Temat: national drama - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Kwestia miary. O pierwszych odczytaniach "Zygmunta Augusta" Lucjana Rydla
The question of measure. On the first readings of 'Zygmunt August' by Lucjan Rydel
Autorzy:: Kowalczuk, Urszula
Powiązania:: https://bibliotekanauki.pl/articles/938229.pdf
Data publikacji:: 2019
Wydawca:: Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:: krytyka literacka
dramat historyczny
Lucjan Rydel
dramat narodowy
literatura popularna
historical drama
literary criticism
national drama
popular literature
Opis:: The paper presents an early literary critical reception of 'Zygmunt August', a trilogy by Lucjan Rydel. The analysis includes, above all, reviews whose subject is a literary work as whole, rather than its particular sections. It has been proven that critical remarks on Rydel’s work could be included in the discussion on the possibilities and needs of the Polish historical drama. The most essential problems of the text revolve around the difficulties connected with finding the right assessment and description criteria of Rydel’s work by professional readers. They were situated either against the pattern of national drama, or it was qualified as a popular drama. Some crucial discrepancies related to ‘measure,’ according to which Rydel’s work should be evaluated, also appeared, depending on whether it was treated as a drama or ‘performance.’
Źródło:: Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2019, 19; 145-165
2081-1853
Pojawia się w:: Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Aktor w teatrze radiowym
The actor in the radio drama
Autorzy:: Pawlik, Aleksandra
Powiązania:: https://bibliotekanauki.pl/articles/649290.pdf
Data publikacji:: 2012
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: radio drama
tv-drama
actor
journalism
Polish National Radio's theater
Opis:: The article focuses on the intricacies of radio drama acting. It shows the similarities and differences between radio and TV drama, and describes the distinctive features of acting in radio drama in relation to other media. The article also focuses on the methodology of the Teatr Polskiego Radia directors’ work with actors during radio drama rehearsals and recording sessions.
Źródło:: Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 17, 3; 81-94
1505-9057
2353-1908
Pojawia się w:: Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Znaczeniowa funkcja muzyki w słuchowisku.
The semantic function of music in radio drama
Autorzy:: Bachura, Joanna
Pawlik, Aleksandra
Powiązania:: https://bibliotekanauki.pl/articles/649811.pdf
Data publikacji:: 2012
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: music
radio drama
musical journalism
polish national radio
Opis:: Music is one of the aural components of radio drama. The aim of this article is to de-scribe the function as well as the meaning of music in radio drama. Numerous examples used in this paper indicate a dual character of music in radio drama: on the one hand, it is created by a composer as original music, but on the other hand, it constitutes musical background in most radio plays. The paper takes its departure point in semiotic theory and research.
Źródło:: Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 17, 3; 162-170
1505-9057
2353-1908
Pojawia się w:: Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Opera narodowa w orbicie wpływów Wagnera na przykładzie Libuszy Bedřicha Smetany
National Opera under Wagner’s Influence as Exemplified by Libuše by Bedřich Smetana
Autorzy:: Andrzejewski, Mateusz
Powiązania:: https://bibliotekanauki.pl/articles/521885.pdf
Data publikacji:: 2011
Wydawca:: Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:: Smetana
Wagner
national opera
musical drama
national character in music
myth
Slavonic legends
Opis:: The article focuses on the influence of Wagnerian ideas on the concept of 19th-century Czech national opera. This can be partly explained by the fact that Czech culture was strongly connected with German culture. However, early Czech operas, and even some of Smetana’s, were quite influenced by the German singspiel — a genre with predominantly lyrical and comic elements. Their national character was manifested mainly by folk elements within the action and the music (countryside scenery, national dances, adaptations of folk melodies). The ideal of this type of national opera is Smetana’s The Bartered Bride. The same composer created a work that presents a completely different understanding of the national style and opera. In Libuše, he tried to use the Wagnerian idea of musical drama for transforming the concept of the Czech national opera. In the article, there are quotations of the composer’s statements about Libuše as a work that has a “unique importance in our [Czech] history”. Wagner’s influences are apparent on a few levels in this operatic work. The libretto is based on the mythical story about Queen Libuše, the legendary founder of Prague, and in the opera she is a symbol of the Czech nation. Wagnerian influences are found in the formal structure (unendliche Melodie), as well as in the musical language of Libuše. Smetana used a system of leitmotifs consequently, connecting them with the characters (Libuše, Přemysl) and ideas (motifs of the nation, motif of authority). Perhaps it was under the influence of the idea of Bühnenfestpiel that Smetana designed Libuše as a slavnostni zpěvohra for special celebrations in the life of the Czech nation.
Źródło:: Aspekty Muzyki; 2011, 1; 11-34
2082-6044
Pojawia się w:: Aspekty Muzyki
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: ”Wielka Brytania, wielkie nadzieje”: reprezentacja polskiej migracji w Londyńczykach
‘Great Britain, Great Expectations’: The Representation of Polish Migration to Great Britain in Londyńczycy/Londoners
Autorzy:: Rydzewska, Joanna
Powiązania:: https://bibliotekanauki.pl/articles/919948.pdf
Data publikacji:: 2012-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Polish migration to the UK
national identity
European identity
transnational discourse
Polish television drama
Londoners
Opis:: ‘Great Britain, Great Expectations’: The Representation of Polish Migration to Great Britain in Londyńczycy/LondonersFollowing the 2004 expansion of the European Union (EU), Polish migrant workers began arriving in the United Kingdom on an unprecedented scale. Londoners (Londyńczycy, 2008-9) was a response to this. Exploring the lives of Polish migrants in London, the series became an instant success on Polish television, regularly attracting around four million viewers. This article explores how Londoners represents Britishness and Polishness to its target Polish audience. It will argue that the series negotiates questions of Polish national identity, which over the past 20 years has been undergoing fundamental redefinition as a result of the ending of the Cold War and Poland’s accession to the EU.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 11, 20; 200-211
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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