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Wyświetlanie 1-2 z 2
Tytuł:
“Dinner by the River” and “Driving to the Airport”: Andrew Taylor’s Polish Ash Poems and Jacques Derrida’s Cinder
Autorzy:
Wolny, Ryszard W.
Powiązania:
https://bibliotekanauki.pl/articles/888849.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Australian poetry
Andrew Taylor
“ash poems”
Jacques Derrida
Martin Heidegger
Polska
Opis:
Andrew Taylor (b. 1940), one of the most eminent living Australian poets, has had a lasting relationship with Poland and Opole in particular. As a result of one of his several visits to Opole, he wrote two poems, “Dinner by the River,” which was later included in the volume edited by Peter Rose The Best Australian Poems 2008 (Melbourne: Black Inc., 2008), and “Driving to the Airport,” which appeared in The Unhaunting (London: Salt, 2009). Both poems were originally included in the volume Australia: Identity, Memory and Destiny (ed. Wolny and Nicieja, Opole 2008). The aim of this paper is, therefore, to explore the image of Poland, and the Odra River in particular, the Australian poet has created, alongside the memories of the past his visit to Poland evoked. The elements that unite the Polish poems are the ones connected with coal, soot, fi re, ashes, embers and what Jacques Derrida called cendre (cinder) in one of his most important books, Feu la cendre [Cinders] (Minneapolis, London 2014).
Źródło:
Anglica. An International Journal of English Studies; 2019, 28/3; 125-132
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Violence of Duality in Adrienne Kennedy’s Funnyhouse of a Negro
Autorzy:
Ha, Quan Manh
Hogan, Conor
Powiązania:
https://bibliotekanauki.pl/articles/888936.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
American drama
Adrienne Kennedy
Funnyhouse of a Negro
Black Arts Movement
Jacques Derrida
Opis:
Adrienne Kennedy’s psychodrama Funnyhouse of a Negro personifies in her protagonist, Sarah, the internalized racism and mental deterioration that a binary paradigm foments. Kennedy also develops the schizoid consciousness of Sarah to accentuate Sarah’s hybridized and traumatized identity as an African American woman. Kennedy’s play was controversial during the Black Arts Movement, as she refrained from endorsing black nationalist groups like Black Power, constructing instead a nightmare world in which race is the singular element in defining self-worth. In her dramatized indictment of both white supremacy and identity politics, American culture’s pathologized fascination with pigmentation drives the protagonist to solipsistic isolation, and ultimately, to suicide. Kennedy, through the disturbed cast of Sarah’s mind, portrays a world in which race obsession triumphs over any sense of basic humanity. The play urges the audience to accept the absurdity of a dichotomized vision of the world, to recognize the spectral nature of reality, and to transcend the devastation imposed by polarizing rhetoric.
Źródło:
Anglica. An International Journal of English Studies; 2018, 27/1; 121-134
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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