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Wyświetlanie 1-3 z 3
Tytuł:
Bridging Traditions and Innovations: the First International Social Pedagogy Conference
Autorzy:
Kara, O'Neil,
Powiązania:
https://bibliotekanauki.pl/articles/893057.pdf
Data publikacji:
2018-09-04
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
social pedagogy
social education
cultural studies
cultural pedagogy
SPA
SCP-GO
Opis:
The first International Social Pedagogy Conference took place February 22-24, 2018 in Puebla, Mexico. The conference, Social Pedagogy and Social Education: Bridging Traditions and Innovations, was hosted by Benemérita Universidad Autónoma de Puebla (BUAP) in partnership with the Social Pedagogy Association, ASU, REMPES, and Ceiba. The conference hosted over 350 participants from 17 countries and offered presentations in English, Spanish and Portuguese, representing a wide variety of topics which reflect many of the diverse areas encompassed by social pedagogy research and practice. REPORT In 2011, the first social pedagogy masters program in North America - a Master of Art in Social and Cultural Pedagogy - was approved by Arizona State University for the School of Social Transformation in Phoenix, Arizona, United States. Within two years students in that program created a graduate organization, SCP-GO (Social and Cultural Pedagogy Graduate Organization), to connect with each other, organize events, and represent students’ needs and interests to the faculty. As the first of these graduates transitioned from University into a variety of careers and post-graduate studies, a need presented for a professional association to facilitate connections in North America between practical and theoretical pedagogues. Thus, the Social Pedagogy Association was created in 2015. The Social Pedagogy Association (SPA) brings together practitioners, academics, students and others to exchange experiences and to share knowledge and resources about social pedagogy theory, research and practice. The SPA strives to be an inclusive organization that believes in the importance of the free flow of ideas and scholars for the advancement of research, theory and educational practices. We are here to encourage scholarly interaction, collaboration, and debate from diverse intellectual perspectives and countries of origin by bringing together practitioners, academics, students and others to exchange experiences and to share knowledge and resources about social pedagogy theory, research and practice. (O’Neil, 2015) The SPA recognized a disconnect between academia and practice. While academics often engage in interdisciplinary study, and many practitioners refer to the works and successes of others in their fields, there is often a gap in communication between research and practice. As social pedagogues we bear a responsibility to ensure that gap is minimized as effectively as possible. As the academic discipline and practical application of social pedagogy expands, it is necessary that theoretical and practical pedagogues communicate and work in tandem. In 2004, prominent social pedagogue, Henry Giroux, wrote: I think too many cultural studies theorists are remiss in suggesting that pedagogy is primarily about schools and, by implication, that the intersection of cultural studies and pedagogy has little to do with theorizing the role pedagogy might play in linking learning to social change outside of traditional sites of schooling. Pedagogy is not simply about the social construction of knowledge, values, and experiences; it is also a performative practice embodied in the lived interactions among educators, audiences, texts, and institutional formations. Pedagogy, at its best, implies that learning takes place across a spectrum of social practices and settings. (Giroux, 2004, p.61) Rooted deeply in northern Europe and South America, the field of Social Pedagogy is growing and changing as it spreads and develops in the UK, Central America, and, most recently, North America. The discipline has more than 150 years of history as both an interdisciplinary academic field of inquiry and a field of practice that is situated in the intersection of three areas of human activity: education, social work, and community development (Schugurensky, 2011). Hans Thiersch defined the role of social pedagogue thus: The role of the social pedagogue is to help people to critically analyze their problems, reflecting on the social causes of the individual problems and to find options for successful everyday life. The focus is connecting help for the individual with political action in the context of social justice and well-being, while recognizing social and political resources. (Schugurensky, 2014, p. 9) It is of utmost importance that pedagogues ‘across a spectrum’ listen to one another and aid each other in this critical analysis and reflection. This need for an increase in communication was recognized by members and partners of the SPA soon after its founding. “As a critical practice, pedagogy’s role lies not only in changing how people think about themselves and their relationship to others and the world, but also is energizing students and others to engage in those struggles that further possibilities for living in a more just society.” (Giroux, 2004, p. 64) As pedagogues, we must also energize and engage one another. There is possibly no greater power than that inherent in the exchange of ideas and culture. In 2017, Jan Rothuizen and Lotte Harbo reminded us that “Bridge-building means changing society and not just working with care but also with community development, so as to address the wider and systematic aspects that affect the marginalized groups” (Rothuzian, p.18). It was with this idea of bridging connections and supporting one another that the SPA organized and planned the first International Social Pedagogy Conference which took place February 22-24, 2018 in Puebla, Mexico. The conference, Social Pedagogy and Social Education: Bridging Traditions and Innovations, was hosted by Benemérita Universidad Autónoma de Puebla (BUAP) in partnership with the Social Pedagogy Association, ASU, REMPES, and Ceiba. The intention of this conference was to bridge differences within the theories of academia and help to unite those theories with the experiences of field-work practitioners, an important connection that is all-too-often overlooked. The conference was held with the intention of bringing together the various studies and practices of social pedagogy and social education around the world. The conference welcomed any and all researchers and practitioners whose work falls into the realm of social or critical pedagogies and social education, to include topics such as: refugee education, cultural pedagogy, the formation/education of social educators and social workers, technology and social education, pedagogical theory, social pedagogy and social education in schools, and more. The conference hosted over 350 participants from 17 countries and offered presentations in English, Spanish and Portuguese, representing a wide variety of topics which reflect many of the diverse areas encompassed by social pedagogy research and practice. By forging initial connections between researchers and practitioners, we hope to continue to find and increase ways in which these connections can influence and impact the growth of social pedagogy and social education around the world. The hope of the SPA is that we continue to identify tension fields, share successes and challenges internationally within the field and research, and come to an understanding of social pedagogy advised and shaped by our varied cultures, experiences, and educations. The SPA will be partnering in June of 2020 with the University of Central Lancashire (CLAN) to host the second International Social Pedagogy Conference in Larnaka, Cyprus. We are excited to see the unification of ideas and knowledge and look forward to a future of partnership with pedagogues around the world.
Źródło:
Papers of Social Pedagogy; 2018, 9(2); 55-58
2392-3083
Pojawia się w:
Papers of Social Pedagogy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
BADANIA PROWENIENCYJNE W POLSCE (CZĘŚĆ 2.)
PROVENANCE STUDIES IN POLAND (PART 2)
Autorzy:
Maria, Romanowska-Zadrożna,
Powiązania:
https://bibliotekanauki.pl/articles/433222.pdf
Data publikacji:
2017
Wydawca:
Krajowy Ośrodek Badań i Dokumentacji Zabytków
Tematy:
badania proweniencyjne
straty wojenne
rewindykacje
restytucja dóbr kultury
proweniencja
provenance studies
war losses
requisition
restitution of cultural goods
provenance
Opis:
This article continues the first part of Provenance studies in Poland published in issue 57 of the “Muzealnictwo” Annual in 2016, and complements the text published two years ago, which was more general and focused on the situation in the USA and Europe. It presents diverse aspects of the topic, through statistical analysis of the situation in our museums and discussing works by Polish authors who tackled the problem of methodology, including first texts on library science and war losses, so-called orphaned works and property of Holocaust victims, and the post-war situation which contributed to the work’s loss of its origin. The article also draws attention to the legal aspects of purchasing artworks without due diligence, as well as to the verification of museum exhibits’ origin before obtaining legal protection for those works which are to be placed under so-called museum immunity. In the literature on provenance studies when examining the provenance of artworks, the increasing role of digital tools, such as the internet or digitisation, has been noted. Attention has also been drawn to the contribution of conservators and their innovative methods which may help determine the origin of an object. Another aspect raised in the text is the issue of the theoretical preparation to conduct provenance studies as well as the education which is already standard in library science faculties, but still a long-awaited subject for students of art history and archiving. Although NIMOZ has already organised day-long workshops for museum professionals, and the University of Warsaw has conducted academic seminars lasting several hours, there is still a long way before reaching the two-term studies offered at the Berlin Open University.
Niniejszy artykuł jest kontynuacją opublikowanej w „Muzealnictwie” 57’2016 części pierwszej Badań proweniencyjnych w Polsce oraz uzupełnieniem tekstu sprzed 2 lat – bardziej ogólnego, skupiającego się na sytuacji w USA i Europie. Prezentuje on różne aspekty tego zagadnienia, zarówno poprzez statystyczne rozpoznanie sytuacji w naszych muzeach, jak i omówienie prac polskich autorów poruszających problemy metodologii, w tym prekursorskich tekstów z dziedziny bibliotekoznawstwa, a także strat wojennych, tzw. dzieł osieroconych i mienia ofiar Holocaustu oraz powojennej sytuacji przyczyniającej się do zatracanie przez dzieła swojego pochodzenia. W tekście zwrócono uwagę na aspekty prawne nabywania dzieł bez zachowania należytej staranności oraz na weryfikację pochodzenia muzealiów przed uzyskaniem ochrony prawnej dzieł, które mają zostać objęte tzw. immunitetem muzealnym. W literaturze na temat badań proweniencyjnych zauważano wzrastającą – w procesie badania proweniencji dzieł sztuki – rolę narzędzi cyfrowych, takich jak internet, czy digitalizacja. Zwrócono także uwagę na wkład konserwatorów i opracowanych przez nich nowatorskich metod, które mogą wspomagać działania mające na celu określenie pochodzenia przedmiotu. Osobnym zagadnieniem poruszanym w tekście jest kwestia przygotowania teoretycznego do prowadzenia badań proweniencyjnych i edukacja, będąca już standardem na kierunkach bibliotekoznawczych, a oczekiwanym przedmiotem w procesie nauczania przez studentów historii sztuki i archiwistyki. Dla muzealników zorganizowane zostały w NIMOZie całodniowe szkolenia, a na Uniwersytecie Warszawskim kilkugodzinne zajęcia akademickie, jednak daleko im jeszcze do dwusemestralnych studiów proponowanych w Berlinie na Wolnym Uniwersytecie.
Źródło:
Muzealnictwo; 2017, 58; 47-59
0464-1086
Pojawia się w:
Muzealnictwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nowe nurty badawcze w studiach nad muzyką popularną – przegląd wybranych koncepcji
New Research Trends in Popular Music Studies – Review of Selected Concepts
Autorzy:
Gałuszka, Patryk
Powiązania:
https://bibliotekanauki.pl/articles/413281.pdf
Data publikacji:
2015
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
studia nad muzyką popularną socjologia muzyki
sceny muzyczne
fani
pole produkcji kulturalnej
neoplemiona
Popular music studies sociology of music
music scenes
fans
field of cultural production neo-tribes
Opis:
W artykule dokonano przeglądu wybranych koncepcji wykorzystywanych przez badaczy z kręgu studiów nad muzyką popularną. Cechą wspólną tych koncepcji jest wykorzystywanie lub nawiązywanie do dorobku socjologii. Ukazane są takie obszary badań, jak: studia nad fanami, koncepcja produkcji kultury, koncepcja scen muzycznych, koncepcja pola produkcji kulturowej oraz koncepcja neoplemion. Prezentacja tych koncepcji stanowi głos w dyskusji nad rozwojem socjologii muzyki w Polsce.
The paper analyzes selected concepts used by researchers in the field of popular music studies. All these concepts draw on works conducted by sociologists. The following concepts are discussed: fan studies, production of culture, music scenes, field of cultural production, neo-tribes. Discussion of these concepts is followed by a call for their wider implementation by Polish researchers working in the field of sociology of music.
Źródło:
Przegląd Socjologiczny; 2015, 64, 3; 113-129
0033-2356
Pojawia się w:
Przegląd Socjologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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