Autor: Kłosiński, Michał - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Games and Utopia
Autorzy:: Kłosiński, Michał
Powiązania:: https://bibliotekanauki.pl/articles/1202463.pdf
Data publikacji:: 2018
Wydawca:: Univerzita sv. Cyrila a Metoda. Fakulta masmediálnej komunikácie
Tematy:: digital games
game studies
magic circle
utopia
utopian studies
utopianism
video games
Opis:: The main theme of my article is the relationship between virtual worlds of video games and the concept of utopia. I aim to present a wide variety of different definitions and theories of utopia, which seem indispensable in order to further the relationship between video game and virtual reality research and the multitude of utopian studies discourses. The thesis starts with a short recollection of Alexander Galloway’s thesis on video games and utopias from his article on World of Warcraft which I am trying to supplement with some of the most interesting contemporary utopian studies research. The core of the article focuses on sketching an alternative proposal which includes a variety of definitions of utopia and utopianism. My aim is to introduce precise and useful notions which could be further utilized in game analysis and game research.
Źródło:: Acta Ludologica; 2018, 1, 1; 4-14
2585-8599
Pojawia się w:: Acta Ludologica
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Miejsca traumy w Świecie Miłosza
The Spots of Trauma in The World by Czesław Miłosz
Autorzy:: Kłosiński, Michał
Powiązania:: https://bibliotekanauki.pl/articles/511233.pdf
Data publikacji:: 2011
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: Czesław Miłosz,
The World,
interpretation
Opis:: The author is searching for the spots or cracks through which concealed trauma reveals itself in The World by Miłosz, a text which most of the interpreters described as idyllic. Close reading of Miłosz’s text shows that it is driven by unconscious repression that works to conceal the symptoms of traumatic experience by covering them with a simulation of a house¬ sanctuary. Author is trying to re¬ read The World, paying close attention to these spots and the fact that the date closing the book – April 1943 – is not just an ironic point, but a mark of experience that could not be erased or repressed from memory. The author also points to the intertextual relation between The World and other Miłosz’s texts, and shows how by comparing different types of poetic imagery related to the same memory, one can depict the work of unconscious repression.
Źródło:: Postscriptum Polonistyczne; 2011, 1(7); 139-154
1898-1593
2353-9844
Pojawia się w:: Postscriptum Polonistyczne
Dostawca treści:: Biblioteka Nauki

Artykuł

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