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Wyświetlanie 1-2 z 2
Tytuł:
«Словесная живопись» в историческом повествовании: от Пушкина к А.Толстому
‘Verbal Art’ in the Historical Narrative: From Pushkin to Aleksei Tolstoy
Autorzy:
Вершинина, Наталья
Powiązania:
https://bibliotekanauki.pl/articles/968759.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
poetics
‘verbal art’
visual image
historical novel
artistic historicism
Opis:
The article discusses the poetics of ‘word painting’ in the generic and stylistic development of historical prose: from Pushkin’s Peter the Great’s Negro (1829) to Tolstoy’s novel Peter the Great (1930–1945). It is revealed that ‘verbal art’, along with ‘Walter Scott’s’ type of description of the epoch, functioned in novelistic texts as the most productive means of expression for artistic historicism. The opposition between this method of representation and that of static historical description – as in the ‘boyar chapters’ of Peter the Great’s Negro – is explained. It was this that may have caused the breach in the stylistic integrity of the novel and determined the incompleteness of its conception and realization. In their dynamic presentation of the life in ‘Peter’s Russia’, both Pushkin and Tolstoy blend antithetic techniques: viewing reality from a historical distance – with a direct vision of phenomena, generalizing historical and philosophic formulas – with objectified specificity of visual expression. With the help of the ‘verbal-art’ methods, an insight into the epoch is made possible by combining points of view and showing an image from varied angles. This serves achieving an artistic effect defined by Aleksei Tolstoy as ‘contemplation through somebody else’s eyes’, which illustrates the problem of ‘varying scale’ in presenting the era as having its own artistic significance.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 47-56
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
МУЗЫКАЛЬНЫЙ ТЕАТР АЛЕКСАНДРА КОЗАРЕНКО
OLEXANDR KOZARENKO’S MUSICAL THEATER
Autorzy:
Коменда, Ольга
Powiązania:
https://bibliotekanauki.pl/articles/566620.pdf
Data publikacji:
2017
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
музыкальный театр
театральные концепции первого и второго планов
вербальная и визуальная линии художественного текста
интонационное родство и контраст
трансформация жанровой модели
musical theater
theatrical concepts of first and second plans
the verbal and visual lines of art text
the intonation affinity and contrast
transformation of genre model
Opis:
This paper proposes considerations regarding the content, genre and stylistic features of musical-theater works of famous modern Ukrainian composer Olexandr Kozarenko. Author made intonational and dramaturgical analysis of five music-theater works by O. Kozarenko: Don Juan of Kolomyia, Sinfonia Estravaganza, Piero Makes Loop the Loop Oresteia and Time of Repentance. Their results served as material for comparison and as arguments for general conclusions too. The author introduced the idea of two type of musical-theatre works by O. Kozarenko and named them theatrical concepts of first and second plans. The existence of visual line characterizes the theatrical concept of second plan, at that time as the interaction of visual line and verbal line – the theatrical concept of first plan. All composer’ works have similarities features – intonation symbols, allusions, features of themes. The study traced the intonation affinity and contrast between these works and the degree of transformation of genre model in each case. In general, author comes to the conclusion of huge role of musical theater for creative activity of O. Kozarenko and its impact on formation of his individuality.
Źródło:
Ars inter Culturas; 2016, 5; 91-106
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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