Wszystkie pola: reverse - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: ИКОНИЧЕСКОЕ СОЗНАНИЕ В ПОЭЗИИ ИВАНА ЖДАНОВА (НА МАТЕРИАЛЕ СТИХОТВОРЕНИЯ ПОРТРЕТ ОТЦА)
ICONIC CONSCIOUSNESS IN IVAN ZHDANOV POETRY (IN FATHER’S PORTRAIT)
Autorzy:: Fedorushkov, Edyta
Powiązania:: https://bibliotekanauki.pl/articles/915976.pdf
Data publikacji:: 2018-12-24
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Ivan Zhdanov, iconic consciousness, icon, reverse perspective, reverse simile
Ivan Zhdanov
iconic consciousness
icon
reverse perspective
reverse simile
Иван Жданов
иронической сознание
икона
обратная перспектива
обратное сравнение
Opis:: The paper aims to analyze the original figure of speech, which was described by Ivan Zhdanov as a reverse simile. The figure – due to its similarity – is compared with reverse perspecite used in icon painting. Such a comparison reveals the presence of the iconic consciousness in many layers of Father’s portrait – an exemplary Ivan Zhdanov poem. A meticulous analysis of the poem showed the closeness between the iconic consciousness and the orthodox consciousness which, in turn, is an integral element of Russian culture.
Źródło:: Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2018, 8; 39-58
2391-470X
Pojawia się w:: Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Память о детстве как способ самореализации личности в романе И.А. Бунина Жизнь Арсеньева
Memory of childhood as a way of self-realization in the novel by Ivan Alekseevitz Bunin’s Life of Arsenyev
Autorzy:: Пузырева, Ольга
Powiązania:: https://bibliotekanauki.pl/articles/481230.pdf
Data publikacji:: 2019-12-30
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: emigration
memory of childhood
self-actualization of personality acmeology
“reverse perspective”
symbols of salvation
Opis:: This article investigates the psychological and philosophical significance of childhood images in I.A. Bunin’s novel Life of Arsenyev, written in emigration. It is concluded that the worldview of a childhood spent in Russia and the memory of this time become the main ethical categories in the work, correlated with the author’s religious symbols of salvation – with words, the happiness of the creative process, with the actualization of the meaning of life and the self-realization of per-sonality.
Źródło:: Acta Polono-Ruthenica; 2019, 4, XXIV; 85-100
1427-549X
Pojawia się w:: Acta Polono-Ruthenica
Dostawca treści:: Biblioteka Nauki

Artykuł

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