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Wyszukujesz frazę "motif" wg kryterium: Temat


Tytuł:
Motyw krwi w poezji Inny Lisnianskiej
(Motif of blood in the Inna Lisnianskaya’s poetry
Autorzy:
Nikadem-Malinowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/481212.pdf
Data publikacji:
2011-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Inna Lisnianskaya
Motif of blood
Opis:
Inna Lisnianskaya is a Russian poet who has been continuously writing since the fifties andthe author of hundreds outstanding poems. She has built her poetic universe on the basis of certainconcepts. Some of them appear more often than the others and blood is one of them. Abouta hundred of Inna Lisnianskaya’s poems that include the motif of blood was chosen for this work.Their analysis (in accordance to the studies of R. W. Langaker) is to show that the phenomenon ofsubjectification is the basis of the conceptualization process.
Źródło:
Acta Polono-Ruthenica; 2011, 1, XVI; 127-135
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mors voluntaria i literatura rosyjska. Samobójstwo jako akt twórczy, społeczny i polityczny
"Mors voluntaria" and Russian literature. Suicide as an creative, social and political act
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482215.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
suicide
suicidal motif
suicidology
Russian literature
Opis:
Suicide is, for centuries, a subject of particular interest in various fields, including philosophy, psychology and sociology. The author of this paper takes the “suicide and literature”, in order to examine selected examples of Russian literature. The analysis has highlighted the importance of a variety of typological models of suicides in literary works, as well as the determinants of suicidal behavior of Russian writers. Taken considerations include the spiritual, creative, social and socio- political aspects.
Źródło:
Acta Polono-Ruthenica; 2015, 1, XX; 91-102
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ogród Wallenroda i tajemnica Wajdeloty
Wallenrod’s Garden and the Mystery of Wajdelota
Autorzy:
Fiećko, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/2012181.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
motyw
Mickiewicz
Konrad Wallenrod
garden
motif
Opis:
In his article Wallenrod’s Garden and the Mystery of Wajdelota the author analyses the role of the motif of garden in Adam Mickiewicz’s epic poem Konrad Wallenrod. The conventionality of the use of the term ‘garden’ is emphasized by pointing to the fact that there were some changes introduced to the order of the valley near the Neman River, which were conducive to his amorous meetings with his Ladylove. The manner in which the picture of ‘the garden’ is outlined in the poem is confronted by the author with the classical and romantic gardening styles. It is stressed that the poet distances himself from the two schools, which results from, among other things, the emphasis on the beauty of the valley, a garden created by Nature herself. The motif of the garden played an important role in Konrad’s last conversation with Aldona, when the main hero of the poem tried in vain to persuade his wife to escape to Lithuania. He tempted her with a mirage of regained happiness, appealed to their mutual memories, in which this old and still existing garden, a witness of their love, occupied the central place. While analyzing the strategy of insistence used by Wallenrod in this situation, the author of the article referred to the conception of memory proposed by a German researcher, Jan Assmann. In the last part of the essay the character of the relationship between Wallenrod and Halban is considered along with the attempt to unravel the mystery hidden in the words “my son!”, which the old Lithuanian bard, the patron of Konrad’s spy mission, used in their last conversation.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 219-232
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O ciszy i milczeniu w piosenkach rockowych
On silence in rock songs
Autorzy:
Barnaś, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/1288814.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
rock song
motif of silence
music
lirics
Opis:
The article in its introductory part outlines the history of rock music in Poland and presents the tools to be used in the analysis of the lyrics of rock songs, which the author carries out in the main body of the paper. Selected rock songs of Polish music groups from the 1960s to the 1980s are analysed with reference to the motif of silence present in them and to its functionality in connection with the musical arrangements.
Źródło:
Dydaktyka Polonistyczna; 2017, 3(12); 106-119
2451-0939
Pojawia się w:
Dydaktyka Polonistyczna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O umarłych, którzy podróżują szybko
On the Dead Who Travel Fast
Autorzy:
Bukowczan-Rzeszut, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/520022.pdf
Data publikacji:
2016
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
horror fiction
vampire
vampire motif
vampire novel
Opis:
Reviewed book: Bartłomiej Grzegorz Sala, W górach przeklętych. Wampiry Alp, Rudaw, Sudetów, Karpat i Bałkanów, Olszanica: BOSZ 2016, ISBN: 978-83-7576-286-0
Źródło:
Creatio Fantastica; 2016, 2(53); 91-97
2300-2514
Pojawia się w:
Creatio Fantastica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Człowiek wobec tajemnicy śmierci w krótkich formach prozatorskich Michaiła Arcybaszewa
Man in the face of the death’s mystery in short prose forms of Mikhail Artsybashev
Autorzy:
Witczak, Patryk
Powiązania:
https://bibliotekanauki.pl/articles/482633.pdf
Data publikacji:
2018-09-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Mikhail Artsybashev
Russian emigration
motif of death
Opis:
From the earliest times, people have been bending over the issue of death, trying to reach its essence. Therefore, death has become one of the leading literary motifs. The article analyses human attitudes towards death depicted in short prose forms of Mikhail Artsybashev. The writer took the position that the mystery of death is impenetrable and all attempts to discover it do not bring any expected results. The essence of death can be reached neither by mind nor through any mystical knowledge. It just needs to be accepted.
Źródło:
Acta Polono-Ruthenica; 2018, 3, XXIII; 59-68
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Harfa Orfeusza" - uwagi na marginesie twórczości Marii Komornickiej
„Orpheus’ Harp” and the off-record remarks about „The Book of Idyllic Poetry” by Maria Komornicka
Autorzy:
Ratuszna, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/545322.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
Maria Komornicka
the motif
Orpheus
symbol
existentialism
Opis:
Maria Komornicka is the author who evokes the figure of Orpheus. In those of her works which were created towards the end of her life, the motif of journey, of search and that of collapse occur. Komornicka also announces the need for resurgence (the return);still, her biography and her corpus become the evidence of her loneliness and her being rejected. The figure of a singer, Orpheus, symbolizes poetry, dilemmas, the misgivings of the artist performing at the beginning of the XX century. One of the most significant problems is the loss of identity, which in turn leads to emptiness and melancholy. Komornicka’s corpus belongs to the current of existentialism.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2015, 4; 35-47
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Audiowizualne oblicza przesądu. O niektórych funkcjach motywu lustra w dziele filmowym
Audiovisual Aspects of Superstition. Some Functions of the Mirror Motif in the Film
Autorzy:
Kuc, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/555556.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
mirror
cinema
movies
superstition
audiovisual work
motif
Opis:
The purpose of this article is to show the role played by the mirrors and related to them themes in audiovisual works, not only at the production stage, but also as symbols which are hidden in those works. I presented, in an abbreviation, how the filmmakers are using the mirrors in the production process, i.e. technical aspects, as well as their functions in the frame, like including them as an attractive ornament to the scene. Each role and func- tion of the mirror has been highlighted in the article by examples from the selected movies. In the next part I focused on showing the mirror from the perspective of superstitions that are associated with it, and I also made an attempt to isolate and clarify its roles and functions which can be found in the movies. The di- vision I proposed was constructed in such a way that it could be easily expla- ined, in one or two words, what lies beneath them, and so the distribution is as follows: wraith (emphasis on the problem of identity), magical mirror (introducing elements of magic to the movies), the gates of truth (revealing the true face of reality), medium (mediating between the worlds), bad omen (the preaching of someone’s death), prison for the soul.
Źródło:
Załącznik Kulturoznawczy; 2014, 1; 158-178
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Życie jest snem…” Oniryczny świat w poezji Nadieżdy Teffi (1872-1952)
“LIFE IS A DREAM...” AN ONEIRIC WORLD IN NADEZHDA TEFFI’S POETRY (1872-1952)
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/444291.pdf
Data publikacji:
2017-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
dream motif
oneiric poetry
Teffi (Natalia Buczyńska)
Opis:
This article’s topic is the analysis of the theme of sleep and ways of his linguistic representation in Nadezhda Teffi’s poetry. The author distinguishes various updates of the selected motif, divided them according to their meaning and thematic scope and pointed out their importance in the poetic achievements of the Russian emigrant. The subject of the analysis is the context of direct nominations of the lexeme, its derivates, semantic words and antonyms, appearing in the debut volume of poems Seven Fires (1910) and in Poetry Poems published in Exile: Passiflora Shamram. Songs of the East (1923). The research concept adopted by the author remains in line with the communication style of the text, whose tasks cover various aspects of the analysis of the literary text perceived as a form of communication reflecting both the stylistic standard and the individual style of the author.
Źródło:
Acta Neophilologica; 2017, XIX/2; 145-153
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Modlitewna skarga „ani przeciw ludziom – ani przeciw Bogu”. Refleksja nad motywem łez w dwóch wierszach Juliusza Słowackiego
Complaint Prayer “Neither Against People – Nor Against God”. Reflecting on the Motif of Tears in Two Poems by Juliusz Słowacki
Autorzy:
Mazur, Anna
Powiązania:
https://bibliotekanauki.pl/articles/951599.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
lyric poetry
Juliusz Słowacki
motif of tears
autobiographism
Opis:
The article reinterprets the two poems which Juliusz Słowacki wrote while travelling to the Holy Land. Unlike in previous interpretations, here the author uses the motif of tears to uncover the poems’ emotional value and to situate them in the tradition of romanticism. Other poems from the same period set the interpretative context and anticipate the poet’s spiritual growth. Consequently, the article is yet another attempt to demonstrate the emotive characteristics of Słowacki’s lyric poetry. Moreover, it shows how his works are related to his biographical background.
Źródło:
Białostockie Studia Literaturoznawcze; 2015, 7
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Orbita oka. Melancholia wzroku w Sedanie Pawła Hertza i w Drewnianym koniu Kazimierza Brandysa
Eye Orbit. Melancholy of Sight in Paweł Hertz’s Sedan and Kazimierz Brandys’ Drewniany koń (The Wooden Horse)
Autorzy:
Kozłowska, Izabela
Powiązania:
https://bibliotekanauki.pl/articles/1038708.pdf
Data publikacji:
2020-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
literature of retribution
intellectual
melancholy
Saturn’s child/melancholic
motif of sight/eye
motif of blindness
motif of window/glass
painting and literature
World War II
history
Kazimierz Wyka
Paweł Hertz
Kazimierz Brandys
Opis:
The article concerns the way in which the eye topos functions in Paweł Hertz’s Sedan and Kazimierz Brandys’ The Wooden Horse, works representing Polish literature of retribution written in the 1940s. The role of the process of seeing is interpreted by means of the category of melancholy, and the protagonists in these works are presented as melancholics. Standing in front of a window or in the quiet of European museums, members of the intelligentsia do not so much focus on passive contemplation but rather protest against History. The desire to constantly use the eyes has an existential and political sense. Recognition of the phenomenon of a melancholic gaze in the literature of retribution enriches the traditional interpretation of this trend in literature by lending it a new context and allowing rehabilitation of the intellectuals portrayed in it.
Źródło:
Przestrzenie Teorii; 2020, 33; 245-263
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wędrówki opolsko-drohobyczańskie Bestiarium Tomasza Różyckiego na tle prozy Brunona Schulza
Opole-Drohobycz Wanderings Bestiarium of Tomasz Różycki in the Context of Bruno Schulz’s Prose
Autorzy:
Szumiec, Anna
Powiązania:
https://bibliotekanauki.pl/articles/534714.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
tradition
cultural contexts
motif of wandering
onirism
cultural context
Opis:
The article discusses links between Tomasz Różycki’s Bestiarium [Bestiary] and Bruno Schulz’s texts. Special attention is paid to the motif of wandering (both physical and mental) that can be traced in those works. Another important issue is onirism, inter-textual references and ways of creating the depicted world (mythology of reality, particular motifs, props, schemes). Różycki presents himself as an artist aware of his own work and cultural achievements. He creates an original novel which, at the same time, is strongly rooted in tradition.
Źródło:
Śląskie Studia Polonistyczne; 2018, 12, 2; 247-266
2084-0772
2353-0928
Pojawia się w:
Śląskie Studia Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koncepcja człowieka naturalnego w kontekście motywu zbrodni w prozie Michaiła Arcybaszewa
The concept of a natural man in the context of the crime motif in the prose of Mikhail Artsybasher
Концепция естественного человека в контексте мотива преступления в прозе Михаила Арцибашева
Autorzy:
Witczak, Patryk
Powiązania:
https://bibliotekanauki.pl/articles/50390913.pdf
Data publikacji:
2016-08-21
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Mikhail Arstybashev
motif of crime
nature in literature
naturalism
Opis:
The paper analyses the selected works by Mikhail Arstybashev in the context of the naturalist vision of a human being and the motif of crime. Arstybashev perceives civilisation as a destructive force inflicting harm upon human beings and inciting their worst instincts. As he believes, only living according to nature makes it possible to achieve serenity.
Źródło:
Rusycystyczne Studia Literaturoznawcze; 2016, 26; 197-206
0208-5038
2353-9674
Pojawia się w:
Rusycystyczne Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Motyw łabędzia w filmach Piknik pod Wiszącą Skałą Petera Weira i Czarny łabędź Darrena Aronofsky’ego
Swan Motif in Peter Weir’s Picnic at Hanging Rock and Darren Aronofsky’s Black Swan
Autorzy:
Margas, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/555587.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
swan motif
Swan Lake
kitsch
Peter Weir
Darren Aronofsky
Opis:
In the article there are described methods and functions of swan motif used in films Picnic at Hanging Rock by Peter Weir and Black Swan by Darren Aronofsky. In the work of Australian director very important on that mat- ter are the following: the main character (Miranda), pictorial intertexts, plot structure and some of the formal elements. In Black Swan various connec- tions between the film and Peter Tchaikovsky’s ballet Swan Lake are crucial. In the article there is also presented initiation process of both film characters, which is important for the swan motif. It is an area of comparison of these relatively different works as well. Last part of the article discusses elements of kitsch in the mentioned motif (because of considerable amount of it in low standard art) and tries to prove that methods of exploiting the swan motif by both Peter Weir and Darren Aronofsky are far from kitsch.
Źródło:
Załącznik Kulturoznawczy; 2014, 1; 179-213
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metamorfozy Niemna w twórczości Adama Mickiewicza
The metamorphoses of the Niemen River in Adam Mickiewicz’s works
Autorzy:
Szargot, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/2012566.pdf
Data publikacji:
2015-06-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
romantyzm
poezja
motyw
symbol
Adam Mickiewicz
Romanticism
poetry
motif
Opis:
The motif of the Niemen River has existed in Mickiewicz’s writings since the very beginning. It has a surprisingly large number of meanings: it happens to be a way, time, a frontier and home, a hellish river, waters of rebirth and death, a bridegroom.The symbols recur, their meanings get deeper and obtain various shades.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2015, 5(8); 521-532
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł

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