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Wyświetlanie 1-2 z 2
Tytuł:
Svadbeni kod u basmama
The Wedding Code in Incantations
Autorzy:
Vukmanović, Ana
Powiązania:
https://bibliotekanauki.pl/articles/635505.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
incantation
wedding song
wedding code
magical function
magical speech
Opis:
Incantations use the wedding code in order to fulfill the magical function which faces a cure or a protection, demanded by certain people. Thus the wedding code applied to the incantation turns out to be different from the wedding song itself. The phenomena of anti-speech (insults directed to the bride or to the wedding guests) and of inverse reality of the sacred moment  in  the  incantations  become  the  powerful  means  against  diseases  and  evil  spirits. While  modulating  the  wedding  ritual  objects  (wedding  shirt,  wreath,  veil,  flag),  or  ritual actions (giving gifts, repulsing the wedding guests, taking the bride away from her parents’ house), these objects and acts gain a secondary,  magical function that makes diseases and evil  spirits  drive  away.  The  wedding  songs  and  the  incantations  share  the  same  model  of space in which forest and water introduce themselves as the strong boundaries between two worlds:  of  the  living  and  of  the  dead.  While in  the first  case  the  boundaries  are  porous, allowing an interpenetration of both the worlds, inthe second one they remain closed off. The above mentioned genres also share some motifs –of a fast growing girl, hospitality (as well  as  of  an  uninvited  guest)  and  magical  counting.  Furthermore,  the  article  proves  that various  functions  determine  essentially  different  meanings  of  motifs,  ritual  actions  and eventually characters which appear in these folklore genres. 
Źródło:
Poznańskie Studia Slawistyczne; 2012, 3
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Magična moćopscenih reči u ženskoj reveni
Magic Power of the Obscene Language in Womens’ Revena
Autorzy:
Stevanović, Lada
Powiązania:
https://bibliotekanauki.pl/articles/635507.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
obscene language
revena
magical laughter
life
death
Bakhtin
Opis:
The theme  of this paper is the magic power of the obscene words and jokes in traditional Serbian culture, on the example of women’s only festival revena in Banat. This ritual represents one day holiday that was celebrated in the beginning of spring, before the Eastern Fast. During revena women gathered for a celebration during which their behavior was completely different than usual, transgressing all the strict  norms that prevailed in everyday reality  of patriarchal  society.  Except for  the  excessive  drinking  and  eating,  women  expressed  their sexuality freely and they spoke about it in the most obscene way. Apart from the verbal part, the ritual of revena had also its performative side. Thus women were proving their female sex by raising the skirt (in the Kumane village), and this act functioned as some kind of pass to enter the revena. During the  holiday, some women were dressed  up as men in order to fulfill the necessary male roles for the sexual games, because no man (except for the musician) was allowed to be present on this holiday. The analysis in this paper, devoted above all to the magic power of the obscene language in the traditional culture, is inscribed into the Bakhtin’s theory of carnival. It is applied here not only to the carnivalesque behavior, but also to the concrete verbal obscene content. These obscenities are inseparable from laughter, so the magic power of laughter (as defined by Veselin  Čajkanović) is also analyzed in this paper, and, apart from appearing in revena, it represented important part of the funeral ritual. 
Źródło:
Poznańskie Studia Slawistyczne; 2012, 3
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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