Temat: Platonism - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: The objective character of virtues in Marsilio Ficino’s Platonic Theology
Autorzy:: Papiernik, Joanna
Powiązania:: https://bibliotekanauki.pl/articles/600474.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Marsilio Ficino
Platonism
Neoplatonism
ethics
virtue ethics
Opis:: Marsilio Ficino did not write a methodical, complete treatise on ethics, but the ethical questions are discussed in most of his writings, including his opus magnum entitled Theologia Platonica. The most important sources for Ficino’s ethical considerations are Platonic and Neoplatonic texts and this is strongly reflected in Theologia; one of the aspects of this dependence regards the nature of virtues: they are seen as unchangeable, indivisible and that is why they are objective. The main purpose of the paper is to present the objective character of virtues in Platonic Theology by invoking their definition, role and status with references to Plato’s works.
Źródło:: Internetowy Magazyn Filozoficzny Hybris; 2016, 34 (3)
1689-4286
Pojawia się w:: Internetowy Magazyn Filozoficzny Hybris
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: From Masque to Masquerade: Monarchy and Art in Andrew Marvell’s Poems
Autorzy:: Łączyńska, Klaudia
Powiązania:: https://bibliotekanauki.pl/articles/888928.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: poetry
Andrew Marvell
Neo-Platonism
carnivalesque
satire
monarchy
art
Opis:: A considerable number of Andrew Marvell’s poems contain reference to various forms of visual arts. Marvell’s use of this type of imagery frequently leads to some type of transformation of a psychological, spiritual, political or social reality, with more or less overt allusions to the Neoplatonic notions of sublimation. However, this predominantly Neoplatonic notion of art, characteristic of Marvell’s earlier lyrics, disappears from his Restoration poems. In the satires, art, instead of idealising and elevating the corporeal, is rather dragged into the sphere of matter, where, together with the objects of the poet’s mockery, it undergoes a carnivalesque deformation. Such a degradation or carnivalisation of art imagery in Marvell’s Restoration satires is not only generically conditioned, but has its roots in the political, social and philosophical legacy of the Republic.
Źródło:: Anglica. An International Journal of English Studies; 2014, 23/1; 115-127
0860-5734
Pojawia się w:: Anglica. An International Journal of English Studies
Dostawca treści:: Biblioteka Nauki

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