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Tytuł:
Проблема розрiзнення категорiй Свiй i Чужий у трагедiяx Юзефа Коженьовського та Юрiя Федьковича: постколонiальний пiдxiд
The problem of differentiating between the categories of „Own” and „Alien” in Joseph Kozeniovski's and Yuri Fedkovych's tragedies: post-colonial approach
Autorzy:
Zielińska, Lidia
Powiązania:
https://bibliotekanauki.pl/articles/481566.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Joseph Korzeniowski
uri Fedkovych
Ukrainian literature
Opis:
The article deals with deconstruction of tragedies by J. Kozheniovski The Carpathians Mountaineers and by J. Fedkovych Dovbush in the reflection of peculiarity of Hucul’s psychology, multyculturalizm, identity, different, strange, postcolonializm studies. The comparison of works by J. Kozheniovski and J. Fedkovych is presented.
Źródło:
Acta Polono-Ruthenica; 2008, 1, XIII; 249-263
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Архетипальний аналiз noвiiстi Оксани Забужко Я, Мiлена
Archetypical analysis of the story „I, Milena by Oksana Zabuzhko
Autorzy:
Betko, Iryna
Powiązania:
https://bibliotekanauki.pl/articles/481747.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Oksana Zabuzhko
archetypical analysis
Ukrainian literature
Opis:
The article is devoted to the archetypical analysis of the story I, Milena by modern Ukrainian writer Oksana Zabuzhko. Important motives of this text are interpreted in the context of analyticalpsychology by Carl Gustav Jung. There are archetypes of Person and Shadow, which are examined in more details. They play the great role in the process of the protagonist’s self-destruction.
Źródło:
Acta Polono-Ruthenica; 2009, 1, XIV; 15-24
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
У пошуках iдентичностi: Героïня украïнськоï жiночоï прози рубежа ХХ-ХХ1 ст.
In search of identity: Heroine of Ukrainian woman prose of end of XX and beginning of XXI centuries
Autorzy:
Betko, Iryna
Powiązania:
https://bibliotekanauki.pl/articles/481907.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Ukrainian woman prose
Ukrainian literature
search of identity
Opis:
One of the most unusual events in the Ukrinian new wave literature is massive return women in it, which began in the end of 80-es. Among the most interesting writers there must be mentioned Oksana Zabuzhko, Svitlana Kasjanova, Jevhenia Kononenko, Sofia Majdanska, Valentyna Masterova, Halyna Pahutiak, Lubov Ponomarenko, Natalka Śniadanko and others. In the works of these authors, written from the femine and feministic position, as opposite to patriarchal-maskuline mentality, are deeply and convincingly considered the aspects of modern human exsistence: loneliness and alienation, loss of identity, lack of mutual understanding even among fellows and relatives, egoism and egocentism, various forms of physical and phsychological agression, and so on. Espacially great attention author of this article devotes to the analysis of chosen aspects of female identyty in the works of Zabuzhko (Field Exploration in Ukrainian Sex and others), Śniadanko (Collection of Pasions or Adventures ofYoung Ukrainian Lady), Kononenko (Without Fellow).
Źródło:
Acta Polono-Ruthenica; 2008, 1, XIII; 7-18
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Етика інтерпретації знакових текстів
Ethics of Interpretation of Symbolic Texts
Autorzy:
Polishchuk, Yaroslav
Powiązania:
https://bibliotekanauki.pl/articles/15582271.pdf
Data publikacji:
2022-11-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ukrainian literature
author
interpretation
history
poet
Opis:
The main subject of the review is Mykola Ilnytskyi’s book Reading and Re-reading…, which is very important research on Ukrainian literature in contemporary humanities. The book includes four chapters in all of which fundamental interests of the researcher are described. Mykola Ilnytskyi reviews the classic texts of Taras Shevchenko, Ivan Franko ( chapter 1 ), and the literature of the first part of the 20th century ( chapter 2 ), as well as contemporary texts ( chapters 3, 4 ). This book is not an extensive view of the history of literature of the 20th century. Its main peculiarity is the delivery of important fragments and episodes of literary history. The essays combine a liberal understanding of the subject and an unobtrusive interpretation of the texts, which reflects the unique ethical culture of the researcher. Mykola Ilnytskyi is clearly aware of the multiplicity of meanings offered byfiction, and therefore does not insist on his own right to the truth, but only offers well-founded and personally verified versions of literary plots.
Źródło:
Poznańskie Studia Slawistyczne; 2022, 22; 407-419
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Витоки (а)симетрії нової української прози: моделі текстопородження Г. Квітки-Основ’яненка
Origins of the (A)symmetry of Modern Ukrainian Prose: H. Kvitka‑Osnovyanenko’s Text Production Models
Autorzy:
Назаров, Назарій
Powiązania:
https://bibliotekanauki.pl/articles/16503861.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czasopisma i Monografie PAN
Tematy:
Ukrainian literature
composition
recursion
symmetry
prose
Opis:
Kvitka‑Osnovyanenko was the first prose writer of the new Ukrainian literature, the conventional starting point for which is dated as 1798, when Ivan Kotlyarevsky’s Aeneid was published. In 1833‑1834, Hryhoriy Kvitka‑Osnovyanenko began to publish his stories and short novels in Ukrainian. They served as a starting point for all subsequent prose in the Ukrainian language. A structural analysis of Kvitka’s prose has shown that his method of text construction still had much in common with folk tales: texts are constructed on the basis of elemental repetitions or binary oppositions. However, the author has already started to make important semantic shifts, introducing types of characters and collisions alien to folklore text per se. Thus the effect of deautomatization of the folklore perception is reached. The meaning of some texts, which were previously considered “humorous”, in the light of what has been said, acquires a meta‑narrative meaning: A Soldier’s Portrait and The Konotop Witch, have episodes that expose their main compositional technique (‘priyom’) and demonstrate the author’s conscious play with the narrative patterns of folklore.
Źródło:
Slavia Orientalis; 2022, LXXI, 1; 47-61
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Поетика романтичноï монокультурностi та питання дiалопчностi
Poetics of romantic monocultural and question of dialogism
Autorzy:
Bracka, Maria
Powiązania:
https://bibliotekanauki.pl/articles/481038.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Polish literature
Ukrainian literature
boundary areas
dialogism
polyfonism
Opis:
The article presents the description of specific character of Polish and Ukrainian literature of romanticism - from one side him monocultural, but from the second - dialogism. Identically Polish romantic literature, as well as Ukrainian, gave advantage cultivation of own cultural, linguistic traditions, aspired to the recreation of own picture of the world, monofonism. But as a result of different type of geographical, political, administration, public factors there are processes of contacts and imposition of national cultural spheres, in that literary, created „boundary areas”, that is different commented through researchers. It were analysed concepts „boundary areas”, „dialogism”, „polyfonism” taken from a M. Backhtin’s esthetic and literary theory to interpretation of inheritance „Ukrainian school” in romantic Polish literature.
Źródło:
Acta Polono-Ruthenica; 2009, 1, XIV; 37-45
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Пoвicть -притча Оксани Забужко Казка про калинову сопiлку: проблема генетико-iнтертекстуального пiдгрунтя мистецьких пoшукiв письменницi
The long short story parable by Oksana Zabuzhko „A fairy tale about the cranberry pipe - the problem of the genetic-intertextual fundament of the writer’s artistic search
Autorzy:
Betko, Iryna
Powiązania:
https://bibliotekanauki.pl/articles/482474.pdf
Data publikacji:
2007-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Oksana Zabuzhko
Ukrainian literature
genetic-intertextual kontext
Opis:
The article is devoted to the analysis of the genetic-intertextual kontext of this Zabuzhko’s tale, in wich writer does her artistic search. Zabuzhko uses the motives of Old and New Testament, the subjects of Ukrainian folklore and so on. Also the protagonists of this philosophical tale may be interpretated as the archetypes of the Shadow and of the Person (in the context of the psychology of depth by Carl Gustav Jung). The particular importance has the hidden polemic between Zabuzhko and Lina Kostenko.
Źródło:
Acta Polono-Ruthenica; 2007, 1, XII; 19-30
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Не я тут господар, а природа”. Екоцентричне прочитання творчої спадщини Василя Ткачука
“It Is Not Me Who Is the Host, But Nature Itself”. An Ecocentric Analysis of the Creative Legacy of Vasyl′ Tkachuk
Autorzy:
Horniatko-Szumiłowicz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/15587908.pdf
Data publikacji:
2022-11-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ecocriticism
Vasyl′ Tkachuk
short story writing
Ukrainian literature
Opis:
The interpretation of Vasyl′ Tkachuk’s stories from an ecocritical point of view showcases new aspects of understanding the prose legacy of this remarkable writer. Of course, the true love for the Hutsul region, one that the “proud” Hutsul people live in harmony with, one that, unlike in the works of Vasyl′ Stefanyk, is not only the cause of the Hutsul people’s extreme poverty but is sincerely loved and praised by them, is not the only merit of Tkachuk’s stories. Ecocritical dimensions of the “humble rural pictures, so touching to the core” ( Mykhaylo Rudnytskyi ) imply certain aspects of the critical literary analysis of Tkachuk’snovels, such as ethno national identity of the author and his characters, unbreakable unitywith the traditions of ancestors, apotheosis of the soil—one that not only feeds but is also responsible for the unique “national spirit” of the Carpathian highlanders, ecological awareness of the old Hutsul people and the philosophical layer of the literary legacy of the author.
Źródło:
Poznańskie Studia Slawistyczne; 2022, 22; 181-194
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Перспективи дослiдження української лiтератури в контекстi архетипальної критики
The prospects for the study of Ukrainian literature in the context of archetypal criticism
Autorzy:
Betko, Iryna
Powiązania:
https://bibliotekanauki.pl/articles/481206.pdf
Data publikacji:
2011-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Ukrainian literature
spiritual symbolism of archetypes of the collective unconscious
Opis:
The article examines the prospects for the study of Ukrainian literature in the context ofarchetypal criticism. The rich spiritual symbolism of archetypes of the collective unconscious, asPersona and Shadow, Anima and Animus, Wise Old Man and a Great Mother, and specially theSelf, helps open new contents parameters in the analysis of religious and philosophical works. Inthis regard, attention is focused on appropriate archetypal motifs of Garden o f Divine Song ofGregory Skovoroda and the novel Double Leon of Yuri Izdryk.
Źródło:
Acta Polono-Ruthenica; 2011, 1, XVI; 7-20
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Забуті імена: Василь Ткачук очима родичів й односельчан (на основі актуальних інтерв’ю)
Forgotten names: Vasyl Tkachuk in the eyes of relatives and countrymen (based on recent interviews)
Autorzy:
Horniatko-Shumylovych, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2156684.pdf
Data publikacji:
2021-09-27
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
forgotten talent
recent interview
writer’s artistic profile
Ukrainian literature
Opis:
Vasyl Tkachuk (1916-1944) is a forgotten talent of the Ukrainian literature of the 1930s. Not so long ago this outstanding short-story writer was completely unknown to a wide range of readers. Today his memory is being laboriously restored. His artistic profile, personal features, and his surrounding’s attitude to the author may be described to readers thanks to the recent interviews with his close relatives and the residents of his home village and region. Memories of the people who met Vasyl Tkachuk or remember him from their relatives’ stories prove the writer’s exceptional nature and his writing career, which was stopped by his death.
Źródło:
Studia Polsko-Ukraińskie; 2021, 8; 126-141
2353-5644
2451-2958
Pojawia się w:
Studia Polsko-Ukraińskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Фрагментація постмодерного прозового тексту: засади і прийоми
The fragmentation of postmodern prose: principles and techniques
Autorzy:
Kropyvko, Iryna
Powiązania:
https://bibliotekanauki.pl/articles/2157678.pdf
Data publikacji:
2022-07-28
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
fragment
fragmentarity
modern/postmodern prose
postmodernism
fiction text
Ukrainian literature
Polish literature
Opis:
The article focuses on factors and manifestations of postmodern text fragmentation. A fragment is one of the central concepts of modern and postmodern literature. The modernist fragment was a means of cognitive activity and a form of its adequate representation. It was determined by the basic concept of the integrity of a literary phenomenon and recognition of its encoded meaning, as well as encouraged the reader to invent missing parts. It has been proven that for postmodernist prose, the fragment is the only possible mode of its existence, an artistic strategy and an artistic device. The postmodernist text is positioned by the game field, where equal participants play with multiple-order fragments. Such fragments include preceding artistic traditions and techniques. Text fragmentation is enhanced by equalizing the rights of the author, character and the reader. Each participant of the literary communication has their own (partial) view of the art world. Narrative strategies of prose fragmentation are determined by the ways of building rhizomatic narratives and the peculiarities of their perception by the receptionist. Ukrainian and Polish writers use various means of constructing a fragmented text at the levels of its conceptualization, narrative structure, interpretative and receptive strategy, image-based specificity (intermediateness etc.).
Źródło:
Studia Polsko-Ukraińskie; 2022, 9; 141-161
2353-5644
2451-2958
Pojawia się w:
Studia Polsko-Ukraińskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Сучасна українська проза після 24 лютого 2022: рецепція війни
Autorzy:
Trofymenko, Tetiana
Powiązania:
https://bibliotekanauki.pl/articles/46145041.pdf
Data publikacji:
2023-12-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
modern Ukrainian literature
war
fiction
non-fiction
cancel culture
essay
Opis:
Modern Ukrainian Prose after 24 February 2022. Reception of the War: The article analyses Ukrainian prose works published after the Russian aggression against Ukraine on 24 February 2022. Generally, the newest Ukrainian prose gravitates more towards the non-fiction genre framework. It is represented by numerous anthologies, mainly with pieces by famous writers, literary critics, and public figures. The authors record personal experiences and reflect on the history of the Russian-Ukrainian confrontation in historical retrospect. Today, the non-fiction format is more popular because it allows essayists to talk about painful topics from a more moderate position and broadcast the situation of Ukrainians to the international community through the mobile genre of short journalistic prose. At the same time, the revaluation of values experienced currently by millions of Ukrainians is manifested in the tendency to cancel everything Russian, which affects the course of the literary process and the distribution of roles among its players, as well as causes the appearance of texts whose style is dominated by hatred of the enemy of the occupier.
Źródło:
Studia Interkulturowe Europy Środkowo-Wschodniej; 2023, 16; 97-113
1898-4215
Pojawia się w:
Studia Interkulturowe Europy Środkowo-Wschodniej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Історико-літературні концепції Леоніда Білецького
Autorzy:
Chorob, Stepan
Powiązania:
https://bibliotekanauki.pl/articles/1789893.pdf
Data publikacji:
2018-04-20
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
history of the Ukrainian literature
the Ukrainian diaspora scholar
Leonid Bilets’kyi
concepts
methodology
Opis:
This article investigates critical literary and methodological concepts of the Ukrainian letters history suggested and developed by the Ukrainian diaspora scholar Leonid Bilets’kyi (1882-1955). The author of this article aims not only at showing their novelty in the 20-50s of the previous century, but also at proving that their topicality places them in the contemporary development of the national science regarding the Ukrainian literature history.
Źródło:
Studia Ucrainica Varsoviensia; 2018, 6; 321-334
2299-7237
Pojawia się w:
Studia Ucrainica Varsoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Персоналії і простір пам’яті про голокост у сучасній українській літературі
The personalities and the space of memory about the holocaust in a modern Ukrainian literature
Autorzy:
Горбач (Horbach), Наталія (Nataliia)
Powiązania:
https://bibliotekanauki.pl/articles/2177870.pdf
Data publikacji:
2022-03-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Голокост
українська література
пам’ять
персонаж
прототип
Holocaust
Ukrainian literature
memory
character
prototype
Opis:
The Holocaust theme was concealed and falsified for a long time because of non-literary reasons. Therefore, only when our country got its independence, a lot of aspects became clarified – especially the increasing of geographical markers of the Shoah, the aspect of memory and traumas of its victims and witnesses, the aspects of a woman history of the Holocaust etc. One of actual problems of nowadays is the problem of personalization of the Holocaust history with including the names of victims, saved and saviors for extending the space of memory about the tragedy of European Jews in the times of WWII. Literature, as well as historical science and commemorative practices, actively participates in this. The object of our attention in the following article is modern Ukrainian prose – novels “Sonya” (2013) by K. Babkina, “Me, You, And Our Drawn And Undrawn God” (2016) by T. Pakhomova, “A Story Worthy of a Whole Apple Orchard” (2017) by M. Dupeshko, “The Beech Land” (2019) by M. Matios. The aim of investigation is the characters of victims and saviors who have real prototypes: an icon of the Holocaust in Poland and Liublin, 9-years-old Henio (Henryk Zhytomirski), Righteous Among the Nations Maria and Stepan Vrublevski (Maria and Stepan Sichevliuk-Vrublevski), the Chernivtsi poet Selma Meerbaum- Eisinger, the mayor of Chernivtsi Traian Popovici, the diplomats Grzegorz Szymonowicz and Fritz Schellhorn. Implementation the life stories of real personalities into fictional form leads to expanding the memory about the Holocaust in Ukraine, and it’s also a way of creating a modern culture of memory, that is particularly important in a context of the international tendencies of finding the common understanding through awareness of a personal responsibility of others’ lives, and non-admission of repeating the tragic pages of the XX ct. history, one of those was the Holocaust. Since the long-term silence of the traumatic experience of the Holocaust victims didn’t create an intergenerational connection in the process of transmitting the memory of the Holocaust, modern literature, with its artistic construction of the past, becomes not only a tool for spreading knowledge about the Shoah, but also a way of creating the cultural memory about this tragedy. The prospect of further research of the following aspect is seen in a deep analysis of new examples of both Ukrainian and translated literature, including novels written by authors that are biographically related to Ukraine.
Тривалий час тема Голокосту в українському письменстві через причини позалітературного характеру замовчувалася та піддавалася викривленням. Унаслідок цього численні її аспекти, зокрема розширення географічних маркерів Катастрофи, питання пам’яті і травми її жертв та свідків, аспекти жіночої історії Голокосту тощо, почали знаходити достотне висвітлення лише зі здобуттям нашою країною незалежності. На сьогодні актуальною залишається проблема персоналізації історії Голокосту через введення в публічний дискурс імен жертв, врятованих і рятівників як чинник розширення просторів пам’яті про трагедію європейського єврейства в часи Другої світової війни. До цього процесу, поряд з історичною наукою, комеморативними практиками долучається й художня література. Об’єктом нашої уваги в запропонованій статті є прозові твори сучасної української літератури – романи К. Бабкіної «Соня» (2013), Т. Пахомової «Я, ти і наш мальований і немальований Бог» (2016), М. Дупешка «Історія, варта цілого яблуневого саду» (2017), М. Матіос «Букова земля» (2019). А метою дослідження стали образи-персонажі жертв та рятівників, котрі мали реальних прототипів: символ Голокосту в Польщі і Любліні девятирічний Хеньо (Генрик Житомирський), Праведники народів світу Марія та Степан Врублевські (Марія та Степан Січевлюки-Врублевські), чернівецька поетеса Зельма Меербаум-Айзінґер, мер Чернівців Траян Попович, дипломати Ґжеґож Шиманович та Фріц Шелльгорн. Оприявнення у художній формі життєвих історій цих реальних осіб сприяє розширенню пам’яті про війну і Голокост в Україні, є засобом формування сучасної культури пам’яті, що сьогодні є особливо важливим у контексті загальносвітових тенденцій пошуку порозуміння, з точки зору усвідомлення власної відповідальності за життя інших, недопущення повторення трагічних сторінок історії ХХ століття, однією з яких став Голокост. Оскільки через тривале замовчування травматичного досвіду жертв Голокосту не витворилося міжгенераційного зв’язку у процесах передачі пам’яті про нього, то література сьогодні через художнє конструювання минулого стає не лише інструментом поширення знань про Катастрофу, а й засобом формування культурної пам’яті про трагічні події минулого. Перспектива подальшого дослідження обраного аспекту вбачається в залученні до аналізу нових творів як вітчизняного, так і перекладного письменства, зокрема, автори яких біографічно пов’язані з Україною.
Źródło:
Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe; 2022, 4(1); 59-67
2543-9227
Pojawia się w:
Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Інколи жах і обстріли – історією народження твоєї дитини…” Obraz dziecka w reportażach Jelizawety Honczarowej Десь поруч війна
Autorzy:
Jakubowska-Krawczyk, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1789212.pdf
Data publikacji:
2019-11-28
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Jelizaweta Honcharova
Desʹ poruč vìjna
literatura ukraińska
ATO
reportaż
Ê. Gončarova
Ukrainian literature
reportage
Opis:
The article analyzes a volume of literary reports by Ê. Gončarova Desʹ poruč vìjna. The texts that the writers come out from under the pen are deeply rooted in the described reality, not only thought out but also lived. Jelizaweta Honcharova writes reports from the war which brutally invaded her life (she comes from Artemivsk herself). In the texts, however, we will not fi nd despair, complaint or grief and pictures of the life of the areas through which the war is swept. The protagonists of the reports Desʹ poruč vìjna are people repeatedly subjected to war. The writer looks at their reactions to the next challenges, the struggle for survival, the safety of his family, and fi nally the normal living conditions. Jelizaweta Honcharova notices their confusion, the doubts on which side of the confl ict should be told. Without pathos and judgment, it shows the drama of political divisions and choices in which the boundary between being a patriot and a traitor is often not sharp clear może. He leans over a drama of broken families, confl icts and despair that break out in them. The author presents a war that kills childhood. It takes your big and smaller dreams away irretrievably. The drama of war presented by the writer takes place on many levels. The most important of them is probably the sphere of family life. War violates the basic tissue of relationships for children. Thanks to the reports of Honcharova, the reader notices the whole range of problems that a young man encounters. The reports are full of pain but also the awareness of the good that happens between people even in such inhuman times. They constitute a kind of testimony of history, designed to protect against possible attempts to manipulate it in the future. Thus, Honcharova gives them supra-regional and timeless dimension.
Źródło:
Studia Ucrainica Varsoviensia; 2019, 7; 61-75
2299-7237
Pojawia się w:
Studia Ucrainica Varsoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 33

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