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Wyświetlanie 1-3 z 3
Tytuł:
Tax Expenditures as An Example of Fiscal Illusion
Autorzy:
Dziemianowicz, Ryta I
Kargol-Wasiluk, Aneta
Wildowicz-Giegiel, Anna
Wyszkowski, Adam
Powiązania:
https://bibliotekanauki.pl/articles/429500.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
fiscal illusion
tax expenditures
transparent fiscal policy
Opis:
The identification and estimation of the extent of fiscal illusion in the public finance system seems neces¬sary to ensure the transparency of government activity. A lack of transparency of all the operations using public funds decreases budget revenues, may adversely affect the balance of state budgets or even lead to increasing the fiscal burdens on all taxpayers. Furthermore, making expenditures outside the budget process is related to a lack of control, which is particularly important from the point of view of the efficiency and effectiveness of these expenditures. Tax expenditures, being an equivalent of direct public expenditures, serve as an example of this type of activity undertaken by the government. The lack of effective control of expenditures in this category may constitute an incentive to use these instruments in order to escape from conventional spending, which is considerably more transparent. Tax expenditures enable increasing expenses on public programs even when the government officially attempts to reduce them - all the more so that programs which have been accepted once do not require formal annual approval. In addition, the procedure of introducing them into the tax system is less complicated than in the case of direct expenditures. The study includes an analysis of the relationship between tax expenditures and direct public expenditures, using the example of the United States of America in the years 1999-2015. Data analysis has shown that the rate of growth of tax expenditures was considerably higher than in the case of direct public spending, thus creating the illusion that public finances are more stable than they are in reality.
Źródło:
Optimum. Economic Studies; 2017, 5(89)
1506-7637
Pojawia się w:
Optimum. Economic Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
No i stało się. Szkic do manifestu gnostyka
Autorzy:
Janusz, Jaroszewski,
Powiązania:
https://bibliotekanauki.pl/articles/487671.pdf
Data publikacji:
2019-08-04
Wydawca:
Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
Tematy:
OVER-VALUED IDEA
INTERSUBJECTIVE ORDER OF IMAGINATION
MEANING
FAITH
MYTH
ILLUSION
UNIVERSE
LIFE
EGO
NADWARTOŚCIOWA IDEA
INTERSUBIEKTYWNY PORZĄDEK WYOBRAŻENIOWY
SENS
WIARA
MIT
UŁUDA
UNIWERSUM
ŻYCIE
JAŹŃ
Opis:
The text by Janusz Jaroszewski (the author of artistic and scientific book THAT THERE... with no name) And so it happened is a draft of a manifesto, a critical assessment of all old and present religious as well as political doctrines, that are intersubjective imagined orders, which, in author’s as- sessment, currently led to very serious crisis of all kinds of values. Jaro- szewski strengthens his diagnosis with references to writers, poets and philosophers, who also included these issues in their works – Thomas Bernhard, Yuval Noah Harari, Miguel de Unamuno and Marina Tsvetaeva.
Źródło:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2019, 27; 246-253
1733-1528
Pojawia się w:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Immersja. Studium antropologii obrazu
Autorzy:
Marek, Hendrykowski,
Powiązania:
https://bibliotekanauki.pl/articles/897615.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
man
immersion
immersive image
cyberspace
virtual reality
screen
frame
extension transference
artificial world
illusion
phantom
information
limits of human body
phrenesis
psychosomatic reaction
social psychology
identity
reification
alienation
collective behavior
Opis:
From the perspective of cultural anthropology, immersion is a psychosocial phenomenon consisting in absorbing consciousness of a viewer completely fascinated by a perceived message. Deceptive impression of communing with reality is a psychosomatic illusion offered as a standard by digital extensions: the internet communications, computer animation, artificial world of video games of various kinds, as well as films of the new and the latest generation. Extension transference (a term used by Edward T. Hall) is nothing new. However, constantly expanding macro-social scale of this process is something new. As a result, the growing effects of contemporary digital extension transference from the 2.0 cyberspace became, as never recorded before, widespread and massive. Today’s societies experience one of its most dangerous effects which turns out to be snowballing immersion. Immersion considered in a comprehensive manner in the light of: communication theory, semiotics and cultural anthropology opens a new field of research not only on the characteristics of artistic works (resp. the art of moving images), but also all categories of audiovisual works. Studying this phenomenon, which is now more and more common among the information age societies, enormously expands the “space of theory” and the scope of communication potential of non-verbal categories of languages, to start with the language of moving images. In an analysis of this phenomenon Marek Hendrykowski advocates linguistic and cultural orientation in the study on complex mechanisms of immersive disorders, emphasizing not only the individual (referring to the life of the individual), but also the social effects of digital frene.
Źródło:
Przegląd Humanistyczny; 2015, 59(1 (448)); 93-102
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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