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    Wyświetlanie 1-4 z 4
    Tytuł:
    Twórczość Witkacego wobec międzywojennej kultury masowej
    Witkacy’s Oeuvre and Mass Culture in the Interwar Period
    Autorzy:
    Lisowska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/460403.pdf
    Data publikacji:
    2012
    Wydawca:
    Fundacja Pro Scientia Publica
    Tematy:
    mass culture
    catastrophism
    mechanization
    intellectualism
    photography
    landscape painting
    portray
    film technique
    Opis:
    The aim of this paper is to consider the relationship between the work of S. I. Witkiewicz and mass culture. First, I analyse Witkacy’s photography and paintings. Then, I focus on the connections between his dramas and novels, and cinematography. The idea is to reveal the author’s ambiguous attitude towards mass culture. I refer to Witkacy’s philosophical and aesthetic writings. References to Polish mass culture of the interwar period are also included. The bibliographical basis of the study contains works of such authors as Janusz Degler, Katarzyna Taras and Daniel C. Gerould.
    Źródło:
    Ogrody Nauk i Sztuk; 2012, 2
    2084-1426
    Pojawia się w:
    Ogrody Nauk i Sztuk
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Modernity and the Jewish Stigma. Julian Tuwim, Alfred Döblin and Kurt Tucholsky: Biographies and Work
    Autorzy:
    Bednarczuk, Monika
    Powiązania:
    https://bibliotekanauki.pl/articles/649999.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Julian Tuwim
    Alfred Döblin
    Kurt Tucholsky
    comparative studies
    modernity
    city
    mass culture
    Jewish identity
    asimilation alienation
    Opis:
    The paper deals with biographical, ideological and artistic links between Julian Tuwim, Alfred Döblin and Kurt Tucholsky. On the one hand, the basis of comparison are biographical similarities, the Jewish origin of those three writers, their family dramas, the experience of politically opressive school, the trauma of revolution or war, and the exile to name just a few. On the other hand, the article demonstrates the ways the modernity has influenced the attitudes and texts of Döblin, Tucholsky and Tuwim. While talking about modernity, the author focuses on such phenomena as secularisation and urbanisation processes, mass political movements, and new cultural challenges.Tuwim, Döblin and Tucholsky were born into assimilated Jewish families. Their perspective on the stereotypical Jews (the orthodox Jews as well as Jewish bankers or manufacturers) is marked with antipathy, or even contempt. The writers’ ambivalence towards the diapora and towards their own origin illustrate “Jewish self-hatred”; however, all three authors change their opinion on Jewry in the face of the growing anti-Semitic and Nazi danger, and especially the Holocaust. Döblin is proud of being Jewish after his visit to Poland in 1924, Tucholsky warns German Jews against the consequences of their passivitivy, and Tuwim publishes in 1944 his agitating manifesto We, Polish Jews. Last but not least, the three authors go into exile because of their Jewish ancestry and sociocultural activities. Therefore, it is no coincidence thatone cannot help having associations with Heinrich Heine: his biography can be interpreted as a prefiguration of a Jewish artist’s biography.Furthermore, Tuwim, Döblin and Tucholsky are notably sensitive to social questions, and their sensitivity to such issues results to some extent from their difficult childhood and youth. Especially significant seem in that respect family conflicts and the moving from city to city, since such experiences increase the feeling of loneliness and the vulnerability to depression. Nevertheless, Döblin, Tucholsky and Tuwim come with impetus into the cultural life of Germany and Poland and work in the areas of literature, cabaret (satire) as well as journalism. They share sympathy for the political left and fears of the orthodox communism. They are simultaneously advocates and ardent critics of great cities. They pay attention to new phenomena (the popularity of cars, the role of the press, the new morality) and react to them. Their aim is creating a culture which appeals to the masses and educates them in a non-intrusive way. However, the awareness of their own intellectual superiority imposes distance towards lower social groups. The distance stems, firstly, from the universal ambivalence artists feel towards the masses, and secondly, from the ideological moderation characteristic of petit bourgoisie and of the political centre. In general, Döblin, Tucholsky and Tuwim are idealists who hope for a humanitarian world which is impossible in the era of extrem political violence leading to the Holocaust.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 36, 6
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Dwa szybkie żubry”. Masowa kultura wizualna i koncepcja animal symbolicum Ernsta Cassirera
    „Two quick bizons”. Mass visual culture and the Ernst Cassirer’s animal symbolicum concept
    Autorzy:
    Kisielewski, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/423168.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    signs and pictures
    visual culture
    visual mass culture
    Ernst Cassirer
    animal symbolicum
    znaki i obrazy
    kultura wizualna
    wizualna kultura masowa
    Opis:
    This paper focuses on a contemporary phenomenon of visual mass culture consisting of signs and pictures expressing technical information and marketing communications. Such signs and pictures shape the environment of the modern man. One can notice them on highways, streets, in the city space, malls, stores, bars, airports and train stations. These signs and pictures are also mass produced items and can be considered as architecture represented by designs of easily recognizable buildings like McDonald's bars and IKEA department stores. Signs and pictures which are a subject matter of this paper have a technical and at the same time artistic character. This text is an attempt to see them in the context of the theory of culture by Ernst Cassirer and his concept of animal symbolicum.
    Źródło:
    IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2016, 28/2; 139-158
    0860-4487
    Pojawia się w:
    IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Homo Barbarus w świecie algorytmów
    Homo barbarus in the world of algorithmsh
    Autorzy:
    Burszta, Wojciech Józef
    Powiązania:
    https://bibliotekanauki.pl/articles/423314.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    digital culture
    communication
    human mass
    democracy
    populist reason
    culture wars
    kultura zdigitalizowana
    komunikacja
    masy ludzkie
    racje populistyczne
    wojny kulturowe
    Opis:
    This article presents a set of arguments to suggest that the world of technical synthesis based on digital technology does not lead to any spiritual unification of the people to a „planetary mega-etnos.” It is rather the opposite. The answer to the rampaging unification of environmental techno-economic modernity became, contrary to the unanimous opinion of visionaries, violent political and cultural Balkanization. At the intersection of these processes a new version of homo barbarus is born. Before our eyes a certain extreme idea of society is also born – human mass (in the sense of Ortega y Gasset) permanently ongoing culture wars. It is the return of tribalism in the common domain of technology.
    Źródło:
    IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2016, 28/2; 5-19
    0860-4487
    Pojawia się w:
    IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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