Temat: Hamlet - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Шекспировские римейки в современной российской драме
Shakespearean Remakes in Recent Russian Drama
Autorzy:: Шамина, Вера Б.
Powiązania:: https://bibliotekanauki.pl/articles/22446760.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: post modernism
Russian drama
theatre
play
intertextuality
remake
Shakespeare
Hamlet
Opis:: The article addresses postmodern plays by recent Russian playwrights, which use the plot of Shakespeare’s Hamlet, such as L. Petrushevskaya, B. Akunin, V. Korkiya and brothers Presnyakov. It demonstrates different techniques and approaches they use to deconstruct the original text. In the end the author comes to the conclusion that these playwrights in their games with classics to a great extent follow the path that was laid by the Bard himself.
Źródło:: Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2013, Zeszyt specjalny 2013; 115-124
1427-9681
2353-4834
Pojawia się w:: Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: „Гамлет. Версия” Бориса Акунина как отказ от регламентации шекспировского интертекста
„Hamlet. Version” Boris Аkunin’s as a refusal of regulation of Shakespeare’s text
Autorzy:: Kiseleva, Kristina
Powiązania:: https://bibliotekanauki.pl/articles/915537.pdf
Data publikacji:: 2018-09-22
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: postmodernism
dramaturgy
Shakespeare
Hamlet
Akunin
intertextuality
post-modernist language play
Opis:: The present article aims at analyzing one of the modern drama's strategies — playing with a classical text. Boris Akunin's Hamlet. Version, which is at the core of my interests, is comparable to such famed Hamlet’s alterations as Tom Stoppard's Rosenkrantz and Guilderstern Are Dead. The uniqueness of Akunin's work lays in building the individual strategy, while taking into the mass recipient consideration. The forecast is not comforting — consumers are getting less and less sensitive and adequately formed to perceive art. But one cannot say that Akunin is descending to his readers narrow horizons. He is a mediator between highbrow and lowbrow, always beyond, never belonging to any category.
Źródło:: Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2016, 6; 97-105
2391-470X
Pojawia się w:: Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:: Biblioteka Nauki

Artykuł

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