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Wyświetlanie 1-12 z 12
Tytuł:
Poetic Lithuania of Miłosz
Autorzy:
Berkan-Jabłońska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/648885.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Czesław Miłosz
poetry
poetic images of Lithuania
Opis:
The article deals with the images of Lithuania found in Czesław Miłosz’s poetry. The novels and essays have only been used to confirm the conclusions drawn from the interpretation of selected poems. Despite the frequently-declared unwillingness of the author of Dolina Issy (The Valley of the Issa) to accept and use any autobiographical elements in literature, the land of his childhood has always been present in all the poet’s works. The explanation of this fascination with nostalgia seems to be unsatisfactory. The author of the article perceives the poetic images of Lithuania created by the uprooted immigrant as a symbol of his inner, not purely geographical, settlement. The subject of the discussion is the ever-changing perception of the Eastern-Borderland, which corresponds to particular stages of the protagonist’s journey through life. The starting point is the experience of eviction. It modifies the originally idealized vision of the “little homeland” and makes the hero’s attempt to reject or “amputate” it. The poems from the Światło dzienne (Daylight) collection surprise the reader by a hostile attitude towards the poet’s youth spent in Lithuania and the perception of those early memories as some destructive forces threatening the artist. It is only after a many years’ quest that the borderland heritage is appreciated and conquered again. Now, however, it acquires a different, more symbolic form. The cycle Miasto bez imienia (A Town without a Name) and the poem Gdzie wschodzi słońce i kędy zapada (Where the Sun Rises and Sets) are evidence of a gradual transformation. The faithful recreation in the poet’s memory of particular places and people changes into the construction of some outside religious space, built from the traces of the real world. Lithuania changes into a perfect reality, a Super-Land, capable of retaining the past and combining it with the present. It is a prop freeing the poet from the waste land of Urizen.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 38, 8
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mediolingwistyka. Teoria. Metodologia. Idea
Medialinguistics. Theory. Methodology. Ideas
Autorzy:
Skowronek, Bogusław
Powiązania:
https://bibliotekanauki.pl/articles/510962.pdf
Data publikacji:
2014
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
language
media
conceptualization
media images of the world
culture
Opis:
The article presents the main theoretical and methodological assumptions of ‘medialinguistics’ – a subdiscipline of linguistics, whose research concentrates on linguistic features found in the media. Such an approach is based on cultural linguistics, cognitive semantics, cultural media studies as well as a critical analysis of discourse.
Źródło:
Postscriptum Polonistyczne; 2014, 2(14); 15-26
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Regional Marketing to Change Regional Images: The Example of the Groningen Province Campaign
Autorzy:
Pellenbarg, Pieter
Meester, Wilhelm
Powiązania:
https://bibliotekanauki.pl/articles/623871.pdf
Data publikacji:
2009-09-29
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
place marketing
Groningen
Opis:
In this paper, the data of the inquiries will be analysed. The first question to be answered in the paper relates to the pace and the nature of the changes in image, observed in all three provinces. The second research question specifically deals with the influence of the marketing campaign on the image of Groningen.
Źródło:
European Spatial Research and Policy; 2009, 16, 1
1231-1952
1896-1525
Pojawia się w:
European Spatial Research and Policy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zwrot obrazowy na tle współczesnych przemian teorii obrazu
Autorzy:
Dagmara, Ratajczak-Parzyńska,
Powiązania:
https://bibliotekanauki.pl/articles/892249.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
pictorial turn
images
language
image theory
anthropology of image
Opis:
The main aim of this article is an attempt to show a new scientific/scholarly discipline that is the study of image. The study is spreading in the area of the social sciences and it is connected with hope for further, scientific undertakings that will refresh and depict a slightly different view to the perception and interpretation of sense in the image. The author emphasises that all the sources referring to pictorial turn, should be sought at the philosophical basis of the image theory as well as the language conceptions. At the same time they set a trend for further scientific investigations. It is essential to show an anthropology of the image that follows the way of the image getting absorbed in the analysis of the media as well as the symbols, including the symbols created by the particular culture on the grounds of the sense made by the human existence.
Źródło:
Kwartalnik Pedagogiczny; 2015, 60(2 (236)); 173-184
0023-5938
Pojawia się w:
Kwartalnik Pedagogiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Superreal images for superreal people”. Black self-representation as self-invention in poetry and visual art of the black arts movement: the wall of respect
Autorzy:
Kamionowski, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/423078.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Black Aesthetic
black murals
Black Power
black self-representation
gaze
Gwendolyn Brooks
Haki Madhubuti
images of blacks
the Wall of Respect
Opis:
The article entitled “'Superreal images for SUPERREAL People.' Black Self-Representation as Self-Invention in Poetry and Visual Art of the Black Arts Movement: The Wall of Respect” provides an analysis of the representation of African Americans by Black Arts Movement poets and visual artists involved in making the Wall of Respect, the most famous Black Power mural. Resisting, challenging and rejecting the controlling white gaze, through their verbal and visual acts of self-representation, they made an attempt to achieve a “better and truer self” for American blacks, which resulted in black myth-making and self-invention. That phenomenon is explored here through an examination of the history, legend and aesthetics of the mural, which is approached as a multimedia Poem of the People, whose interplay of various artistic forms of expression is aimed at liberation from the oppressiveness of white cultural hegemony, achieving “visibility,” and practicing “truly black” image-making. More specifically, special attention is given to its literary component – Amiri Baraka's poem “SOS,” which is embedded in the mural, and two poems entitled “The Wall,” written for that occasion by Haki Madhubuti and Gwendolyn Brooks, the latter poem read at the opening ceremony by its author. Detailed reading of the poems demonstrates how the written/spoken word assisted and enhanced visual black self-invention and projected-cum-generated a sense of togetherness and collective identification by creating an ultra-positive image of “new blacks,” and stigmatizing “negro toms” who stood for old-fashioned integrationism. Also, through condensed references to theories pertaining to the nature of image, visual representation and the power of the gaze (by Plato, Heidegger, Sartre and Lacan), put together with concepts of African American culture and expression (Houston Baker Jr.'s “the Black (W)hole” and Robert Stepto's “immersion”), philosophical aspects of the Black Arts Movement's artistic strategy of black self-invention as well as its limitations are explored.
Źródło:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2016, 28/2; 210-232
0860-4487
Pojawia się w:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Taste good iny?”: Images of and from Australian Indigenous Literature Jared Thomas speaks with Teresa Podemska-Abt
Autorzy:
Thomas, Jared
Podemska-Abt, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/641405.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2011, 1
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Murky Images. The Poetics of Intertextual Dissonance in the Apocryphal Films of Andrei Zviagyntsev
Autorzy:
Pawłowska-Jądrzyk, Brygida
Powiązania:
https://bibliotekanauki.pl/articles/555585.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Russian cinema
Andrei Zvyagintsev
intertextuality
modern apocrypha
Christian symbolism
Opis:
The first two films of Andrei Zvyagintsev, The Return and The Banishment, deserve to be called modern apocrypha, as they methodically and compre- hensively utilise elements of Christian symbolism and are part of the non- -canonical dialogue with religious messages. The films are characterised by a multiplicity of thematic plans that are outlined mainly through a variety of intertextual references. Among these relationships, a particular place is occupied by biblical and evangelical references, which are mostly mediated by artistic intertexts (especially paintings). The Russian director entangles the viewer in a subtle play of meanings: he evokes canonical scenes and stories, but distorts symbolic references, multiplying and confusing further interpretive clues. In addition to (completely inconsistent) references to the works of others, intertextual tensions are shown in his work on at least two levels: between different elements or levels of a given film (the function of the photograph motif next to the rest of the film text) and between the various films of Zvyagintsev himself (casting the same actor in both leading roles). The talented successor to Tarkovsky follows the mystery of human fate, eager to capture the metaphysical community of critical experiences. This mystery in the work of Zvyagintsev emerges in a quite obvious way from the eternal truths established in archetypes, in biblical and evangelical wis- dom. It is much easier to see it in the fusion of ‛murky imagesʼ than it is to understand.
Źródło:
Załącznik Kulturoznawczy; 2015, 2; 240-255
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ikonologia zdjęć rentgenowskich
The Iconology of X-Ray Images
Autorzy:
Łuczak, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/424349.pdf
Data publikacji:
2016
Wydawca:
Akademia Sztuk Pięknych w Gdańsku
Tematy:
fotografia, zdjęcie rentgenowskie, ikonologia, obraz naukowy, obraz techniczny, Bildwissenschaft, photography, x-ray, iconology, scientist image, technical image
Opis:
The subject matter of the article is the iconology of X-ray images. This is introduced in the light of the science of pictures proposed by research conducted by Horst Bredekamp who carried out the project Das Technische Bild in the years 2000-2012. Following the German scholars’ proposition, I involve the analitical instruments of art historians to present scientific pictures as a visual construction formed by (scientific) imagination, laws and assumptions. We can speak about the undermining of the illustrative function of the scientific picture also when we scrutinize technical images such as a radiogram. In the iconology of X-ray pictures introduced, I indicate some chosen elements which co-constitute their cultural credibility and further scientific status. From such a point of view, an X-ray discloses itself not as an effect of discovery but as an invention determined by cultural, social and epistemological context.
Źródło:
Sztuka i Dokumentacja; 2016, 14; 38-47
2080-413X
Pojawia się w:
Sztuka i Dokumentacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Friars, Nobles and Burghers – Sermons, Images and Prints: Studies of Culture and Society in Early-Modern Europe, In Memoriam István György Tόth, red. Jaroslav Miller, László Kontler
Autorzy:
Rogulski, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/708155.pdf
Data publikacji:
2012
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Źródło:
Studia Historyczne; 2012, 3
0025-1429
Pojawia się w:
Studia Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cold And Distant Or Hearty And Human? The Visual Portrayal Of Vladimir Putin On Russian Television
Autorzy:
Kaltseis, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/526539.pdf
Data publikacji:
2019
Wydawca:
Univerzita sv. Cyrila a Metoda. Fakulta masmediálnej komunikácie
Tematy:
Visual communication
Vladimir Putin
Russian television
Talk show
Mass media
Visual images
Visual representations
Russian president
Opis:
Sharply dressed, smooth, and sporty—these are probably among the first attributes associated with the Russian president Vladimir Putin. This image is promoted by television which still remains a powerful medium in Russia. While the annexation of Crimea by the Russian Federation in March 2014 initially led to an increase in the popularity of Putin, his approval rating has significantly fallen since the signing of pension reforms in autumn 2018. This could explain why in September 2018 a new talk show called Moskva.Kreml’.Putin, which offers a synopsis of Putin’s working week, began its broadcast. By analyzing the „new“ image of Putin portrayed in this show and comparing it with his visual presentation in the news program Vremia and the annual talk Priamaia Linia s Vladimirom Putinym, the following paper examines the visual portrayal of Putin transmitted on television. By focusing on the visual, the analysis reveals that the president’s image, and the attributes assigned to him, are established and communicated mostly via the content and arrangement of (moving) pictures. Thus, the study suggests that visual communication on television significantly shapes and influences the perception of the Russian president. This work therefore contributes to a better understanding of television in general and of mass media communication in Russia in particular.
Źródło:
Media Literacy and Academic Research; 2019, 2, 2; 6-33
2585-8726
Pojawia się w:
Media Literacy and Academic Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tanatyczny tryptyk ponowoczesności: kryzys, pornografia i renesans śmierci
Thanatotic triptych in post-modernity: crisis, pornography,renaissance of death
Autorzy:
Zakowicz, Ilona
Powiązania:
https://bibliotekanauki.pl/articles/460299.pdf
Data publikacji:
2011
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
ponowoczesność
obrazy śmierci
kryzys
pornografia
renesans – śmierci
cmentarze wirtualne
media
postmodernity
images of death
crisis
renaissance of death
virtual cemeteries
Opis:
W każdej epoce możemy dostrzec odmienny stosunek człowieka wobec kresu życia, wyrazem którego są zróżnicowane postawy i wyobrażenia na temat śmierci. W ponowoczesności, która stanowi kontekst zawartych w niniejszym artykule rozważań, nie sposób przedstawić jednego obrazu śmierci, ponieważ stosunek współczesnych ludzi do tematów związanych z przemijaniem, a także ich forma wizualna, jawi się w wielu niezwykle zróżnicowanych formach. Przedmiotem mojej analizy jest zatem próba przybliżenia rezerwuaru mortualnych przedstawień, które ujawniają się w trzech odsłonach – poprzez: kryzys, pornografię i renesans śmierci, w optyce których konstytuuje się tanatyczny tryptyk ponowoczesności.
In every epoch we can notice different attitude towards end of life, which reflects in varied attitude towards death and its representations. The background for my consideration is postmodernity. In this period there is no one representation of death, because contemporary people’s attitude towards topics associated with passing and their images are diversified. In the article I will try to analyse the representations of death shown trough three phenomena - crisis, pornography and renaissance of death, in which light the Thanatotic post-modern triptych can be constructed.
Źródło:
Ogrody Nauk i Sztuk; 2011, 1
2084-1426
Pojawia się w:
Ogrody Nauk i Sztuk
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-12 z 12

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