a stylus. In this way, these insects participated in the creation of the material dimension of Slavic writing, on a par with people who took the stick from them, choosing the wax from the hives to further process it. This proves that Cyril did not force the Glagolitic letters formed in his mind onto passive material, but that beeshaped, writing wax affordances actively cooperated in this process.
Źródło:
Poznańskie Studia Slawistyczne; 2021, 20; 239-257
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ad rem, czyli ku nowej recepcji antyku w ponowoczesnym świecie
Ad rem, towards a new reception of antiquity in the post-modern World
Autorzy:
Mikołajczak, Aleksander Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/1039624.pdf
Data publikacji:
2019-04-16
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
classical or antique heritage
postmodernity
objects
methodology
speculative realism
metadesign
Actor Network Theory (ANT)
Opis:
This article presents the shift in the ontological status and function of Ancient Greek and Roman cultural heritage undergone by Western civilization in the last decades of the twentieth and early twenty-first centuries. Antique tradition has since ceased to be transmitted simply as a system of ideas, values or role models, which was successively actualized in the process of its reception. In the post-modern consciousness, Ancient Greek and Roman heritage began to be understood as an individual collection of objects, consumed by society and adapted for the implementation of specific aims and aspirations. This shift consequentially results in the obsolescence of the investigative methodologies used in the study of the reception of antiquity, which have been adapted so far, and thus challenges us to search for more adequate ways of description and analysis of this cultural phenomenon. In light of this, the article presents a new understanding of the reception process and postulates a new research method, referring to the categories of speculative realism, theory of metadesign and the concept of Actor Network Theory (ANT).
Źródło:
Przestrzenie Teorii; 2018, 30; 113-131
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Chrześcijański Dionizos” – kult św. Tryfona w Kawadarci
„The Christian Dionysus” – a cult of Saint Tryphon in Kavadarci
Autorzy:
Mikołajczak, Aleksander Wojciech
Dymczyk, Rafał
Powiązania:
https://bibliotekanauki.pl/articles/497029.pdf
Data publikacji:
2017
Wydawca:
Akademia im. Jakuba z Paradyża w Gorzowie Wielkopolskim
Tematy:
św. Tryfon
lenaje
Dionizos
Kavadarci
Macedonia
Bułgaria
ludyczność
prawosławie
Saint Tryphon
Lenaia
Dionysus
Bulgaria
the ludic
Orthodox
Opis:
The article deals with the Orthodox cult of Saint Tryphon in the Balkans, focusing mainly on the liturgical and ritual holiday held in Bulgaria on the 1st, and in Macedonia on the 14th of February. The analysis of these cases has been carried out on the basis of the field study conducted in 2016 in Kavadarci and Negotino towns, belonging to the winery region of Tikves. The environment for that research was set by the Greek tradition of celebrating the Dionysus holidays, particularly the Lenaia. All the documentation collected by the authors include the following manifestations of the cult: 1. Liturgy and Orthodox Church rituals, 2. Rituals conducted in the winaries, 3. Ludic forms of Saint Tryphon’s cult. On the basis of this material, it has been attempted to reconstruct the course of the ceremony in the historical, religious and ethnographical aspect. The conclusions drawn from this study make it possible to understand that many Christian elements of the celebration in honor of Dionysus refer to the pagan traditions adjusted to the Orthodox or ritual needs. It proves the longevity of ancient tradition in the contemporary Balkan folklore and also makes it applicable in the comparative research concerning cultural sciences in their broadest scope.
Źródło:
Język. Religia. Tożsamość; 2017, 1(15); 175-183
2083-8964
2544-1701
Pojawia się w:
Język. Religia. Tożsamość
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kilka uwag o języku i kontekście kulturowym Diariusza podróżnego hetmana Filipa Orlika
About the Language and Cultural Context of the Travel Diary by Hetman Pylyp Orlyk
Autorzy:
Walczak-Mikołajczakowa, Mariola
Mikołajczak, Aleksander Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2035340.pdf
Data publikacji:
2021-12-27
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
diary
Pylyp Orlyk
language
style
borrowings
Opis:
The article’s subject of interest is the language of the Travel Diary written by the Cossack hetman Pylyp Orlyk from 1720 to 1732 during a trip from Stockholm to Istanbul. The article refers to the so-called “macaronisation”, i.e. the saturation of the text with Latin and/or Italian words and borrowings from other languages, typical of Polish texts of the Baroque period. A large part is devoted to Turkish words because a significant part of Pylyp Orlyk’s journey went through the lands belonging to the Ottoman Empire in the eighteenth century.
Źródło:
Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2021, 28, 2; 159-172
1233-8672
2450-4939
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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