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    Wyświetlanie 1-4 z 4
    Tytuł:
    Rabindranath Tagore – poszukiwanie prawdy i piękna w teorii i w Szkole Poety
    Autorzy:
    Zofia, Krawczyk,
    Powiązania:
    https://bibliotekanauki.pl/articles/892376.pdf
    Data publikacji:
    2018-02-06
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Poet’s School
    dharma
    artha
    karma
    moksza
    Opis:
    The article is based on the author’s personal and long-year experience gathered while observing and living the life in India. The text addresses the problems and struggles of elites of a society on the crossroads of various civilisations. In addition, it touches upon often contradictory visions of the world and social order, which does not prevent any of them from finding space to perfect specific aspects of spiritual life. In India, we can see very clearly how two planes and two levels of Indian culture – the philosophy of life and the art of life – cross and, at the same time, blend with each other. The most general aspect of these considerations results from the common essence that permeates Indian culture and skills of co-existence. Its contributions to global culture are: a unique view, cognition and evaluation of the world. It also added a more profound interest in mankind than in other cultures, supported by the intellectual effort to explore what conditions its being, and what can decondition that being. As a result of that interest, deepened throughout dozens of centuries, the Indian philosophy proposes a notion of the human being that is wider than in the European tradition. Moreover, it also advances methods and techniques of upbringing of the young generation so that it would manifest a conscious attitude to the tradition and art of life in the broadest meaning of the word, and be able to build a balance between the self – the microworld – and the macroworld in a peaceful and disciplined manner.
    Źródło:
    Kwartalnik Pedagogiczny; 2017, 62(4 (246)); 95-110
    0023-5938
    Pojawia się w:
    Kwartalnik Pedagogiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Powrót poezji mistycznej na przełomie XIX i XX wieku
    Autorzy:
    Arent, van Nieukerken,
    Powiązania:
    https://bibliotekanauki.pl/articles/897205.pdf
    Data publikacji:
    2018-05-25
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Mystical Poetry
    the sacred
    sacrifice
    alienation
    poet-priest
    poetic word
    Opis:
    The article discusses the issue of the return of the forgotten poets as a function of the literary paradigm subjected to changes at the turn of the 19th and 20th centuries. In the light of such a view, the crisis in the development of poetry would be one of the factors letting the forgotten poets’ voice be heard. Another one seems to be the alienation of late 19th-century authors seeking or involuntarily finding partners for a dialogue in tradition, not in contemporary times. The text raises the subject of the sacredness of the poetic word, referring it both to the socio-literary realities of the turn of the centuries and to the broadly defined tradition. In the paper, the author focuses on Cyprian Norwid (and his reader, Zenon Przesmycki) and Stefan George (for whom Stephane Mallarmé turns out to be an important poetic reference).
    Źródło:
    Przegląd Humanistyczny; 2017, 61(4 (459)); 9-17
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Rytmiczne szepty dajmoniona. O mediumicznej funkcji poezji Czesława Miłosza
    Rhythmic Whispers of Daimonion. A Medium-Like Function of Czesław Miłosz’s Poetry
    Autorzy:
    Dembińska-Pawelec, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/511632.pdf
    Data publikacji:
    2011
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Czesław Miłosz,
    poet as a medium,
    daimonion,
    metre in poetry
    Opis:
    The article analyzes a medium¬ like creation of a poet in Czesław Miłosz’s writings. In his works a poet is presented as a chosen man, stigmatized with an artistic destiny, dependent on ‘forces’ and ‘voices’. Splitting poet’s consciousness enables a medium-like relation, called ‘instrumental’ by Miłosz: the artist is being passively subjected to voices like an instrument. The lyric of hauntings, created this way, shows a poet inspired by daimonion’s voice and so regarded as theios aner. Miłosz recalls an antic tradition and the idea of divine inspiration (daimon) but above all the idea of daimonion created by Socrates: daimonion is perceived here as ‘a voice of god’, or ‘a divine touch’. In Miłosz’s poems that have a soliloqium form, the voice of his daimonion manifest itself through the rhythm and incantation of speech. Inspiring and ‘rhythmic whispers’ of a daimonion that take possession of the poet’s con-sciousness, are also regarded as a compulsion of metre, “disgust of rhythmic speech”. A struggle against a poem, against a “defect of harmony” (described by S. Balbus) is aimed also at daimonion’s incantation. However, the rhythmic whisper of daimonion favours the process of self-creation, its lack (as in the poem Bez daimoniona) directs attention to the autobiography and reveals an existential aspect of poet’s being.
    Źródło:
    Postscriptum Polonistyczne; 2011, 1(7); 119-138
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tuwim’s Wedge: 'Survival Strategies' of a Polish-Jewish Poet
    Autorzy:
    Tomassucci, Giovanna
    Powiązania:
    https://bibliotekanauki.pl/articles/650005.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Julian Tuwim
    Jewish identity
    Polish-Jewish poet
    polonisation
    assimilation
    antisemitism
    self-fashioning
    Opis:
    Tuwim’s approach to the “Jewish question” has already been analyzed by Polish and foreign scholars. The article is intended to consider some “survival strategies” of the Polish poet from a slightly different angle. In Poland, in the period between the wars Jewish writers were persuaded to accept total polonization and a rejection of their ethnic identity; yet, at the same time they often suffered a rejection from the circles of Polish artists. Any attempt of highlighting their Jewish identity or even a slight interest in Jewish culture incited brutal Jew-bashings. Tuwim considered his being a Polish Jew not only as a fact to be proud of, but also as an opportunity for engaging with self-criticism. He painfully felt the Jewish question as “a powerful wedge cleaving [his own] worldview”. However, like many other Polish-Jewish writers he masked its enduring presence in his own psyche, constructing his public persona through a process of self-fashioning. This paper tries to follow the traces of this “wedge” in Tuwim’s works: from poems supposedly having nothing to do with the “Jewish question”, to encrypted allusions to the great Yiddish writers, from his relentless questioning of all forms of intolerance and nationalist rhetoric, to his conviction that a new poetic language could “reform the world” and become a homeland for all readers regardless of their nationality.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 36, 6
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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