Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "twentieth century" wg kryterium: Temat


Tytuł:
Neopietyzm a postawy narodowe. Ruch gromadkarski na Mazurach w XIX i XX w. Część II (1945 – 1956)
Neopietism contra National Standpoints. The Small Group Movement in Masuria in the Nineteenth and Twentieth Century (1945 – 1956). Part II
Autorzy:
Jasiński, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/425422.pdf
Data publikacji:
2015
Wydawca:
Parafia Ewangelicko-Augsburska w Gdańsku z siedzibą w Sopocie
Tematy:
Masuria
Small Group Movement
Evangelical Church
nineteenth century
twentieth century
Opis:
The Polish Lutheran Church between the years 1945-1956 was unable to gain the full confidence of its new German worshippers. This resulted in the treatment of this Church as a foreign and imposed one. When, in the course of time, the worshippers came to terms with the status quo, acceptance of the Church increased, but as a factor distinguishing them from Polish Catholics. The distance dividing them from migrant Poles, caused by national factors and historical experiences, was increased by religious differences. A significant role in this situation was played by the Small Group Movement. It did not have an organized nature, but its mental revivalist structuressurvived the period of the Second World War. An awareness of war atrocities strengthened the spirit of eschatology among some of the Small Group Movement members, which is why some of them accepted the existing political situation, regarding it as a penalty for disregarding God’s rules. Some of the Small Group Movement members, especially those who were previously in opposition to German Christians, began to co-operate with the Polish Lutheran Church, which was new to them. On the other hand, for some of the worshippers who existed in unofficial structures, there was an opportunity to fulfill their basic religious needs, which the Polish Lutheran Church was unable to offer them due to its organizational weakness. From the very beginning the key problem of organization was that caused by language, which was a throw-back to the situation in the nine-teenth century and the first years of Weimar Republic, when German was still considered to be “the Church language”. This was the reason why a significant part of the Small Group Movement met with mistrust from the Polish Lutheran Church, which for various reasons was implementing a Polonisation policy, and the open hostility of the police-administrative machinery. On the other hand, inside the Small Group Movement, there was little unity but numerous scattered initiatives, and an escalation of German national spirit became in many instances equally important, or even more important than religious matters.
Źródło:
Gdański Rocznik Ewangelicki; 2015, 9; 84-114
1898-1127
Pojawia się w:
Gdański Rocznik Ewangelicki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Neopietyzm a postawy narodowe. Ruch gromadkarski na Mazurach w XIX i XX w. (do 1956) Część I
The Revivalist Evangelical Movement contra National Standpoints. The Small Group Movement in Masuria in the Nineteenth and Twentieth Centuries (until 1956) Part I.
Autorzy:
Jasiński, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/425520.pdf
Data publikacji:
2014
Wydawca:
Parafia Ewangelicko-Augsburska w Gdańsku z siedzibą w Sopocie
Tematy:
Masuria
Small Group Movement
Evangelical Church
nineteenth century
twentieth century
Opis:
The Small Group Movement in East Prussia, in spite of some external inspiration, was an original product of the local Masurian (and Lithuanian) community, deeply embedded in it and reflecting its religious needs. Its initial radicalizing effect, however, created local distrust, but this was not characteristic of the Movement as such, but only some of its outer forms. Nevertheless, the Small Group Members, unless they denied it of their own will, remained the rightful members of their communities, and were not excluded from them. Modernization processes in the second half of the nineteenth century, marked by significant association trends, reached the community Movement as well, the expression of which was the establishment of the East Prussian Prayer Association in 1885 and other organizations originating from it. The source of these divisions were matters stemming from social tensions, general cultural changes and the desire to take up the challenge. However this Movement, remained in a large measure a bulwark of conservatism and multilinguistic conceptions of the Prussian state, the latter dating back to the period prior to 1871, although the desire to preserve old traditions (principally to maintain the Polish and Lithuanian languages as lingua sacra) did not mean resistance to the state. On the contrary, according to the criteria of the Movement, they acknowledged strictly every authority, unless it contravened common moral rules.
Źródło:
Gdański Rocznik Ewangelicki; 2014, 8; 108-134
1898-1127
Pojawia się w:
Gdański Rocznik Ewangelicki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gender studies wobec diachronii i synchronii
Issues of Diachrony and Synchrony in Gender Studies Approach
Autorzy:
Górecki, Przemysław
Powiązania:
https://bibliotekanauki.pl/articles/545501.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
gender studies
feminism
queer
science
theory
poststructuralism
twentieth century
Opis:
This research paper aims to present the issue of gender studies as a scientific discipline embed in certain research context and in a network of relations with such ideas and conceptions as feminism and queer theory. By analyzing the historical and philosophical context and the range of influence in the area of these three disciplines, I consider the way how they popularly function in the scientific and common discourse. By relating both disciplines to each other and confronting them with the chronology, I analyze possible variants of thinking the sequent of these disciplines or their ahistorical functioning. I also search for the similarities between them, which could advocate a diachronic view and place in the causal context that calls to the synchronic attempt. In that way I consider all points of view and speculate validity or invalidity of synchronic attempt to gender studies, feminism and queer theory. Starting from asking for the historism or ahistorism of the term gender and presenting the way it varies from feminist and queer conceptions, I consecutively analyze feminism with reference to gender research (in both variants of the chronological result); gender research with reference to queer studies and queer studies with reference to feminism.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2017, 7; 145-156
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Emigracja wewnętrzna Giacinto Scelsiego — studium przypadku
Giacinto Scelsi’s internal emigration — the case study
Autorzy:
Skupin, Renata
Powiązania:
https://bibliotekanauki.pl/articles/521910.pdf
Data publikacji:
2014
Wydawca:
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:
Giacinto Scelsi
internal emigration
Italian music
twentieth century music
Opis:
Giacinto Scelsi — actually Count Giacinto Scelsi Francesco Maria d’Ayala Valva — be-longed to this type of artists whose life is inextricably associated with his work. Despite the fact that his countrymen were definitely “alien” to him, he lived and worked the last thirty years of his life in Rome, via di San Teo-doro No. 8, alienated from the Italian musical environment and underestimat-ed as a composer in his homeland. Extremely strict fusion of the life and work of Scelsi allows one to read his artistic decisions materialized in his work and his life choices as a uniform quasi-text. The evolution of his musical language (from the influence of Debussy, the neo-classicism, dode-caphony, machinisme to the highly individual musical poetics inspired by the spiritual and musical cultures of the Orient) closely merged with biographical threads (travels around Europe, real and imaginary internal journeys to the East). Aristocratic origins and privileged social position biased the reception of his work in changing Italian reality (i. a. fascism and communism). The fascination of the Indo-Tibetan tradition of understanding the essence and function of sound led Scelsi to the crystallization of individual musical poetics of Scelsi the composer and at the same time — to the conversion of Scelsi the man to Buddhism, individually conceived and “professed”. The Yoga of Sound practice was treated by composer as a self-therapy and at the same time as his compositional modus operandi, which aimed to explore the third dimension of the sound — its depth in a musi-cal and spiritual sense. Scelsi devoted his personal life to his creativity and “composing” — to the specifically understood transcendence. The role of “the proteus” has initially not been the choice of Scelsi, however, with time and after his life experiences it was deliberately incorporated into his life and creative plan. It can be interpreted as the Scelsian strategy of internal emigration in his own country.
Źródło:
Aspekty Muzyki; 2014, 4; 53-65
2082-6044
Pojawia się w:
Aspekty Muzyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Choroby roślin tytoniowych w Polsce w latach 50. XX wieku
Autorzy:
Synowiec, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/2028858.pdf
Data publikacji:
2014-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
tobacco industry
diseases of the tobacco plant
twentieth century
Polska
Opis:
The issue of tobacco planting and cultivation is part of the tobacco industry. The article presents the diseases of the tobacco plant in 50s of the twentieth century. One of the greatest problems related to the execution of cultivation requirements is the issue of plant protection against various diseases. The battle against the diseases of the tobacco plant was carried out in two fundamental ways. The first one included countless research initiatives, due to which it was possible to introduce new, resistant varieties of tobacco, whereas the second one focused on agrotechnical methods of combating diseases, and was based mainly on preventive measures.
Źródło:
Krakowskie Studia Małopolskie; 2014, 19; 304-319
1643-6911
Pojawia się w:
Krakowskie Studia Małopolskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Porządek świata w chaosie rzeczy. Przedmiot w prozie Carla Emilia Gaddy
The order of the world in the chaos of things: the object in the prose of Carlo Emilio Gadda
Autorzy:
Janusz, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/571928.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
Carlo Emilio Gadda twentieth-century Italian novel language deformation
catalogue literature
Opis:
The article discusses the motif of the object in the prose of the twentieth century Italian writer C.E. Gadda. Gadda’s attitude towards objects reflects his philosophy according to which the world of (physical and psychological) phenomena is a product of intersecting possibilities and creates a “convolution” of relations – impossible to describe in its entirety – that materializes as an object, event or person. Any understanding of the chaos of the world can only be merely partial and fragmentary. Objects and matter constitute a fundamental component of the narrative world presented by the writer. By using specific stylistic figures of speech (i.e. enumeration, list or catalogue) and distorting the standard language through neologisms, synonymy and calque, Gadda assigns the roles of full-fledged protagonists to the objects, being indispensable constituents of chaos. In itself, an attempt to describe chaos by applying such measures constitutes an attempt to find harmony and order.
Źródło:
Acta Philologica; 2016, 49; 237-248
0065-1524
Pojawia się w:
Acta Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Giacinto Scelsi - homo viator and his musical itinerary
Autorzy:
Skupin, Renata
Powiązania:
https://bibliotekanauki.pl/articles/780391.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Scelsi Giacinto
twentieth-century music
Italian music
homo viator
Orient
orientalism
Opis:
Giacinto Scelsi was a “traveller to the East”, who tied his life inextricably to creative work. As a composer, he sought a path for the renewal of his own musical language, shaped during his youth under the powerful influence of other composers’ styles. On becoming a homo religiosus, in the Eliadean sense, he found his own path to transcendence through art (creation), deeply inspired by those great traditions of the Orient in which art was a reflection of the artist’s spirituality. The topos of the path is one of the main keys to interpreting Scelsi’s work. His works for large orchestra and choir contain distinct traces of a Scelsian “voyage to the East”. They form one great cycle, integrated by the motif of the path, expressed through meanings added in the content of the individual programme-titles. The cycle’s finale, the eschatological Pfhat (1974), is the musical depiction of a journey that ends with “a clear, primordial light,” symbolising man’s encounter with a higher reality and “great liberation” as the goal of his spiritual path. The chronotope of the path is revealed in the very musical material of his orchestral works: in their quasi-visual soundspace. It is manifest, among other things, in the processual form - one might even say the storyline - and the consistently applied procedure of transforming sonorities, texture and rhythmic structures. A fundamental symbolic function is discharged by various forms of “upwards path”, linked to the dramaturgical role of an upwards motion pattern in the melody and an upwards movement in the tonal-harmonic plan of the orchestral works. The most crucial of all the variants of the motif of the path is the direction “into the core”, that is, towards the “inner space” of the sound. This carries significance both in the dimension of the harmonic spectrum of a sound and also its spiritual depth - the mystical dimension. The journey to the centre acquires the status of an emblematic topos of the Scelsian poetic of the viaggio al centro del suono [journey to the centre of the sound].
Źródło:
Interdisciplinary Studies in Musicology; 2013, 12; 127-148
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Spór o korzenie nazizmu. Hannah Arendt i Erica Voegelina koncepcje źródeł zjawiska.
The dispute over the origins of Nazism: Hannah Arendt’s and Eric Vogelin’s views on the sources of the phenomenon of Nazism.
Autorzy:
Borycki, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/437510.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
Hannah Arendt; eric Voegelin; totalitarianism; political philosophy in the twentieth century
Opis:
Published in 1951, The origins of totalitarianism was a quantum leap in Hannah Arendt’s academic career. The book made her one of the most important scholars of Nazi ideology. Arendt’s work also won wide acclaim, partly due to a critical review by Eric Voegelin, which did not remain without responses from the author (both in public and in private correspondence). This paper tries to reconstruct the debates of Hannah Arendt and Eric Voegelin (including in the articles New science of politics and Some problems of German hegemony) on the origins of Nazism.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2015, 5, 1; 211-228
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lutosławski’s Worlds, red. Lisa Jakelski, Nicholas Reyland. Woodbridge 2018 The Boydell Press, ss. 402. ISBN 978-1-78327-198-6
Autorzy:
Gamrat, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/28328293.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
Witold Lutosławski
muzyka polska
muzyka XX wieku
Polish music
twentieth-century music
Źródło:
Muzyka; 2020, 65, 3; 169-178
0027-5344
2720-7021
Pojawia się w:
Muzyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Racjonalna intuicja
A Rational Intuition
Autorzy:
Pratelli, Alberto
Powiązania:
https://bibliotekanauki.pl/articles/97149.pdf
Data publikacji:
2019
Wydawca:
Politechnika Krakowska im. Tadeusza Kościuszki. Wydział Architektury. Instytut Projektowania Architektonicznego. Zakład Architektury Mieszkaniowej i Kompozycji Architektonicznej
Tematy:
architektura XX w.
racjonalna architektura
projektowanie
twentieth-century architecture
rational architecture
design
Opis:
W ciągu ostatnich dwóch stuleci „racjonalne myślenie” było ciągle żywe w architekturze, nawet jeśli istniało w różnych formach; było przywoływane w architekturach, które również bardzo się od siebie różnią. Z drugiej strony, rzadko przywoływano wartości związane z intuicją. Intuicja nie jest jednak przeciwieństwem rozumu. Intuicja pojawia się pierwsza, rozum zaś symbolizuje „jak”. Rezultatem jest coś innego. Intuicja może dostarczyć pomysłów, rozum może dostarczyć wyjaśnień. Wyjaśnienia mogą być a priori, jeśli służą do podejmowania decyzji lub a posteriori, jeśli służą nadawaniu znaczenia całości. Oba wskazują metodę, a nie rezultat. Nie są prawdziwymi przeciwieństwami. Brak intuicji niekoniecznie jest pozbawiony pomysłów; a brak rozsądku różni się od bycia wbrew rozsądkowi... Nie sądzę, by istniały jakieś intuicyjne, a nawet racjonalne architektury, i widzimy tego wiele przykładów w ostatnich stuleciach. Być może lepiej jest unikać szaleństwa rozumu, ale rozsądne szaleństwo jest czasem najlepszym, na co możemy liczyć.
In the last two centuries, “rational thinking” has been continuously alive in architecture, even if in different forms; it has been recalled for architectures that are also very different from each other. Intuition-related values, on the other hand, have rarely been mentioned. But intuition is not in contrast to reason. Intuition comes first, reason represents “how”. The result is something else. Intuition can provide ideas, reason can provide explanations. The explanations can be a priori if they serve to make decisions, or a posteriori if they serve to give meaning to the whole. Both indicate the method, not the result. They have no real opposition. Lack of intuition is not necessarily void of ideas, and lack of reason is different from against reason... I don’t think there are any intuitional or even rational architectures, and we can see a number of examples in recent centuries. Perhaps it is better to avoid the madness of reason, but reasonable folly is sometimes the best we can hope for.
Źródło:
Pretekst; 2019, 9; 53-60
2449-5247
Pojawia się w:
Pretekst
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Malowidła Adolfa Hyły w diecezji gliwickiej i opolskiej
Paintings of Adolf Hyła in the Diocese of Gliwice and Opole
Autorzy:
Szweda, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/585260.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Opolski. Redakcja Wydawnictw Wydziału Teologicznego
Tematy:
Adolf Hyła
ikonografia
XX wiek
Gliwice
Kraków
Opole
iconography
the twentieth century
Opis:
Zarówno osoba Adolfa Hyły, żyjącego w latach 1897-1965, jak i jego malarska twórczość wciąż dla wielu poozostaje dziś nieodkryta i nieznana. Obrazy tego artysty rozsiane są po całej Polsce, w prawie wszystkich archidiecezjach i diecezjach. Spośród nich najbardziej rozpowszechnionym i rozpoznawalnym na całym świecie jest wizerunek Jezusa Miłosiernego z krakowskich Łagiewnik. Zasadniczym celem powyższego artykułu jest ukazanie w syntetycznej formie historii powstawania dzieł pędzla Adolfa Hyły zlokalizowanych w dwóch diecezjach – opolskiej i gliwickiej. Artykuł podzielony został na dwie części. W pierwszej omówiono malowidła znajdujące się na terenie diecezji opolskiej, a w drugiej w diecezji gliwickiej. Analizując poszczególne obrazy pod kątem ich powstawania zastosowano klucz chrononologiczny, poczynając od najstarszych aż do najmłodszych realizacji. Dzięki odnalezionemu katalogowi dzieł Adolfa Hyły, jak tównież w trakcie przeprowadzonej kwerenedy naukowej, spośród jedenastu malowideł udało się zlokalizować dziewięć. W diecezji opolskiej trzy i w diecezji gliwickiej sześć dzieł Adolfa Hyły. Wciąż nieznane pozostaje miejsce przechowywania dwóch obrazów Bożego Miłosierdzia na terenie diecezji gliwickiej: w parafii. św. Wawrzyńca w Zabrzu Mikulczycach i parafii św. Józefa w Gliwicach.
Źródło:
Liturgia Sacra. Liturgia - Musica - Ars; 2016, 22, 47; 219-236
1234-4214
Pojawia się w:
Liturgia Sacra. Liturgia - Musica - Ars
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pierwsza Pomorska Wystawa Rolnictwa i Przemysłu w Grudziądzu (1925 r.) w świetle lokalnych artykułów prasowych
The First Pomeranian Exhibition of Agriculture and Industry in Grudziądz (1925) in the lights of local newspaper articles
Autorzy:
Knyspel-Kopeć, Renata
Powiązania:
https://bibliotekanauki.pl/articles/687726.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
wystawa
przemysł
rolnictwo
Grudziądz
XX w.
exhibition
industry
agriculture
the twentieth century
Opis:
Pomeranian Exhibition of Agriculture and Industry held in Grudziądz held from 26 VI–12 VII 1925, it was one of the largest exhibitions of Polish interwar period. Its purpose was to show the Polish economy on the newly reclaimed lands of Pomerania. The exhibition had a total of 56 facilities, 28 of which built the Trade Committee, and 28 private exhibitors. Among the buildings was the largest pavilion of industry, stood out a marine pavilion, located in a maritime exhibition. The event was attended by about 450 exhibitors, of which 186 accounted for by agriculture, 81 at the factory industry, 100 for crafts, 37 culture and art, the rest to other departments. In addition to the issued about 1000 animals. The exhibition was a great success moral because it opened the Polish President Stanislaw Wojciechowski in the presence of three ministers, and was visited by many visitors from home and abroad. In addition an important task to present the economic achievements of the Polish state, the first Pomeranian exhibition was still aims political-national. During the growing German revisionism threatening the integrity of the western border of the Republic, it was manifested Polishness Pomerania and highlighted achievements of the district in terms of economic and cultural development. Probably in the country hoped to soften the hostile German propaganda.
Źródło:
Studia z Historii Społeczno-Gospodarczej XIX i XX Wieku; 2016, 16; 147-156
2450-6796
Pojawia się w:
Studia z Historii Społeczno-Gospodarczej XIX i XX Wieku
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Romantyczna geometria i nowy modernizm w nowej polskiej architekturze sakralnej
Romantic geometry and new modernism in new Polish religious architecture
Autorzy:
Węcławowicz-Gyurkovich, E.
Powiązania:
https://bibliotekanauki.pl/articles/131728.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polska
architektura sakralna
koniec XX wieku
Polish sacral architecture
late twentieth century
Opis:
W artykule poddano analizie trzy kościoły rzymsko- katolickie zrealizowane we Wrocławiu w ostatnich kilkudziesięciu latach. Autorka przedstawia analizę estetyczną form geometrycznych, które reprezentują różne występujące w tym czasie w naszym kraju motywy stylowe. Bogaty w dekorację geometryczną postmodernizm, zwany „romantyczną geometrią” z początku lat osiemdziesiątych XX wieku został zderzony ze spokojnym geometrycznym nowym modernizmem z nieco późniejszego okresu. W każdym wypadku wartością nadrzędną stał się kontekst i tradycja bogatego w historię miasta.
Three Roman Catholic churches, built in Wrocław over the past several decades, were subjected to an analysis in the article. The author presented an aesthetic analysis of geometric forms which represent the different stylistic motifs that had been present during the period in our country. Postmodernism—rich in geometric ornamentation and called “romantic geometry”—from the beginning of the 1980’s was clashed with the calm, geometric new modernism from a slightly later period. In each case it was the context and the tradition of the historically rich city that became the superior value.
Źródło:
Teka Komisji Urbanistyki i Architektury Oddział PAN w Krakowie; 2018, 46; 139-159
0079-3450
2450-0038
Pojawia się w:
Teka Komisji Urbanistyki i Architektury Oddział PAN w Krakowie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Witold Lutosławski. Correspondence with his Western Publishers and Managers. 1966–1994”, red. Zbigniew Skowron, t. 1–2, Kraków 2018 Musica Iagellonica, ss. 953. ISBN 978-83-7099-229-3
Autorzy:
Sieradz, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/26054855.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
muzyka XX wieku
epistolografia
wydawnictwa muzyczne
twentieth-century music
epistolography
publishing houses
Opis:
Recenzja książki: Witold Lutosławski. Correspondence with his Western Publishers and Managers. 1966–1994, red. Zbigniew Skowron, t. 1–2, Kraków 2018. Omawiana publikacja stanowi edycję blisko tysiąca listów pisanych przez Witolda Lutosławskiego i osoby związane z oficynami wydawniczymi zajmującymi się zarówno edycją twórczości kompozytora, jak i organizowaniem jego artystycznych przedsięwzięć (działalność dyrygencka, wykłady i wystąpienia publiczne). Listy, które określić można mianem korespondencji „biznesowej”, przechowywane, jak większość spuścizny kompozytora, w zbiorach Paul Sacher Archive w Bazylei (Sammlung Lutosławski), datowane są na lata 1966–94. Całość opatrzona jest bogatym aparatem komentarzy i przypisów.
Book Review of: Witold Lutosławski. Correspondence with his Western Publishers and Managers. 1966–1994, ed. Zbigniew Skowron, vol. 1–2, Kraków 2018. The reviewed publication is an edition of nearly a thousand letters written by Witold Lutosławski and people associated with publishing houses involved in both editing the composer's work and organizing his artistic undertakings (conducting activities, lectures and public appearances). Letters that can be described as 'business' correspondence, kept, like most of the composer's legacy, in the Paul Sacher Archive in Basel (Sammlung Lutosławski), originated from 1966–94. The book is equipped with a rich apparatus of comments and footnotes.
Źródło:
Muzyka; 2021, 66, 4; 148-154
0027-5344
2720-7021
Pojawia się w:
Muzyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Działalność naukowa profesora Edwarda Włodarczyka w świetle publikacji autorskich (1973–2020). Kontekst ilościowy
The Scholarly Activity of Professor Edward Włodarczyk in the Light of Academic Publications (1973–2020). Quantitative context
Autorzy:
Chojecki, Dariusz K.
Powiązania:
https://bibliotekanauki.pl/articles/2197825.pdf
Data publikacji:
2022-03-31
Wydawca:
Towarzystwo Naukowe w Toruniu
Tematy:
Edward Włodarczyk
historian
academic publications
historiography
statistics
SNA
Pomerania
Prussia
nineteenth century
twentieth century
Opis:
The aim of this article is to present the scholarly activities of Professor Edward Włodarczyk (1946–2021), a renowned expert in Pomeranian history and culture, historian of the economic history and maritime policy of Prussia, on the example of 159 selected academic publications. They have been subjected to analysis by the use of selected methods of descriptive statistics and social network analysis (SNA). The attributes of bibliographic items have been examined and the links between them visualized with the use of Gephi software. The results of the research have been used to briefly present the scholarly profile of E. Włodarczyk; they also serve the organisational purpose. A catalogue of key words (phrases) has been compiled, and the characteristic features of publications, complete with their numerical development over time, publication strategies, and main and side research directions have been established. The research shows that the scholarly and publishing activity of E. Włodarczyk was subject to certain changes over time. The most intense scholarly activity occurred in the 1990s, which was accompanied by a change in the manner of publishing. The professor’s scholarly activities centred on Szczecin, Western Pomerania and the Baltic provinces of Prussia. For this reason, E. Włodarczyk preferred particular journals, and also cared about communicating research findings in German and English (17.6%). The majority of his papers concerned the economic development of sectors and branches of the economy and were related to the second half of the 19th century (until 1918), yet over time they lost in quantitative terms and importance in favour of the papers that dealt with maritime policy, regionalism, urban history, and other issues.
Źródło:
Zapiski Historyczne; 2022, 87, 1; 107-132
0044-1791
2449-8637
Pojawia się w:
Zapiski Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies