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Wyszukujesz frazę "Intertextuality" wg kryterium: Temat


Tytuł:
От поэтики А. Потебни к теории интертекстуальности
From O. Potebnya’s Poetics to the Theory of Intertextuality
Autorzy:
Дзык, Роман
Powiązania:
https://bibliotekanauki.pl/articles/27311224.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
Potebnia Ołeksandr
poetics
intertextuality
intertekstualność
poetyka
Opis:
W przedstawionym artykule analizowany jest związek koncepcji Andrija Potiebni z teorią intertekstualności. Uwaga, jaką rosyjscy formaliści i ich następcy poświęcili pojęciu „język poetycki” oraz rozwojowi dialogicznej koncepcji słowa i tekstu (M. Bachtin) wskazuje na genetyczny związek między wspomnianymi systemami teoretycznymi. Zgodność idei Potiebni ze współczesną teorią literatury jest tu opisana jako zbieżność typologiczna.
The article analyses the relation of O. Potebnya’s concepts to the theory of intertextuality. The attention to the peculiar interpretation of the notion of “poetic language” by the Russian formalists and their successors, as well as to the development of the dialogical nature of the word and the text, according to M. Bakhtin, reconstructs the genetic connection between the above theoretical systems. The consonance of Potebnya’s ideas with the modern theory is explained by typological convergence. At the same time, the article discusses the productive perspective of the appeal of Potebnya’s ideas in the light of the new literary methodology
Źródło:
Tematy i Konteksty; 2013, 8, 3; 266-275
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Чужое слово” в современной русской политической драме
“Someone Else’s Word” in Contemporary Russian Political Drama
Autorzy:
Sikora-Krizhevska, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/2032413.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Russian political drama
quote
allusion
intertext
intertextuality
Źródło:
Slavia Orientalis; 2018, LXVII, 4; 691-702
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Чеховский контекст драмы Таня-Таня Оли Мухиной
Chekhov’s Drama Context in "Tanya-Tanya" by Olga Mukhina
Autorzy:
Pieczyński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/968729.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
intertextuality
drama
parody
absurd
postmodernism
Chekhov
Mukhina
Opis:
Contemporary Russian drama enters into a dialogue with literary tradition and in particular with the dramatic one. The works of the classics of modernism, including Anton Chekhov, very often become actualized in recent dramatic texts. For instance, "Tanya-Tanya" by Olga Mukhina refers to the artistic features of Chekhov’s ‘major plays’ and thus, in Natalya Fateyeva’s theoretical framework and terminology, Chekhov becomes a pre-text for Mukhina’s text. The general purpose of the paper is an intertextual analysis and interpretation of the latter play.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 257-264
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Вторая” жизнь советских комедий в интернет-мемах периода пандемии
The “second” life of Soviet comedies in internet memes during the pandemic
Autorzy:
Wilk, Gabriela
Powiązania:
https://bibliotekanauki.pl/articles/2224186.pdf
Data publikacji:
2022-06-27
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
internet meme
intertextuality
humour
Soviet comedy
coronavirus
Opis:
Nowadays, it is hard to imagine internet culture without memes. To achieve a humorous effect, meme creators use various means, displaying unprecedented creativity. They often draw inspiration from cult Soviet comedies by Leonid Gaidai, Georgiy Daneliya, Vladimir Menshov, Eldar Ryazanov, Aleksandr Sery and other famous directors. This article is devoted to the analysis of iintertextual connections in Russian internet memes related to the current COVID-19 pandemic. The intertextual references can be in the form of a frame from a Soviet comedy, a movie catchphrase, or both at the same time. Catchphrases can be used in the analysed internet memes in their original version, or they can undergo various modifications, such as the replacement of some components and/or the extension of phrase composition. The fact of making use of a specific movie scene or catchphrase by meme creators proves that Soviet comedy is still deeply rooted in Russian culture. Soviet comedies begin to “live a new life” in internet memes.
Źródło:
Studia Rossica Posnaniensia; 2022, 47, 1; 243-260
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Донжуановская тема в творчестве Давида Самойлова
The theme of Don Juan in David Samoylov’s literary production
Autorzy:
Szymańska, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/22599704.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
intertextuality
Don Juan theme
David Samoylov
literary cycles
Opis:
The aim of this article is to analyse four different poems by David Samoylov, a 20th century Russian writer: The End of Don Juan, The Old Don Juan, The Young Don Juan and The Comandorov’s Footsteps. All of them are new interpretations of the Don Juan story. Thanks to the new plot solutions and to the literary dialogue with Pushkin and Blok, Samoylov’s works are interesting and valuable contribution to the literary versions of the Don Juan theme.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2011, 4; 94-104
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
О ПРИЕМЕ «УСВОЕНИЯ»: ЛЮБОВЬ АРМАНА-ЛУИ ЛОЗЕНА И ИЗАБЕЛЛЫ ЧАРТОРЫЙСКОЙ В ПЬЕСЕ МАРИНЫ ЦВЕТАЕВОЙ ФОРТУНА
POETICS OF APPROPRIATION: LOVE OF DUC DE LAUZUN AND IZABELA CHARTORYSKA IN MARINA TSVETAEVA’S PLAY FORTUNA
Autorzy:
Janczuk, Elena
Powiązania:
https://bibliotekanauki.pl/articles/445040.pdf
Data publikacji:
2015-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Marina Tsvetaeva
Fortuna
intertextuality
poetics of appropriation
identity
Opis:
This article discusses the poetics of appropriation of historical and literary material as a way of the reevaluation of the past proposed by M. Tsvetaeva. In the poet’s consciousness, the coexistence and comparison of different times and historical parallels are inevitably linked to her presence and, at the same time, the material employed by Tsvetaeva does not only show any reality, but it recreates reality according to her own vision of this particular material. Tsvetaeva accentuates the primacy of created reality over historical existence. One part of Tsvetaeva’s play Fortuna presents the transformation of the real love story between Izabela Chartoryska and duke Lauzan into a literary history, and finally the process of the disappearance of this story in her real life. ‘Disappearance’ of Lauzan’s image leads the poet in her life and Tsvetaeva becomes engaged with Lauzan by a very idiomatic relationship.
Źródło:
Acta Neophilologica; 2015, XVII/1; 103-112
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Чеховские мотивы, образы, приемы в произведениях русских писателей конца ХХ – начала ХХI вв.
Chekhovian Motifs, Imagery and Techniques in the Works of Russian Writers of the Turn of the 21st Century
Autorzy:
Гордович, Кира
Powiązania:
https://bibliotekanauki.pl/articles/968731.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Chekhovian motifs
intertextuality
contemporary Russian literature
Vladimir Makanin
Opis:
The creative principles and techniques of Anton Chekhov have proved attractive to modern writers. Many late-20th-century authors, e.g. Tendryakov or Sasha Sokolov, used the naiveté and naturalness of a child’s mind when depicting contradictions and controversial issues. A connection with Chekhov is evident in the development of the theme of a mental institution, its doctors and patients (Makanin, Pelevin). Also the Chekhovian principle of refusal to categorically judge the words and deeds of the characters gains fundamental importance (Dovlatov). It is from Chekhov that modern writers have learnt to present serious psychological issues and world-view questions through commonplace imagery.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 249-256
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Александра Кушнера диалог с Пушкиным
Alexander Kushner in Dialogue with Alexander Pushkin
Autorzy:
Sadzińska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/968749.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
intertextuality
dialogue
reminiscences
Pushkin’s tradition
Alexander Kushner
Opis:
Alexander Kushner’s poetry is an endless and timeless dialogue with his predecessors. Alexander Pushkin has a special place among them. Overt and covert references to the author of “Eugene Onegin” are present at various levels of Kushner’s texts – in themes, images, ideas, as well as at the level of formal organization: in language and metrics. The present article deals with the modes of reception and interpretation of Pushkin’s lyrics in the oeuvre of the contemporary poet from St. Petersburg. The analysis focuses on the varied forms of Kushner’s intertextual dialogue with the Romantic poet (quotations, allusions, reminiscences, references both of literary and biographical character). The sources and nature of reminiscences from Pushkin are indicated, such as accepting dialogue, polemics, assimilation, rejection and partial redefinition.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 211-219
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Диалог культур в поэтике Вероники Долиной
Dialogue of Cultures in the Poetics of Veronika Dolina
Autorzy:
Mnich, Ludmiła
Powiązania:
https://bibliotekanauki.pl/articles/968764.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
dialogue of cultures
Veronika Dolina
intertextuality
author song
Opis:
The article deals with various types of dialogue of cultures in the songs by Veronika Dolina. The genre of “author song” (Russian and Soviet singer-songwriters’ works) is analysed as a special kind of dialogue with listeners as well as with history and culture. In particular, the author interprets and places in intertextual context three songs by Dolina: ‘The Aunt Told Me’, ‘On the Death of A. D. S.’ and ,The Cardinal Is Still Young’.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 201-210
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Стихотворение Осипа Мандельштама «Флейты греческой тэта и йота…»: поэтика неясности
The Poem of Osip Mandelstam «The Greek flute’s theta and iota...»: Poetics of Obscurity
Autorzy:
Москвин, Василий
Powiązania:
https://bibliotekanauki.pl/articles/2030950.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
poetics
obscurity of speech
Mandelstam
intertextuality
semantic transfer
Źródło:
Slavia Orientalis; 2021, LXX, 2; 347-366
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Рождество и Крещение как символы поэтического творчества: евангельские мотивы в поэзии русского метареализма
Christmas and Baptism as symbols of poetic creativity: Evangelical motifs in the poetry of Russian metarealism
Roždestvo i Kreŝenie kak simvoly poètičeskogo tvorčestva: evangelʹskie motivy v poèzii russkogo metarealizma
Autorzy:
Severskaâ, Olʹga
Powiązania:
https://bibliotekanauki.pl/articles/1920440.pdf
Data publikacji:
2020-12-19
Wydawca:
Uniwersytet Opolski
Tematy:
Russian metarealism
Evangelical motif
Christmas
Epiphany
intertextuality
poetic imagery
Opis:
Christmas and Baptism as symbols of poetic creativity: Evangelical motifs in the poetry of Russian metarealism and the 21st centuries. The author considers the “Epiphany” and “Christmas” images in the lyrics of Yevgeny Daenin, Ivan Zhdanov, Alexei Parshikov, Sergey Solovyov, correlating them both with the text of the Holy Scripture and with the poetic tradition of “Christmas verses” of the 19th century and two boundary periods (the 19th-20th and the 20th-21st centuries), in which the search for the “painful and unsteady” image of God is manifested with a particular force. Traditionally, in poetry there is an intimization of Christmas and Epiphany: so, these events are not perceived as being external, but as internal, occurring in a person’s soul. This is true of all Russian contemporary poetry. And metarealism is no exception. The article sequentially explores (using the hermeneutic method, semantic, intertextual and content analysis) verbal images and motifs associated with Baptism, Epiphany and Christmas. In the interpretation of the evangelical stories, metarealists proceed from the ideas of the divine Word-Logos, embodied in words. Baptism and Epiphany are associated with the Word’s Appearance to the People, their baptism in the Speech as a River, which at the same time becomes synonymous with Christmas and Nativity, the birth of the “mortal” word and the beginning of its Way of the Cross. Poetry is perceived by metarealists as climbing Golgotha, “the crucifix of the throat”. The poet has three hypostases in their texts: the “wise Thief” who ascends to “paradise” by God’s will, but is capable of performing the sacrament of baptism with the “verb fire”; “Carpenter”, “Joseph”, stepfather of the “God-born baby”-text; builder, governor of Heavenly Jerusalem and leader of the “Heavenly Host” of words. Analyzing the concept of Speech as a “Homing,” the author comes to the conclusion that metarealists are not so much engaged in “God-seeking” as they are developing M. Heidegger’s theory of language as a “house of being” and of existing and being.
Źródło:
Stylistyka; 2020, 29; 329-343
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Между диалогичностью и интертекстуальностью. Проблема текста в тексте на примере рассказа Бориса Лавренева Сорок первый
Between dialogism and intertextuality. The problem of text in text on the example of "The Forty-First" by Boris Lavrenyov
Autorzy:
Chudzińska-Parkosadze, Anna
Powiązania:
https://bibliotekanauki.pl/articles/481002.pdf
Data publikacji:
2013-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
dialogism
intertextuality
The Forty-First
Boris Lavrenyov
ornamental prose
Opis:
The article deals with two kind of problems - the specification and differences betweenintertextuality defined by Kristeva and concept of dialogue defined by Bakhtin, on the one hand,and the presence of these key categories of the contemporary literary criticism in the story writtenby Boris Lavrenyov The Forty-First, on the other hand. The research refers also to the linksbetween the theory of Kristeva and the poetic of ornamental prose, and shows the key role ofparody in both of them. As the result the author comes to the conclusion that the story is beingconstructively divided into two parts, one of which has got an intertextual character and the otherone dialogical. Moreover, the first category is related to parody, and Bakhtin’s concept of dialogueto tragic nature.
Źródło:
Acta Polono-Ruthenica; 2013, 1, XVIII; 7-20
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Культура польско-восточнославянского пограничья в аспекте мезонимии
Polish-Eastern Slavic borderland culture from the aspect of mezonimy
Autorzy:
Mironiuk, Leontij
Powiązania:
https://bibliotekanauki.pl/articles/481463.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
mezonimy
intertextuality
Polish-Eastern Slavic borderland culture
linguistic accuracy
Opis:
The article studies certain phenomena of a cultural borderland, mezonimy and intertexualitytaken in relation. The author classifies these in two aspects: a) due to the function - a resonancespace of a text / literature; b) due to the place - mezonimic spheres in structure. Special attentionwas paid to excerpts of Pushkin’s texts translated by Julian Tuwim, Adam Ważyk and Maxim Rylski.The author examines some Russian and Polish eponyms as well as pro-drop parameter phenomenonin Polish and Ukrainian languages.
Źródło:
Acta Polono-Ruthenica; 2008, 1, XIII; 549-554
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Виртуальный мир новейшей русскоязычной драматургии
Autorzy:
Pieczyński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/2141877.pdf
Data publikacji:
2022-06-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian-language dramatic texts
Internet creativity
intertextuality
postmodernism
simulacrum
Opis:
Contemporary Russian-language dramatic texts are both textual and intertextual. In recent years, virtual space has increasingly become the subject of works. The texts begin to resemble Internet creativity, describing not so much real interpersonal relationships as the activity of social networks users. Dramatic texts cease to be a representation of the real, extra-linguistic world, as well as an image of the culture associated with this world, but increasingly create a simulation of reality in virtual space. These processes are described based on the example of plays by young Russian-speaking authors: Valery Pieczejkin, tester 1998, Alexander Seredin, and Alexei Bytiucki. The works in question were presented to a wide audience during subsequent editions of the Festival of Young Drama “Lubimowka”.
Źródło:
Acta Neophilologica; 2022, 2, XXIV; 215-232
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
«Русское варенье» Л. Улицкой: осмысление современной действительности классикой
Ludmila Ulickaja’s play Russian Preserves: Capturing the view of reality with the help of the classics
Autorzy:
Olaszek, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/22598783.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Ludmila Ulickaja
Russian Preserves
Russian reality
classical literature
intertextuality
Opis:
The main focus of this essay is creative ways of depicting contemporary Russian reality in Ludmila Ulickaja’s play Russian Preserves. The image of reality is created on the basis of quotations, topical references and reminiscences from classical literature, books of history and popular culture. The assessment of reality is made through clue words, sublime words, witticisms and paradoxes, usually used with a hint of irony. The inclusion of the interlude with its parody function contributes to the ideological meaning: the contemporary Russia is on the verge of catastrophe.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2011, 4; 45-52
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł

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