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    Wyświetlanie 1-8 z 8
    Tytuł:
    Andere Stimmen – Protest gegen Krieg und Gewalt in der polnischen und ukrainischen Dichtung über den Ersten Weltkrieg
    Autorzy:
    Alois, Woldan,
    Powiązania:
    https://bibliotekanauki.pl/articles/897173.pdf
    Data publikacji:
    2019-09-24
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    World War I
    Polish poetry
    Ukrainian poetry
    protest against war
    Opis:
    Polish and Ukrainian poetry on World War I have much in common: they were written mainly by soldier-poets, young men fighting in the Polish Legions or the Ukrainian Sich Riflemen. This poetry is, first of all, a patriotic legitimation of the war as a way of regaining political independence. Heroism and suffering for the fatherland are dominating issues. Nevertheless, besides this pathetic gesture, we can find voices that point out the horror of war and question it at all. Such criticisms is expressed by certain motives, which appear in both the Legions’ and the Sich Riflemens’ poetry, like: fratricide, lists from soldiers to their families at home, devastation of nature and culture, autumn and death, as well as pacifist notions. These voices do not form any dominant discourse in the poetry on World War I, but they are not to be ignored, as they mark a common place in the Polish and Ukrainian literature at this time, which has not been researched until now.
    Źródło:
    Przegląd Humanistyczny; 2019, 63(1 (464)); 7-25
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    John Bloch’s The Future of War Pacifism Based on Economics
    Autorzy:
    Pieczewski, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/652660.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    World War I
    pacifism
    economics
    B31
    N43
    Opis:
    John Bloch (1839–1902) was a railroad tycoon, banker, social activist, philanthropist and man of science. He was shortlisted for the Nobel Peace Prize in 1902 for his multi-volume work entitled The Future of War in its Technical, Economic and Political Relations, which was dubbed ‘the bible of pacifism.’ Thanks to his multilayered activities he perfectly fits the positivist ideals of his time. Despite this, due to the course of history and ‘unfavourable circumstances’ for featuring his figure, for decades he was largely forgotten.The goal of this article is to present Jon Bloch and his works in the fields of entrepreneurship, science and most of all his attempts in aid of peace. I will present his major pacifist hypotheses and arguments which are included in his work The Future of War. The author substituted the usual religious and humanitarian arguments in aid of peace, with economic assertions. Published in many languages, the book became essential reading for the intellectuals and politicians at the break of 20th c., while Bloch gained the nickname of ‘the father of contemporary pacifism.’ In order to verify the legitimacy of this claim I will contrast Bloch’s work to a work entitled The Great Illusion, by Norman Angell. Published in 1909, eleven years after the first publication of The Future of War, Angell’s The Great Illusion is wellknown to the Anglo-Saxon readership.
    Źródło:
    Annales. Etyka w Życiu Gospodarczym; 2016, 19, 4
    1899-2226
    2353-4869
    Pojawia się w:
    Annales. Etyka w Życiu Gospodarczym
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Government Acting on Itself: Hungarian Cabinet in the Interwar Period
    Autorzy:
    Gábor, Bathó,
    Powiązania:
    https://bibliotekanauki.pl/articles/902778.pdf
    Data publikacji:
    2019-09-18
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    ministerial structure
    World War I
    government
    ministry
    struktura minsterstw
    I wojna światowa
    rząd
    ministerstwa
    Opis:
    Act XI of 1917 gave the opportunity to the Hungarian government to increase the number of the government members with four ministers without portfolio. This was meant to be a temporary opportunity almost at the end of World War I. The act declared that four ministers without portfolio may be appointed “for the time of the war and the transition to peace”. The determination of the temporal effect seems to be inaccurate and loose. Especially this characteristic gave the base of my paper. In my paper, I am showing the expressed reasons for such a regulation, and the original interpretation of the act and the practice based on it. According to the Hungarian constitutional tradition, an act was the only tool to change the ministerial structure of the government, and changing ministries and competencies could only be done by acts. Later the practice changed, which meant the contemporaneous change in the interpretation of Act XI of 1917 as well. These mutual effects lead to a situation in which it was totally acceptable to appoint a minister without portfolio in 1944 legally based on an act that was meant to solve the extraordinary questions of World War I.
    Źródło:
    Studia Iuridica; 2019, 80; 29-37
    0137-4346
    Pojawia się w:
    Studia Iuridica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wielka Wojna, wielkie nadzieje, wielkie wątpliwości. Zmysły, emocje i trudny patriotyzm w dzienniku Zofii Nałkowskiej
    Autorzy:
    Paweł, Rodak,
    Powiązania:
    https://bibliotekanauki.pl/articles/897597.pdf
    Data publikacji:
    2019-09-24
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    I wojna światowa
    dziennik
    Nałkowska
    zmysły
    kobieta
    codzienność/niecodzienność
    patriotyzm
    World War I
    diary
    senses
    woman
    ordinarines/uncommonness
    patriotism
    Opis:
    The article describes the experience of World War I and the period just after the war (1914–1918) written in the diary of Zofia Nałkowska, an outstanding Polish novelist (1896–1954). For Nałkowska, World War I was very strong sensual experience (new sounds and images that invade privacy). At the same time, the war reveals the truth about human life, being full of cruelty. The war is also a period of collective behaviour, including collective patriotic behaviour requiring sacrifice of an individual. The article shows the tension in Nałkowska’s diary, between what is collective, patriotic, and what is individual, private (patriotism is a great value for Nałkowska, but at the same time she realizes that it can be a source of nationalistic and chauvinistic behaviour). Finally, the article shows Nałkowska’s critical attitude, at the end of the war and just after the war, connected with the awareness that the regained independence is not a solution to all Polish problems.
    Źródło:
    Przegląd Humanistyczny; 2019, 63(1 (464)); 115-127
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Literary Reflections on Postimperial Violence in East-Central Europe after 1918: Wittlin – Hašek – Vančura
    Autorzy:
    Alfrun, Kliems,
    Powiązania:
    https://bibliotekanauki.pl/articles/897160.pdf
    Data publikacji:
    2019-09-24
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    World War I
    Polish Literature
    Czech Literature
    Jaroslav Hašek
    Vladislav Vančura
    Józef Wittlin
    Fragmentation of Space
    Barbarization and Self-Barbarization
    Opis:
    This paper discusses questions like the irony of history, the lack of illusions, and the prophecy of violence in three classic World War I novels by Jaroslav Hašek, Vladislav Vančura and Józef Wittlin, written in the decades after 1918. The novels have at least three aspects in common: first, the poetics of each is marked in a compressed way by the style of narrating the assassination in Sarajevo in 1918; second, three picaresque figures – Švejk, Řeka and Niewiadomski, respectively – standing in the centre of each novel; and, third, in addition to the war itself, each novel looks proleptically at its consequences, even if the narrated time does not extend to the end of the war. The paper tries to reflect on the novels as the literature of post-imperialist violence. Rhetorical figures of barbarization and self-barbarization, inversion of subject and object, fragmentation of space are particularly significant in the books, demonstrating the aesthetic processing of the reversal from euphoria, over the end of the war, to frustration, over the continuing violence. More specifically, these figures correspond with a remarkable degree with the unfulfilled peace after 1918.
    Źródło:
    Przegląd Humanistyczny; 2019, 63(1 (464)); 65-79
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    From Barbusse to Lemaitre: The Evolution of Experience
    Autorzy:
    Sloan Goldberg, Nancy
    Powiązania:
    https://bibliotekanauki.pl/articles/888758.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    French novels of World War I
    War novels of direct witness
    canon and criteria in French Great War novels
    executions in French war novels
    veterans in French Great War novels
    Opis:
    Direct witness and thoughtful meditation are core values of content and form in the canon of French Great War fiction and were established from the earliest narratives in 1914. Moral authority and ownership of the truth were both the privilege of soldier-writers like Barbusse and Dorgelès, who also sought insightful meaning in their direct experience. Their works remain “in collective memory” and continue to be published, read, and analysed (Grabes). With the passage of time, the gaps in insights and memory of direct witness were fi lled by fi ction in the works of canonical post-memory writers (Rigney). The rediscovery and reappraisal of disparate elements of the war by historians and non-canonical genre writers restored value to some of these objects, such as executions and the reintegration of veterans into society, that had “fall[en] out of frames of attention” (Assmann). Crime fiction novels set during the Great War, by virtue of their non-canonical status as genre fiction, were not restrained by acknowledged and often depreciatory imperatives of form and content. Unencumbered by these canonical constraints, the works of crime fi ction writers tell a “counter-history,” thus transferring a proscribed and obfuscated subject to the public sphere (Assmann).
    Źródło:
    Anglica. An International Journal of English Studies; 2018, 27/3; 163-181
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A War Poet in Absentia: the Year 1918 in Jaroslav Hašek’s Literary Output
    Autorzy:
    Jean, Boutan,
    Powiązania:
    https://bibliotekanauki.pl/articles/897619.pdf
    Data publikacji:
    2019-09-24
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Jaroslav Hašek
    Švejk
    World War I
    Russian Revolution
    Russian civil war
    Czechoslovak Legion
    Armistice
    fall of the Austro-Hungarian Empire
    Soviet Union
    1918
    end of the war
    Opis:
    This article purports to give an outline of the major evolutions in Hašek’s literary output around the year 1918, a year that saw not only the end of the world war, but also, for the writer himself, the start of the Russian civil war. The Russian Revolution meant for Hašek, as he wrote in 1918, the transition from a “war between States” – or “war between Empires” – to a “war of the proletariat against capitalism”. The lack of safe information about Hašek’s biography during this short, yet crucial, period of his life does not still prevent us from retracing the repercussions of the great events of 1918 on the east front – the fall of the Austrian-Hungarian Empire, the founding myth of the Czechoslovakian Legion and the beginnings of the Soviet Union – in the literary works of an author who has been taxed for being a renegade to each of the three aforementioned causes. The particular issue of Švejk’s maturation during the war may help us to put the year 1918 into a perspective with the end (though, only to some extent) of the conflicts and the beginning (however protracted) of the post-war period. Whereas the novel was about the Good Soldier’s bursting into the conflict, this article observes Hašek himself, walking out of the world war.
    Źródło:
    Przegląd Humanistyczny; 2019, 63(1 (464)); 81-96
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    CYWILIZACYJNY WYMIAR PIERWSZEJ WOJNY ŚWIATOWEJ
    CIVILIZATIONAL DIMENSION OF THE FIRST WORLD WAR
    Autorzy:
    SYCH, ALEXANDER
    Powiązania:
    https://bibliotekanauki.pl/articles/550727.pdf
    Data publikacji:
    2015
    Wydawca:
    Wyższa Szkoła Biznesu i Przedsiębiorczości w Ostrowcu Świętokrzyskim
    Tematy:
    I Wojna Światowa, kryzys cywilizacyjny społeczeństwa europejskiego, skutki wojny, upadek parlamentaryzmu i liberalizmu, kryzys eurocentryzmu
    World War I, the civilizational crisis of the European society, war aftermath, the decline of parliamentarism and liberalism, the crisis of Eurocentrism
    Opis:
    Artykuł omawia cywilizacyjne aspekty źródeł i skutków I Wojny Światowej oraz jej rolę w transformacji podstaw cywilizacji europejskiej w dwudziestym wieku.
    The article deals with the civilizational aspects of World War I origins and its aftermath as well as its role in the trans-formation of the foundations of the Euro-pean civilization in the twentieth century
    Źródło:
    Acta Scientifica Academiae Ostroviensis. Sectio A, Nauki Humanistyczne, Społeczne i Techniczne; 2015, 6(2)/2015; 167-177
    2300-1739
    Pojawia się w:
    Acta Scientifica Academiae Ostroviensis. Sectio A, Nauki Humanistyczne, Społeczne i Techniczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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