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Wyświetlanie 1-4 z 4
Tytuł:
Sankcjonowanie władzy w Matni Romana Polańskiego
Autorzy:
Łukasz, Wróblewski,
Powiązania:
https://bibliotekanauki.pl/articles/897042.pdf
Data publikacji:
2020-01-13
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Matnia
Polański
power
space
emotions
affect
crisis
Opis:
The purpose of this paper is a multidimensional analysis of the problem of power in the film Matnia by Roman Polański. Using the ups and downs of three heroes as a starting point of the deliberations, the author proves that the effectiveness of power is not only in physical strength and the will to dominate but rather in the readiness to be subordinated. This readiness is generated in the heroes by such factors as vast and unprotected space of the castle, making of one of the main heroes – George – a female character, the failure of the institution of marriage (evidence of George’s wife’s unfaithfulness appears in the film), the powerlessness of language, which makes opposing the oppressor difficult, and finally omnipotence of the affect understood as a key to the interpretation of postmodern power structures.
Źródło:
Przegląd Humanistyczny; 2019, 63(4 (467)); 77-90
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Łukasz Wróblewski – Aranżowanie nie-miejsc. Od ekspozycji afektu do medium zmiany
Autorzy:
Łukasz, Wróblewski,
Powiązania:
https://bibliotekanauki.pl/articles/897230.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
places
non-places
identity
analgetic places
non-places of affect
Opis:
The text discusses the theory of Marc Augé’s non-places. In this article the author focuses on the relation between non-places and identity, and answers the question of to what extent it is possible to transform non-places to places – one of the Augé’s theses is that there are close relations between these two categories. According to the author, this change can be made thanks to the external media. The websites such as Facebook and YouTube, allow a symbolic transformation of a status of non-places, their rearrangement. In the study the author also proposes to expand Augé’s dictionary to include a category of analgetic places and non-places of affect.
Źródło:
Przegląd Humanistyczny; 2017, 61(1 (456)); 211-222
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Office for National Statistics Experience of Collecting and Measuring Subjective Well-Being
Autorzy:
Tinkler, Lucy
Powiązania:
https://bibliotekanauki.pl/articles/465864.pdf
Data publikacji:
2015
Wydawca:
Główny Urząd Statystyczny
Tematy:
subjective well-being
the Office for National Statistics evaluative
eudemonic
experience
affect
user engagement
Opis:
The UK Office for National Statistics (ONS) started measuring subjective well-being in 2011 as part of the ONS Measuring National Well-being programme. The aim of the Measuring National Well-being programme is to measure the quality of life and progress of the UK. This article explores the development of the ONS subjective well-being measures, data collection methods, data presentational considerations, overview of findings, and latest developments. It discusses the way in which user engagement has been key to the development of the ONS subjective well-being statistics.
Źródło:
Statistics in Transition new series; 2015, 16, 3; 373-396
1234-7655
Pojawia się w:
Statistics in Transition new series
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Potencjalność relacji. Choreografia w muzeum
Potentialities of relationships. Choreography in the Museum
Autorzy:
Słoboda, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/424291.pdf
Data publikacji:
2016
Wydawca:
Akademia Sztuk Pięknych w Gdańsku
Tematy:
choreografia, relacyjność, praktyka, dyspozytyw, wystawa, muzeum, ciało, performatyka, taniec, ruch, afekt, choreography, relations, practice, dispositif, exhibition, museum, body, performativity, dance, movement, affect
Opis:
Experiments in the field of dance in the second half of the 20th century resulted in an expansion of the notion of choreography. Nowadays choreography, as a cluster of various practices developing on the verge of the arts, does not to have to be understood exclusively as composing the movement of bodies or the notation of dance. Choreographic tools are being used to produce relationships between heterogeneous elements in structures organising time and space as well as to inquire into their dynamics and intensities. Choreography enables us to think critically about corporeality, subjectivity, performativity and the conditions of art production. It can be understood as a sensual analysis on the intersection of what is intimate, social, political and aesthetic. This text revolves around the notion of choreography as a social and artistic practice in the realm of museum strategies and exhibition making. The exhibition Frames of Reference. Choreography in the Museum curated by Katarzyna Słoboda and Mateusz Szymanówka focused on choreographic practices and the presentation modes of performative actions in collaboration with a group of Polish choreographers (Alex Baczyński-Jenkins, Przemek Kamiński, Ramona Nagabczyńska, Anna Nowicka, Magdalena Ptasznik, Agata Siniarska, Iza Szostak, Kasia Wolińska, Marta Ziółek). The artists were invited to temporarily use the first floor of the Museum Sztuki on Więckowskiego Street in Lodz as a space for rehearsals and research. During their stay in the museum, during regular opening hours, they returned to concepts and strategies present in their previous works, looking for ways to open up their practice to visitors. In the second half of April they moved out from the exhibition space, leaving behind scores, objects, documents and situations to be experienced by the museum visitors until the closing date of the exhibition.
Źródło:
Sztuka i Dokumentacja; 2016, 14; 144-150
2080-413X
Pojawia się w:
Sztuka i Dokumentacja
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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