- Tytuł:
- Skandinaviska Filmer i Världen Om Utlandssekvensers Betydelse i Niels Arden Oplevs Män Som Hatar Kvinnor (2009), Susanne Biers Hævnen (2010) Och Sara Johnsens Upperdog (2009)
- Autorzy:
- Marklund, Anders
- Powiązania:
- https://bibliotekanauki.pl/articles/1166356.pdf
- Data publikacji:
- 2012-01-01
- Wydawca:
- Uniwersytet im. Adama Mickiewicza w Poznaniu
- Tematy:
-
Nationell film
Transnationell film
Nostalgi
Resor
Utlandet
Niels Arden Oplev
Sara Johnsen
Susanne Bier
transnational cinema
nostalgia
travel
foreign countries
national cinema - Opis:
- This article analyses three recent and very successful Scandinavian films - Niels Arden Oplev’s Män som hatar kvinnor/TheGirl with the Dragon Tatoo (Sweden), Susanne Bier’s Hævnen/In aBetter World (Denmark) and Sara Johnsen’s Upperdog (Norway) - in order to understand how the relationship between the national and the international is articulated. Focus is on the scenes taking place abroad and on the functions that these scenes fill within the films’ overall story and thematic concerns. One conclusion is that scenes set abroad allow the films to divert attention away from otherwise harsh representations of national communities. A brief concluding discussion suggests that such a use of the scenes may facilitate the films’ transnational distribution.
- Źródło:
-
Folia Scandinavica Posnaniensia; 2012, 14
1230-4786
2299-6885 - Pojawia się w:
- Folia Scandinavica Posnaniensia
- Dostawca treści:
- Biblioteka Nauki
Artykuł