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    Wyświetlanie 1-4 z 4
    Tytuł:
    La società scomposta: il progresso in Sardegna ne Il Parroco di Arasolè di Francesco Masala
    Autorzy:
    Maniowska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/638452.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Sardinia, Francesco Masala, dissolution of personality and society, the Italian economic miracle
    Opis:
    A Disintegrated Society: Progress in Sardinia in Il Parroco di Arasolè by Francesco Masala In this article were examined the representation modalities of Italian economic miracle in Sardinia included in Il Parroco di Arasolè by Francesco Masala. The starting point for the author of the novel are antithetical concepts such as progress and regress, the past and the present, immutability and changes, winners and losers. In the face of changes taking place in Italian society during post-war period, Masala reflects on how economic factors have affected the society and analyses individual solutions directed to face them as well as their consequences at social and personal level.
    Źródło:
    Romanica Cracoviensia; 2012, 12, 4
    2084-3917
    Pojawia się w:
    Romanica Cracoviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Królestwo Sardynii i Turyn w relacjach podróżniczych Michała Jerzego Wandalina Mniszcha z roku 1767
    The Kingdom of Sardinia and Turin: The Travelogues of Michał Jerzy Wandalin Mniszech dated 1767
    Autorzy:
    Bratuń, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/446383.pdf
    Data publikacji:
    2014-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Educational travels
    political economy
    image of Italy in the eighteenth
    Century
    Michał Mniszech
    Kingdom of Sardinia and Turin
    Opis:
    The article includes an analysis of Michał Mniszech’s travel accounts from the year 1767 concerning the Kingdom of Sardinia and Turin: Observations sur les États du Roi de Sardaigne and Observations sur Turin. According to the concept of Mniszech’s European educational travels that had been worked out in cooperation with the Polish magnate’s mother, Catherine Zamoyska of Mniszech, and Elie Bertrand, in the process of foreign education, becoming familiar with issues related to the broadly defined political economy was the most important aspect. Benefits of an aesthetic nature, resulting from admiring monuments of art and architecture, were less significant. Therefore, Mniszech’s travel accounts put strong emphasis on the problems of demography, administration, finance and taxation, government forms, trade and industry. In this respect, Italy was no exception. Mniszech’s travel accounts on the Kingdom of Sardinia and Turin are characterized by an intended complementarity. Observations sur les États du Roi de Sardaigne is mainly focused on the aspect of political economy. Hence, the emphasis is on information about trade, finance, demography, and industry. Observations sur Turin, although repetitive, e.g. educational matters while describing the University of Turin, concerns mostly issues of an aesthetic nature pertaining to architecture (also sacred), arts, culture and science. Importantly, in both accounts, Mniszech lists their potential sources: in reference to the first account, it was an outstanding piece of work in the field of political economy by Zanon, while in reference to the second account – a literary work of a well-known art historian, Cochin, and a literary historian, Richard, both distinguished experts on Italy and its spiritual and material culture. When focused on demographic issues, Mniszech draws special attention to his relationship to the clergy, which was very high in number ‒ not only in the described Kingdom of Sardinia and Turin but also in the whole of Italy, and was an obvious obstacle in the process of populating.
    Źródło:
    Italica Wratislaviensia; 2014, 5; 303-315
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sardinian composers of contemporary music
    Autorzy:
    Giglio, Consuelo
    Powiązania:
    https://bibliotekanauki.pl/articles/780397.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Sardinia
    Franco Oppo
    Ettore Carta
    Fabrizio Casti
    Antonio Doro
    Lucio Garau
    Antonio Lai
    Vittorio Montis
    Marcello Pusceddu
    Andrea Saba
    Giorgio Tedde
    Opis:
    The meeting point between the school headed by Franco Oppo and the rich traditional music of the island gave birth in Sardinia to an intense flowering in the field of New Music, with a strong feeling of belonging and a constant call for a positive concept of identity. Thus, since the time of Oppo (1935) and his contemporary Vittorio Montis, we come across many composers that differ between each other but are almost always recognizably “Sardinian”. Oppo has been one of the most interesting figures on the international scene during the last few decades. After his studies in Rome, Venice and Poland in the early 1960s, he remained, by his own choice, in his home territory, sharing his “Sardinian-ness” in a free and dialectic manner with the avant-garde. After formulating his own particular aleatory approach, Oppo reached a turning point halfway through the 1970s: in Musica per chitarra e quartetto d’archi, Praxodia and, finally, in Anninnia I, the meeting point between avant-garde research and the special phonic quality of traditional music became more and more close-knit and organic, at the same time also acting on the founding language structure whilst still remaining under the control of incisive and informed disciplines (during the same period, moreover, he put forward new methodologies of analysis which were also necessary for his teaching). In this sense the most important works are chamber pieces like Anninnia I and II (1978, 1982), Attitidu (1983) and Sagra (1985), the theatrical work Eleonora d’Arborea (1986), some piano “transcriptions” - the Three berceuses (1982), Gallurese and Baroniese (1989; 1993) - Trio III (1994), Sonata B for percussion and piano (2005) and the two Concerts for piano and orchestra (1995-97; 2002). Meanwhile, the foundation of a new Sardinian musical culture was also placed within the social context too, with Oppo’s deep personal engagement. At first Oppo promoted the Giornate di musica contemporanea (1977-1978), a weighty international festival, inside the Teatro Lirico of Cagliari, later founding, with some of his students, the Festival Spaziomusica (1982). Still an active event, the latter has proved to be a solid structure thanks to which generations of Sardinian composers have been able to promote their music alongside the most famous names of the avant-garde, with also the opportunity of several important conferences. From the earliest days much attention was paid to Scelsi, and, with the backdrop of the presence of Nono, Xenakis and Stockhausen, electronic music also continues to maintain a very active profile on the island. Moreover, three research centres conceived in 1990 by some of Oppo’s students have been veiy active: Spaziomusica Ricerca, Ricercare and the CERM of Sassari, which in 1992 brought the Sardinian experience to the 36. Ferienkurse fur Neue Musik. Fabrizio Casti, Antonio Doro, Lucio Garau, Marcello Pusceddu and Giorgio Tedde, together with the younger Ettore Carta and Andrea Saba, who started writing in the 1980s, can be identified as the first and most interesting generation of musicians who grew up studying with Oppo at the Conservatory of Cagliari, while Antonio Lai, the last of his students, specialized in theoretical research, working in Paris.
    Źródło:
    Interdisciplinary Studies in Musicology; 2013, 12; 107-126
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Służba wojskowa księcia Witolda Czartoryskiego w Królestwie Sardynii i Piemontu (1847-1850)
    Military service of prince Witold Czartoryski in the Kingdom of Sardinia and Piedmont (1847-1850)
    Autorzy:
    Obtułowicz, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/1878559.pdf
    Data publikacji:
    2019-10-23
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Witold Adam Czartoryski
    Królestwo Piemontu i Sardynii
    legiony polskie w Italii
    Hotel Lambert
    wojna austriacko-piemoncka (1848-1849)
    Risorgimento
    Kingdom of Sardinia and Piedmont
    polish legions in Italy
    Austrian-Piedmont war (1848-1849)
    the Risorgimento
    Opis:
    Tematyka niniejszego tekstu stanowi kontynuację wcześniejszego, który ukazał się na łamach „Roczników Humanistycznych” i dotyczy Witolda Adama Czartoryskiego (1822-1865) jako żołnierza w wojsku hiszpańskim. Celem artykułu jest zapoznanie czytelników z genezą i przebiegiem kolejnej służby wojskowej księcia, tym razem w Królestwie Piemontu i Sardynii, której szczegóły są nieznane historiografii. Dlaczego Witold zdecydował się na wstąpienie w szeregi wojska piemonckiego? Czy wierzył w powodzenie podejmowanych działań i w strategię Hotelu Lambert? Jakie czynniki ułatwiały, a jakie utrudniały realizację jego misji? Na te i inne pytania postaramy się odpowiedzieć w prezentowanej pracy. Nie zabraknie w niej opisów ciekawych sytuacji i przygód, które przydarzyły się księciu. Spróbujemy także nakreślić jego osobowość, tęsknotę za domem, posłuszeństwo wobec rodziców, patriotyzm. Podstawową bazę informacji stanowią materiały archiwalne z Biblioteki Książąt Czartoryskich w Krakowie, przede wszystkim listy Witolda do członków jego najbliższej rodziny i współpracowników.
    The subject of this article is a continuation of the earlier paper that appeared in the “Annals of Arts” and presents Witold Adam Czartoryski (1822-1865) as a soldier in the Spanish army. The aim of this article is to familiarise readers with the genesis and course of prince’s another military service, this time in the Kingdom of Sardinia and Piedmont, the details of which are unknown to historiography. Why did Witold decide to join the ranks of the Piedmont army? Did he believe in the success of the actions and the strategy adopted by Hotel Lambert? What factors facilitated and which hindered the implementation of his mission? This paper tries to answer these and other questions. It also includes descriptions of interesting situations and adventures that happened to the prince. The paper also attempts at presenting the prince’s personality, his longing for home, obedience to parents and patriotism. The basic source information was obtained from archives of the Princes Czartoryski Library in Kraków, mainly based on Witold’s letters to the members of his immediate family and collaborators.
    Źródło:
    Roczniki Humanistyczne; 2017, 65, 2; 23-42
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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