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Wyszukujesz frazę "Postmodernism" wg kryterium: Temat


Wyświetlanie 1-7 z 7
Tytuł:
Вплив постмодерних реалій на процес трансформації політичних цінностей у світі і в Україні
Wpływ realiów postmodernistycznych na proces transformacji wartości politycznych w świecie i na Ukrainie
Autorzy:
Меньшеніна, Анна
Powiązania:
https://bibliotekanauki.pl/articles/489369.pdf
Data publikacji:
2018
Wydawca:
Polskie Towarzystwo Naukowe w Żytomierzu
Tematy:
Postmodern
postmodernism
axiology
political values
globalization
nation state
Opis:
This article analyzes political values of the contemporary world and Ukraine in connection with conception of postmodernism. The article has focus on political science analysis of axiology like a determinant of the political life. Postmodern epoch has emerged after disillusionment with modernism ideals and its optimism. The person`s alienation from his/her origin, the change of industrial conditions, the senseless of revolutions, humanity`s self-destruction in world wars constituted an epoch of Postmodernism. The notion of postmodernism is described by philosophers as a new cultural tendency of Western societies. It can be characterized through the basic features such as openness and readiness for perception sociopolitical and cultural changes, freedom of self-expression, improvement of quality of life, care for ecology etc. For instance J.F. Lyotard used the concept of postmodernism to describe the condition of knowledge in the most highly developed societies. The emergence of the phenomenon of postmodern caused by the crisis of modernism`s metaphysical philosophy. According to J.F. Lyotard, modernism is losing its functors, great hero, great dangers, great voyages and great goal. In contrast postmodernism denies any kind of ideology, dominance, violence or war for the sake of peace and agreement. It contradicts monism, unification, totalitarianism and necessity of utopias. Also it approves the idea of diversity, the competition of paradigms and coexistence of diverse elements. Otherwise the conception of pluralism is the one of the main postmodernism feature. Postmodernism was emerged to explain the global conditions of the last decades of twentieth century. In consequence, it is intended for explaining the contemporary crisis phenomena and processes, finding new priorities, aims and tasks for humanity. That is why the transformation of social, cultural and economic lives tends to form the new basis of modern societies which faces a task of changing orientations and revaluation basic social and political values. A lot of philosophers agree to main idea of dominance the value consciousness over the ideological one. Nowadays axiological systems of the groups, societies or states become similar to each other. Political values can be considered like core and universal. They are characterized as rule of law, sovereignty, observation of human rights, individualism, freedom, equity, tolerance, peace, consensus, pluralism etc. These political values are basic for contemporary postmodern country. Despite the certain set of state`s political values postmodern nation state suffer from the tendencies of globalization which minimize the guide role of the nation state. That is why modern country needs to be rethought according to postmodern paradigm. Ukraine also needs to rethink the current and future status of its values and its place in the world`s order. On the one hand, declared by Ukraine its euro integration vector requires acceptance universal European political values such as dominance individual values over national ones, diversity of political behavior and prevailing role of global axiology over national. On the other hand, having a system crisis inherited from Soviet Union, Ukraine should form its own national identity on basis of national idea and then implement political and national values like responsibility, justice, dignity etc. After Ukrainian achieving independence from Soviet Union new values emerged such as democracy, freedom, constitutional state, observing human rights, justice and national patriotism. They were declared as the course of Ukrainian development but the implementation had faced some difficulties like reactionaries and oligarchic groups. To O. Babkina`s mind, the actual problem of modern Ukraine is both unity of Ukraine and its contradiction from external threat of its sovereignty. Moreover the dire threat of national integrity influenced over social consolidation, invoked forming sociopolitical values and determined geopolitical vector for Ukraine. Positive factors for Ukrainian axiological system are consolidation of national idea, overcoming the value cleavage among political elites and citizens, growing patriotism of financial groups and authority. To sum up, Ukraine is building its own Postmodern to be a competitive and perspective actor of foreign policy due to its efforts of overcoming the value cleavage of Ukrainian society and strengthen first positive achievements.
Źródło:
Studia Politologica Ucraino-Polona; 2018, 8; 199-204
2312-8933
Pojawia się w:
Studia Politologica Ucraino-Polona
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Философско-идеологические особенности современного реализма
Autorzy:
Вандышева-Ребро, Надежда В.
Powiązania:
https://bibliotekanauki.pl/articles/2158573.pdf
Data publikacji:
2011
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
appearance
realism
socialistic realism
modernism
postmodernism
universalism
world view
Opis:
Realism as one of methods of the philosophical mastering of the world has the protracted history. He is related to the philosophical inheritance not only ancient but also previous it east culture, as concepts «realism» are «realities» «reality» is demonstrated orientation of researcher on the searches of present in existing. Problematic of realism predominates and in the study of art, where the degree of accordance of the world is probed artistic the world to actual; accordances of the world of images to the world in which and the man of letters and artist search confirmation the appearances. Socialistic realism of epoch modern, especially period of unrestrained in the expression violent reorganization of the world, gravitated to the genre of heroic fresco. Works of writers A. Malyshkin, A. Seraphimovich, A. Veselyi is very models. In the conditions of revolution already it was not to individuality, unique and unique, because enormous the masses of «slivers» and «screws» did history. And their independent action was even encouraged. Realities and socialistic society changed attained the stage of the «developed socialism». On flight this new society which flew to nowhere, distinctly in a domestic literary process «cut» through and voice of writers-postmodernists, well-disposed to individualism and to principle of noninterference in what be going on.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2011, 2(2); 111-119
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Фрагментація постмодерного прозового тексту: засади і прийоми
The fragmentation of postmodern prose: principles and techniques
Autorzy:
Kropyvko, Iryna
Powiązania:
https://bibliotekanauki.pl/articles/2157678.pdf
Data publikacji:
2022-07-28
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
fragment
fragmentarity
modern/postmodern prose
postmodernism
fiction text
Ukrainian literature
Polish literature
Opis:
The article focuses on factors and manifestations of postmodern text fragmentation. A fragment is one of the central concepts of modern and postmodern literature. The modernist fragment was a means of cognitive activity and a form of its adequate representation. It was determined by the basic concept of the integrity of a literary phenomenon and recognition of its encoded meaning, as well as encouraged the reader to invent missing parts. It has been proven that for postmodernist prose, the fragment is the only possible mode of its existence, an artistic strategy and an artistic device. The postmodernist text is positioned by the game field, where equal participants play with multiple-order fragments. Such fragments include preceding artistic traditions and techniques. Text fragmentation is enhanced by equalizing the rights of the author, character and the reader. Each participant of the literary communication has their own (partial) view of the art world. Narrative strategies of prose fragmentation are determined by the ways of building rhizomatic narratives and the peculiarities of their perception by the receptionist. Ukrainian and Polish writers use various means of constructing a fragmented text at the levels of its conceptualization, narrative structure, interpretative and receptive strategy, image-based specificity (intermediateness etc.).
Źródło:
Studia Polsko-Ukraińskie; 2022, 9; 141-161
2353-5644
2451-2958
Pojawia się w:
Studia Polsko-Ukraińskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Постмодерністський проєкт і сучасна українська література
Postmodernistic Project and Contemporary Ukrainian Literature
Autorzy:
Polishchuk, Yaroslav
Powiązania:
https://bibliotekanauki.pl/articles/1790728.pdf
Data publikacji:
2020-08-13
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
postmodernizm
doktryna
społeczeństwo
kultura
dysfunckcjonalność
język
literatura
postmodernism
doctrine
society
culture
dysfunction
language
literature
Opis:
Projekt postmodernistyczny a współczesna literatura ukraińskaPrzedmiotem rozważań autora jest zanikanie postmodernizmu jako doktryny filozoficznej i jako praktyk estetycznych. Z punktu widzenia współczesnej kultury ukraińskiej, która z trudem wychodzi z cienia uzależnienia kolonialnego, postmodernizm nie stał się zjawiskiem uniwersalnym. Zaistniał w latach 1986-1991 jako odpowiedź na popularny na Zachodzie światopogląd. Zmierzch postmodernizmu autor kojarzy z wydarzeniami z lat 2013-2014, które spowodowały ukształtowanie się nowego społeczeństwa ukraińskiego i kultury narodowej. Skutki owych wydarzeń – w mediach, w opinii publicznej, ale również w literaturze – podważają postulaty postmodernizmu, które w zaistniałych okolicznościach cechuje oczywista dysfunkcyjność. Postmodernistyczna gra oraz kompletny sceptycyzm mogą być, jak się okazało, nie tylko postawą niezależnego intelektualisty, ale także strategią pozorowania, maskującą doktrynę imperialną, podającą się za projekt liberalny. Odróżnienie pierwszego od drugiego bywa trudne, a czasami wręcz niemożliwe. Zarysowuje się zatem koniec postmodernizmu – profanacji ulegają jego główne zasady, co powoduje radykalnie różne interpretacje i oznacza potrzebę dekonstrukcji całego projektu. Dlatego teza o śmierci postmodernizmu ma swoje uzasadnienie na Wschodzie Europy. Czasowa i przestrzenna perspektywa ukraińska zaprzecza postmodernizmowi w jego zachodnim ujęciom, jednocześnie pobudza do poszukiwania alternatywnych modeli światopoglądowo-estetycznych. Ta sytuacja może jednak w swoisty sposób motywować ukraińskiego intelektualistę, odkrywając nowe horyzonty poznania. Zaprzeczając postmodernizmowi, literatura przywraca swój autorytet jako instytucja społecznie zaangażowana.
The main subject of the research in this article is the exhaustion of postmodernism as a philosophical doctrine and aesthetical practice. Postmodernism has not became a universal phenomenon in contemporary Ukrainian literature, which is reliving the difficult process of emerging from colonial dependence. It existed in Ukraine between 1986-1991 as an answer to the worldview that was popular in the West. The end of this artistic direction the author associates with those events which took place in 2013-2014, when Ukrainian society and Ukrainian culture moved into a new phase of existence. The consequences of these events, reflected in the media, public opinion and also in literature, led to the rejection of the postulates of postmodernism. It should be said that these postulates reveal a clear dysfunctionality. The postmodernist play and general scepticism, as can be seen, can be not only a position taken by an independent, intellectual person, but also an imitation strategy that conceals a neo-imperial doctrine which is portrayed as a liberal project. Sometimes it is too difficult to distinguish one from the other. Thus, the boundaries of postmodernism are clearly defined, or more precisely, the prevalence of its basic principles are. Over time, this phenomenon has received radically different interpretations, which is why a systemic deconstruction of the whole project is required. From such a point of view, therefore, a thesis about the death of postmodernism has its reasons, especially in Eastern Europe. From the Ukrainian perspective, the characteristic crossing of time and place (Eastern Europe) has put the Western project of postmodernism into a stupor, prompting us to search for alternative worldviews and aesthetic models. However, this artistic direction can motivate modern Ukrainian intellectuals in its own way, opening up new horizons in the comprehension of this epoch.
Źródło:
Roczniki Humanistyczne; 2020, 68, 7; 115-128
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Трансгресiя i фронтир в культурi й лiтературi постмодерну
Transgression and frontier in postmodern culture and literature
Autorzy:
Кропивко, Iрина
Powiązania:
https://bibliotekanauki.pl/articles/1832576.pdf
Data publikacji:
2018-12-30
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
трансгресiя
фронтир
лiтературне поле
постмодернiзм
transgression
frontier
literary field
postmodernism
Opis:
Actualization of such concepts as transgression and frontier in postmodern literature and culture is associated with understanding the virtuality of the modern culture. Identification of a postmodern person is determined not by socially established objective realias of the surrounding reality, but by virtual internal borders that man develops in a dialogue with the Other. The reality is transferred to the sphere of human mentality. The concept of the border becomes a keynote. The border is subdued in the process of transgression and acts as a frontier – a dynamic space between what is already completed and what is in a potential state. Transgressive practices in modern culture are simulacra, non-places, as well as literature itself with its attempts to go beyond the limits of conventionality, creating an illusion of perceiving things, which do not exist. Postmodern literature is positioned as a game that always violates its own rules and goes beyond its own limits, beyond an interpretative and estimated description of reality. The frontier as a manifestation of the marginal character of a postmodern person is imposed on the specific features of postmodern texts in mapping the mentality of the postmodern character, in particular his mental states, states of consciousness and linguistic discourse.
Źródło:
Studia Wschodniosłowiańskie; 2018, 18; 15-37
1642-557X
Pojawia się w:
Studia Wschodniosłowiańskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Гастрономічний дискурс масової літератури як модель людських відносин (на матеріалі тексту О. Маляренко «Типовий Боря, або Двоє за одним столом»)
Gastronomic discourse of mass literature as a model of human relations (On the material of the text of O. Malyarenko "Typical Borya, or Two at One Table")
Autorzy:
Yurova, Inna
Powiązania:
https://bibliotekanauki.pl/articles/2033973.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Zielonogórski. Wydział Humanistyczny
Tematy:
mythology
myth
story
character
dichotomy
postmodernism
mass literature
blog
publicity
міфологія
міф
повість
персонаж
дихотомія
постмодернізм
масова література
блог
публіцистика
Opis:
This article is an up-to-date research of the problem of understanding of food as a literary and cultural code, characteristic manner of the character, peculiarities of the plot organization of the text and etc. The author pays attention to the newly-published and understudied work of the famous Ukrainian writer and analyzes it in the appropriate context. This article considers the features of the novel by O. Malyarenko "Typical Borya, or Two at One Table". The work analyzes peculiarities of the genre structure of the text, identifies features of the title of the work, defines its genre specificity. This article also investigates the role of food in the structure of "Typical Borja, or Two at One Table", analyzes the level of interaction between the main characters in the work. Separately, the author of the article ponders the question about the role of the mythological concept at different levels of organization of the work.
Źródło:
International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture; 2021, 1, 3; 41-51
2658-154X
Pojawia się w:
International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Інтерпретація голосу тіла у жіночому письмі (на матеріалі драми «Монологи вагіни» Ів Енслер)
Interpreting the voice of the body in women’s writing (on the material of the drama “The vagina monologues” by Eve Ensler)
Autorzy:
Жаркова (Zharkova), Роксолана (Roksolana)
Powiązania:
https://bibliotekanauki.pl/articles/2177716.pdf
Data publikacji:
2022-09-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
feminist critique
philosophy of sex
existentialism
essentialism
postmodernism
corporeality
sexuality
феміністична критика
філософія статі
есенціалізм
постмодернізм
тілесність
сек суальність
екзистенціалізм
Opis:
The article presents an analysis of corporeality in the structure of postmodern philosophical thought and the conceptual foundations of feminist critique (an essay by L. Irigaray). Based on several samples of the late XX century women’s writing, the article traces the problems of women authors searching and finding the voice of their body, and emphasizes the importance of accepting and comprehending the bodily forms of their nature. The main motives and authorial intentions of I. Ensler’s drama “The Vagina Monologues” are considered, the writer’s view on women’s language and speech expression of their own corporeality and sexuality is argued. Methods. The research is based on general scientific methods of synthesis, analysis, selection and systematization of material. Elements of psychoanalytic, anthropological, hermeneutic approaches are partially applied. The tools of deconstructivism and feminist critique are used. We use information from linguistics, anthropology, cultural and gender studies for interdisciplinary consideration of corporeality in women’s writing. The descriptive method allows to present the subject of corporeality in separate works of fiction. Results. It was found that the analyzed phenomena of the description of the female body in women’s writing create a projection of corporeality as a dramatized existence with its inherent characteristics: balancing between speech and silence, permissiveness and condemnation, courage and shame; search for exact language means; selection of rhetoric and stylistics peculiar to this theme; attempts to establish a verbal connection between the voice and the body, fear of losing this connection. Ukrainian women’s writing of the late XX century is also mentioned in this context, particularly when regarding the expression of the concept of “body” in thematic and ideological terms. Conclusions. Analyzing some examples of women’s writing (scholarly – an essay by L. Irigaray, and artistic – a drama by I. Ensler), we summarize that their problem-thematic direction is determined by issues of the body capable of self-narration and self-representation in public space. Some elements of postmodern symbolism of body and corporeality are decoded, o-corporeal metaphors of women’s writing related to women’s freedom of choice are explained. Women’s writing is defined as a symbolic way of telling one’s own experiences of one’s own body.
У статті представлений аналіз тілесності у структурі постмодерної філософської думки та концептуальних засад феміністичної критики (праці Л. Ірігарай). На матеріалі окремих зразків жіночого письма кінця ХХ ст. простежено проблеми пошуку і знайдення авторками голосу свого тіла, важливість прийняття й осмислення тілесних форм своєї природи. Розглянуто основні мотиви й авторські інтенції драми І. Енслер «Монологи вагіни», аргументовано погляд письменниці на мовне й мовленнєве вираження жінками власної тілесності й сексуальності. Методи. Дослідження базоване на загальнонаукових методах синтезу, аналізу, добору та систематизації матеріалу. Частково застосовано елементи психоаналітичного, антропологічного, герменевтичного підходів. Використано інструментарій деконструктивізму та феміністичної критики. Послуговуємося даними лінгвістики, антропології, культурних та гендерних студій для інтердисциплінарного розгляду питань тілесності у жіночому письмі. Описовий метод дозволяє представити тематику тілесності в окремих творах художньої літератури. Результати. З’ясовано, що аналізовані явища дескрипції жіночого тіла у жіночому письмі творять проект тілесності як драматизованої екзистенції з властивими їй характеристиками: балансування між промовлянням й мовчанням, вседозволеністю й осудом, сміливістю й соромом; пошук точних мовних засобів; добір властивої цій темі риторики й стилістики; намагання встановити вербальний зв’язок між голосом й тілом, страх втрати цього зв’язку. Українське жіноче письмо кін. ХХ ст. теж згадано в цьому контексті, зокрема, щодо вираження концепту «тіло» в тематично-ідейному ключі. Висновки. Проаналізувавши окремі зразки жіночого письма (есеїстичного – праці Л. Ірігарай та художнього – драма І. Енслер), узагальнюємо, що їхнє проблемно-тематичне спрямування визначається питаннями тіла, здатного до себе-розповідання й саморепрезентування в публічному просторі. Декодовано окремі елементи постмодерної символіки тіла і тілесності, пояснено о-тілеснені метафори жіночого письма, пов’язані з жіночою свободою вибору. Жіноче письмо визначено як символічний спосіб себе-розповідання про досвіди власного тіла.
Źródło:
Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe; 2022, 6(3); 135-143
2543-9227
Pojawia się w:
Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-7 z 7

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