Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "genre" wg kryterium: Temat

  Lista filtrów
Wyrównaj
Wyświetlanie 1-15 z 49
Tytuł:
Жанры меметического интернет-дискурса: IQkartka / аткрытка
Gatunki memetycznego dyskursu internetowego —„IQkartka / atkrytka”
Autorzy:
Makarowska, Olga
Powiązania:
https://bibliotekanauki.pl/articles/1023677.pdf
Data publikacji:
2018-11-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
mimetic Internet discourse
genre of someecard
genre creativity
Opis:
The article is dedicated to a new network genre — the someecard as a component of the Polish-speaking and Russian-speaking mimetic Internet discourse. The main task of the research is to reveal the principal features of someecards as an Internet genre. For this purpose, we address a number of issues related to the appearance of this genre and its place among other hybrid genres. The functions of a someecard are set — genre-forming features, features of themes, manifestations of genre creativity and the availability of genre links.
Źródło:
Studia Rossica Posnaniensia; 2018, 43; 181-192
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Инвектива как лирический жанр: семантическая структура (на материале русской и польской поэзии XIX–ХХ вв.)
Invective as a lyrical genre: the semantic structure (based on Russian and Polish poetry of 19th –20th centuries)
Autorzy:
Краковяк, Александра
Powiązania:
https://bibliotekanauki.pl/articles/22625981.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
genre
invective
semantic
structure
Opis:
The article presents a study on invective as a lyrical genre from the point of view of its semantic structure, based on samples of the genre identified in Russian and Polish poetry of 19th–20th centuries. Comparative analysis of texts facilitated an emergence and description of stable semantic structure, which is a unique one amongst other genres. This confirms status of invective as an independent literature genre and contributes to the building of a model of a genre process.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2010, 3; 134-156
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Становление жанровой формы путешествия в Россию во французской литературе XVIII века
Autorzy:
Корзина, Нина
Powiązania:
https://bibliotekanauki.pl/articles/2034782.pdf
Data publikacji:
2021-12-23
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
жанр
жанровая форма
жанровые признаки
путешествие
травелог
Просвещение
genre
genre form
genre features
travel
travelogue
the Enlightenment
Opis:
Статья посвящена книге Ж. Шапп д’Отроша Путешествие в Сибирь по приказу ко- роля в 1761 году, положившей начало развитию той модификации жанровой формы траве- лога о России, которую принято называть русофобской. Основными ее чертами являются предвзятое отношение к стране как варварской, отсталой, населенной непросветленным, безнравственным народом, несущей угрозу всему европейскому миру своей агрессивностью; стереотипность оценок, неприятие всего самобытного и незнакомого европейцу и пото- му достойного осуждения. Книга Ж. Шапп д’Отроша была плодом свойственных позднему французскому Просвещению убеждений в необходимости разрушения «русского миража» и возвращения к европейскому стереотипу восприятия страны как олицетворения варвар- ства, что стало первым жанровым признаком русофобских травелогов. Этому отчаянно со- противлялась Екатерина II, Антидот которой был не только попыткой опровержения суж- дений Шапп д’Отроша, но и началом информационной войны между Европой и Россией. Недоброжелательность мнений Шапп д’Отроша о стране встревожилa М. В. Ломоносова еще за четыре года до выхода в свет книги французского автора. Аббат дал беспощадную оценку деспотической форме правления в России и её следствиям, но оставался в плену принятых на Западе стереотипов в отношении плохо изученной им страны. Нетерпимость и непонима- ние иной культуры, высокомерие в отношении ко всему русскому как заведомо ущербному, стремление дать оценку всей жизни России, совсем не изучив и не поняв страны, следование политической конъюнктуре, основанной на нежелании допускать Россию на равных в круг европейских государств, зависимость от культурных стереотипов – всё это и определило ос- новные жанровые признаки травелога о России, созданного Ж. Шапп д’Отрошем.
The article is devoted to the book by Jean Chappe d’Auteroche Voyage en Sibérie fait par ordre du roi en 1761, which laid the foundation for the development of that variety of the genre form of travelogue about Russia which is commonly called Russophobic. Its main features are 1) a biased attitude towards the country as barbaric, backward, populated by an unenlightened, immoral people, threatening the entire European world with its aggressiveness, 2) stereotyped assessments, 3) rejection of everything unique and unfamiliar to Europeans and therefore found condemnable. The book by Chappe d’Auteroche was the product of the beliefs widespread in the late French Enlightenment that it was necessary to destroy “the Russian mirage” and to return to the European stereotype of perception of the country as an epitome of barbarism. Such a view became the first generic feature of Russophobic travelogues. This was fiercely resisted by Catherine II, whose Antidote was not only an attempt to refute the judgments of Chappe d’Auteroche, but also the beginning of an information war between Europe and Russia. The illwill underlying the opinions of Chappe d’Auteroche about the country had alarmed Mikhail Lomonosov four years before the publication of the book by the French author. The French astronomer gave a merciless assessment of the despotic form of government in Russia and its consequences but remained bound by the stereotypes generally accepted in the West regarding the country that he had not studied well. The book is characterised by the following: intolerance and lack of understanding for other cultures, arrogance towards everything Russian as obviously flawed, an eagerness to judge the entire life of Russia without having studied and understood the country (influenced by political ambience and the reluctance to allow Russia on equal terms into the circle of European states), and relying on cultural stereotypes. All these became the main genre features of the travelogue about Russia, of which Chappe d’Auteroche can be called the creator.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2021, 14; 17-25
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Жанровые тенденции в лирике Анны Ахматовой: к вопросу о традиции
Genre trends in Anna Akhmatova’s poetry: to the question of the traditions
Autorzy:
Чаунина, Наталья
Powiązania:
https://bibliotekanauki.pl/articles/22597008.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
genre
«author's installation»
lyrics
Akhmatova
Opis:
This article considers the key genre trends in Akhmatova’s poetry. The term «dominant installation of the author» (Kighney’s term) is used as the main genre-make criterion. The introspective, formally canonical, functional installations are defined and analysed. The conclusion of the article is that the author's installations, inspired by the needs of time and tradition, and may be embodied in an individual poetic work in the syncretic, differently interpreted genre structures.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2012, 5; 80-88
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Концепт войны: от истории к мифологии („Пир победителей” Александра Солженицына и „Марьино поле” Олега Богаева)
The Concept of War: from History to Mythology (The Winners’ Feast by Aleksandr Solzhenitsyn and Maria’s Field by Oleg Bogayev)
Autorzy:
Ищук-Фадеева, Нина И.
Powiązania:
https://bibliotekanauki.pl/articles/22446775.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
genre
game
mythologem
mirror image
Opis:
The article deals with the comparative analysis of two plays, The Winners’ Feast by Aleksandr Solzhenitsyn and Maria’s Field by Oleg Bogayev which, being united by the war theme, belong to different generations. More or less explicit implications present in both plays make it possible to view the Russian history as a form of national mythology.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2013, Zeszyt specjalny 2013; 137-150
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
«Люблю Россию я». Жанровая традиция изображения России в лирическом жанре инвективы
„Lyublyu Rossiyu ya…”. The genre tradition of presentation Russia in the lyrical genre of invective
Autorzy:
Краковяк, Александра
Powiązania:
https://bibliotekanauki.pl/articles/22596200.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
genre
invective
lyric poetry
structure
Opis:
The author considers a group of Russian poetic texts aimed at the political foes of Russia as a state. The author argues that these texts are samples of lyrical genre of invective, which is proved by their semantic structure and the objective of the text as a kind of poetic expression. The structure of the genre and its tradition imply a specific image of Russia, which forms in all of the texts analysed, regardless of the literary epoch and political beliefs of the poets.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2012, 5; 21-29
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Комментирование художественного текста и проблемы поэтического сознания: фрагмент Посмертных записок Пиквикского клуба Чарльза Диккенса в интерпретации Льва Толстого
The commentary of literature and the problems of a poetic consciousness: Lev Tolstoy’s interpretation of the fragment of Ch. Dicken’s The Posthumous Papers of the Pickwick Club
Autorzy:
Фортунатов, Николай
Powiązania:
https://bibliotekanauki.pl/articles/22592424.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
commentary
novel
genre
identity and variative repetition
Opis:
The article is devoted to commenting on one of Tolstoy’s diary notes (1902), where he used fragments of Ch. Dicken’s The Posthumous Papers of the Pickwick Club.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2012, 5; 41-47
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Речевой жанр комплимента в современной российской коммуникации
Autorzy:
ВОРОНЦОВА, ТАТЬЯНА А.
Powiązania:
https://bibliotekanauki.pl/articles/615340.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Opolski
Tematy:
compliment
speech genre
speech etiquette
colloquial style
Opis:
Unlike the majority of linguistic researchers, we consider the compliment as a speech genre, and a praise as a speech tactic of a positive assessment of the addressee. This tactic is the main and only speech tactic designed to serve the complimentary purpose, which expresses a positive attitude towards the interlocutor. Specifics of the compliment as a speech genre are defined by it possessing communicative independence and completeness. Unlike other genres of speech etiquette, the compliment is not attached to a certain situation and represents a facultative element of phatic communication. The etiquette essence of a compliment presupposes a certain convention of its contents, therefore theoretically it is supposed that the stated positive assessment shouldn’t be verified by the addressee. However, the importance of the category of sincerity for the Russian language consciousness determines the fact that in modernRussian communicative culture there is a special style of compliment which is caused by an aspiration of the sender to evoke trust of the interlocutor to the contents of a statement made. Markers of this style are various language emotional and estimated means and the structural-syntactic features particular to spontaneous informal conversation.
Źródło:
Stylistyka; 2015, 24; 271-282
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
СТИЛЬ И СЛОВО
Style and the word
Autorzy:
Duskajeva, Lilia
Salimowskij, Wladymir A
Powiązania:
https://bibliotekanauki.pl/articles/615369.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Opolski
Tematy:
style
Gajda
word
speech genre
language games
Opis:
The reorientation of linguistics to the study of the regularities of its functioning in stylistics, manifested in the fact that functional style has been regarded as a type of language in any sphere of human activity, regards language in the aspect of differentiation and modification in the basic speech varieties. It is not by chance that text samples from different areas of communication are used in frequency dictionaries. Understanding style as a way to integrate speech performance first put forward the questions of the compositional-semantic organization of the text, the realization of its categories, constructive principles, and techniques. In functional stylistics studies the two main areas – the use of language and the organization of a speech performance – are analyzed as complementary, but cohesion requires understanding the regularities of the functioning of language units in a text with many objectives, updated in texts of the given sphere. To resolve this problem, it is reasonable to rely on the notion of speech genres, each of which is a sequence of standard cognitive-communicative actions – structural elements acting as an object in the text of spiritual socio-cultural activities. The analysis of these actions has revealed and systematized lexical units in communicative composition of language material (Gasparov 2010). This text-centered study of functioning of lexical and other means is of interest not only for the theory of style (and, more broadly, in speech study), but also to practice learning the language in its functional varieties.
The reorientation of linguistics to the study of the regularities of its functioning in stylistics, manifested in the fact that functional style has been regarded as a type of language in any sphere of human activity, regards language in the aspect of differentiation and modification in the basic speech varieties. It is not by chance that text samples from different areas of communication are used in frequency dictionaries. Understanding style as a way to integrate speech performance first put forward the questions of the compositional-semantic organization of the text, the realization of its categories, constructive principles, and techniques. In functional stylistics studies the two main areas – the use of language and the organization of a speech performance – are analyzed as complementary, but cohesion requires understanding the regularities of the functioning of language units in a text with many objectives, updated in texts of the given sphere. To resolve this problem, it is reasonable to rely on the notion of speech genres, each of which is a sequence of standard cognitive-communicative actions – structural elements acting as an object in the text of spiritual socio-cultural activities. The analysis of these actions has revealed and systematized lexical units in communicative composition of language material (Gasparov 2010). This text-centered study of functioning of lexical and other means is of interest not only for the theory of style (and, more broadly, in speech study), but also to practice learning the language in its functional varieties.
Źródło:
Stylistyka; 2017, 26; 25-39
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zametki o stile kak gumanističeskoj strukture teksta
Notes on style as a humanistic structure of text
Autorzy:
Mišlanov, Valerij A.
Salimovskij, Vladimir A.
Powiązania:
https://bibliotekanauki.pl/articles/615467.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Opolski
Tematy:
style
text
activity
genre
communication
stylistic concepts
Opis:
The paper analyzes a notion of style developed by S. Gajda as a humanistic structure of a text. The characteristics of a scientist’s notion with presumably wide (for stylistics) subject area – implementation of personal author and social cultural manifestations of text activity in different versions of comprehensive organisation of a verbal product – and stylistics categories with huge potential for synthesis are given. The sources of a style as a higher organizational body for a text in the works of the representatives of aesthetic realism school, Russian and Czech scientists are looked at. The fruitfulness of the introduction of human activity understandings into the integrated research of style is justified.
Źródło:
Stylistyka; 2016, 25; 109-122
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Типология газетных речевых жанров
Autorzy:
Дускаева, Лилия P.
Powiązania:
https://bibliotekanauki.pl/articles/1925972.pdf
Data publikacji:
2005
Wydawca:
Uniwersytet Opolski
Tematy:
publicisticf unctional style
the speech genre
the typology of newspaper's speech genres
the principles of this typology
the communicative aim of the genre
the hypothesis about addressee of the genre
Opis:
The paper deals with the genre typology of the publicistic functional style. The speech genres are interpreted as a three-part system reflecting the interaction of the semantic positions both of the writer and the addressee. For the first time there has been characterized the system of the reader's genre needs which are nom1ally taken into consideration by a reporter when creating the text ofthis or that particular genre. As a result of the study into the problem it has been stated that various informational needs of the audience determine the compositional andthematic genres'peculiarities, as well as the communicative requirements and set the stylistic parametres of the pattems. In the paper there is proposed thesolution of the disputable issued in linguistics concerning the primary and secondary genres and are revealed the regularities in the different genres' interractions.
Źródło:
Stylistyka; 2005, 14; 463-482
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Формы выражения авторского сознания в новейшей русской драме
Forms of Expression of the Author’s Consciousness in Contemporary Russian Drama
Autorzy:
Журчева, Ольга
Powiązania:
https://bibliotekanauki.pl/articles/968720.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
problem of the author
conflict
character
genre
new drama
Opis:
The article is devoted to the problem of authorial intention in contemporary Russian drama. Firstly, major theoretical approaches to the ‘problem of the author’ in drama are identified. It is then demonstrated how cultural paradigms change in an artistic consciousness and how, as a consequence, the most important structural components of drama – conflict, character, genre – become discredited and deconstructed. There follows an overview of specific examples of such transformations of these generic features of drama. It is argued in the paper that such transformations result from the activation of the author’s consciousness and are a manifestation of the author’s intentions regarding the modern picture of the world.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 277-285
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O ritmičeskom parametre žanrov rozgovornoj reči
On the rhythmic parameter of speech genres
Autorzy:
Matveeva, Tamara V.
Powiązania:
https://bibliotekanauki.pl/articles/615583.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Opolski
Tematy:
genre
rhythm
spoken dialogue
communication coordination
brief response
Opis:
The article examines one of the formal parameters of the primary speech genres. The material of the study were Russian spoken dialogues. The author shows the importance of brief reactive statements as a signal of certain communicative actions of the speaker. Brief responses correct interaction of the communicants, indicating the actual com- munication line and ensuring mutual adaptation of the communicants to changing communication conditions. The rhythmical parameter of spoken dialogue is perceived directly and is a way to design a strategy of communication coordination.
Źródło:
Stylistyka; 2016, 25; 529-541
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Дискурс и стиль
Discourse and style
Autorzy:
КЛУШИНА, НАТАЛЬЯ И
Powiązania:
https://bibliotekanauki.pl/articles/615624.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Opolski
Tematy:
discourse
discourse studies
style
stylistics
text
context
genre
Opis:
There are two imporlant areas in modern Linguistics: traditional stylistics and discourse studies. We need identify their common interests and differentiate them. They both find out text, context, genre. But traditional stylistics find out these categories as mental and aesthetic phenomena, and discourse studies - as pragmatic and sociál.
Źródło:
Stylistyka; 2014, 23; 113-119
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ИДЕЯ ПОРЯДКА И ЕЁ ВОПЛОЩЕНИЕ В ЖАНРОВОЙ ТРАДИЦИИ ДРЕВНЕЙ РУСИ
The Concept of Order and Its Realization in the Genre Tradition of Old Russia
Autorzy:
Шунков, Александр
Powiązania:
https://bibliotekanauki.pl/articles/444851.pdf
Data publikacji:
2012-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
genre,
Russian medieval literature, ceremonial and artistic texts
Opis:
The article considers the problem of the creation and evolution of aspecific genre of medieval Russian literature – order (a description of court ceremonial). The article identifies the origins of the genre form, its artistic and aesthetic basis, analyzes the evolution of the Russian publishing tradition of book of the 12–17th centuries. Particular attention is drawn to the existence of the called genre forms in the Russian court culture of the 1650s, the era of the reign of Tsar Alexei Mikhailovich.
Źródło:
Acta Neophilologica; 2012, XIV/1; 193-201
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 49

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies