Temat: satire, - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: 'To Make the Enemy Immortal by the Sheer Play on Words' – on Julian Tuwim’s Pamphlets
Autorzy:: Stępień, Tomasz
Powiązania:: https://bibliotekanauki.pl/articles/649973.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Julian Tuwim
pamphlet
satire
polemics
Opis:: The article presents both the formal aspects of the poetics of Tuwim’s pamphlets (enumeration, hyperbole, grotesque, irony) and the figures of those who are the targets of his satirical addresses. Tuwim used verse satires to create polemical and ironic portraits of individual people (the main figure being a nationalist journalist and literary critic Stanisław Pieńkowski) as well as to ridicule state institutions, ideologies and political parties. The author also analyses pamphlet-like lyrical poems, columns and literary criticism by Julian Tuwim. In conclusion the author describes some elements of the cultural milieu which the poet refers to in his satirical writing (popular culture and the media, totalitarian ideologies, mass-society).
Źródło:: Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 36, 6
1505-9057
2353-1908
Pojawia się w:: Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: The Comic Image of the Courtly Love Ideals in Le Morte D’Arthur by Sir Thomas Malory
Autorzy:: Mrówka, Aleksandra
Powiązania:: https://bibliotekanauki.pl/articles/653553.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: courtly love
Malory
Arthur
knight
satire
Opis:: The Arthurian legends have fascinated and inspired people for ages. Le Morte D’Arthur by Sir Thomas Malory is one of the best compilations of the stories about King Arthur and his peers. This romance deals with the enchanting world of knightly rituals and the ideals of the chivalric code. It is not a typical romance blindly glorifying the medieval world, though. Written in the time when these ideals are passing, the prose is dominated on the one hand, by melancholy and sentiment, but on the other, by irony and ambiguity. Malory seems to question the chivalric code through inconsistencies of his characters’ behaviour, and absurdity of some situations they are involved in. The paper will focus on the ambivalent and comic picture of the courtly love ideals in Malory’s prose. The main source of failure of some of the Arthurian knights in this aspect of knightly life is the clash between the real chivalric practice and the imagined ideals they pursue.
Źródło:: Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1
2353-6098
Pojawia się w:: Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Przerażające i satyryczne obrazy czarownic w literaturze łacińskiej
Terrifying and Satirical Representations of Witches in Latin Literature
Autorzy:: Wołek, Anna Magdalena
Powiązania:: https://bibliotekanauki.pl/articles/459876.pdf
Data publikacji:: 2012
Wydawca:: Fundacja Pro Scientia Publica
Tematy:: ancient literature
magic
witches
satire
scary
portrait
Opis:: This article shows the most important and the most powerful images of witches in the literature of Ancient Rome. The problem of magic and magic practitioners was very common in antiquity. People believed that during the night black magic was practiced, magic which was prohibited by law and the gods, and that harmed living creatures and even caused their death. Interestingly, it was women who predominantly practiced magic in antiquity. Needless to say, they were portrayed in an extremely negative way: witches were ugly, old and lascivious, but at the same time powerful and frightening. It is no wonder that the writers of Ancient Rome willingly touched upon the topic of spells, and presented witches in two ways: either to frighten or amuse the reader. Looking at the works of Apuleius, Lucan, Petronius and Horace, we in the first place see that both modes of representations were equally popular. We also realize how popular this motif was and how often it had been used and transformed.
Źródło:: Ogrody Nauk i Sztuk; 2012, 2
2084-1426
Pojawia się w:: Ogrody Nauk i Sztuk
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: From Masque to Masquerade: Monarchy and Art in Andrew Marvell’s Poems
Autorzy:: Łączyńska, Klaudia
Powiązania:: https://bibliotekanauki.pl/articles/888928.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: poetry
Andrew Marvell
Neo-Platonism
carnivalesque
satire
monarchy
art
Opis:: A considerable number of Andrew Marvell’s poems contain reference to various forms of visual arts. Marvell’s use of this type of imagery frequently leads to some type of transformation of a psychological, spiritual, political or social reality, with more or less overt allusions to the Neoplatonic notions of sublimation. However, this predominantly Neoplatonic notion of art, characteristic of Marvell’s earlier lyrics, disappears from his Restoration poems. In the satires, art, instead of idealising and elevating the corporeal, is rather dragged into the sphere of matter, where, together with the objects of the poet’s mockery, it undergoes a carnivalesque deformation. Such a degradation or carnivalisation of art imagery in Marvell’s Restoration satires is not only generically conditioned, but has its roots in the political, social and philosophical legacy of the Republic.
Źródło:: Anglica. An International Journal of English Studies; 2014, 23/1; 115-127
0860-5734
Pojawia się w:: Anglica. An International Journal of English Studies
Dostawca treści:: Biblioteka Nauki

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