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Wyszukujesz frazę "postmodern fiction" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Postmodernistyczny retelling baśni — garść uwag terminologicznych
Postmodern Retelling of Fairy Tales — A Handful of Terminological Comments
Autorzy:
Skowera, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/520080.pdf
Data publikacji:
2016
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
fairy tale
young adult fiction
retelling
adaptation
postmodernity
postmodernism
postmodern fiction
Opis:
Nowadays, new versions of well-known fairy tales are extremely popular. However, it is debatable how to define such works. The author of the paper Postmodern Retelling of Fairy Tales — A Handful of Terminological Comments suggests using the term “retelling” in relation to a particular group of postmodern works which tell canonical, traditional fairy tales in new ways. Andrzej Sapkowski’s definition of “retelling” and differences between this notion and the others (such as “rewriting” or “adaptation”) are also considered. The article concludes with a proposal to form a new definition of “retelling”. It is based on the conviction that this term should be used to call both the mode of storytelling and such works in which various aspects of pre-texts undergo essential revisions.
Źródło:
Creatio Fantastica; 2016, 2(53); 41-56
2300-2514
Pojawia się w:
Creatio Fantastica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W hołdzie dla Diderota. Milan Kundera, Kubuś Fatalista i ich pan
In tribute to Diderot: Milan Kundera, Jacques the Fatalist and their Master
Autorzy:
Gawarecka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/635442.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
enlightenment novel
postmodern novel
literary fiction
poetics of variations
meta-literariness
Opis:
In his meta-literary and para-textual statements, Milan Kundera has been frequently turning to the issue of the enlightenment narrative experiments considered as the initial ones for the twentieth-century (post)modern creative strategies. Those experiments resulted from the striving for suppression of the over-prescription characterized the classicist rules, and they managed to direct attention to the literary genres which were undermined by the Enlightenment era that is in other words and above all, novel. In order to reveal this “modernity” of the eighteenth-century prose, the Czech writer in the work entitled Jacques and his master (1971) performed a “cultural translation” (variation) of the famous text by Diderot into the form of drama. Kundera was focused on the devices used by the French encyclopaedist which enabled him to expose the “evidence of trick” regarding the anti-illusion and fictitious character of literary representation of the world. He was, therefore, interested not so much in the philosophical and ideological background of Diderot’s tale dedicated to the romances of Jacques the Fatalist, but in the author’s freedom in his “play with the romance’s conventions” which even then was undergoing the process of fast schematisation.
Źródło:
Poznańskie Studia Slawistyczne; 2018, 15
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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