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Wyświetlanie 1-4 z 4
Tytuł:
Mickiewicz i inni Polacy we wspomnieniach rosyjskich memuarystek XIX wieku
Mickiewicz and other Poles through the eyes of the nineteenth century Russian women memoirists
Autorzy:
Ambroziak, Daria
Powiązania:
https://bibliotekanauki.pl/articles/482468.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
nineteenth century memoirism
Mickiewicz
Polish question
woman
literary relationships
Opis:
The nineteenth century Russian women memoirism presents a valuable source of information concerning Polish-Russian literary relationships. A. Kern and A. Panaeva’s memoirs justify that A. Mickiewicz was a well-known and appreciated poet in Russia and his works were perceived by Russian literary elites as a symbol of struggle for national liberation. Russian publishers and editors of literary magazines played a crucial role in the popularization of Mickiewicz’s literary output. His poems, translated into Russian by Z. Sierakowski or W. Szczastny, often appeared in Russian literary magazines. Russian Decembrist writers (P. Annenkova and M. Volkonska) in their memoirs written in the Siberian exile presented in the most favourable light Poles (S. Leparski and M. Rukiewicz) who were also exiled to Siberia. But, on the other hand, in T. Bulharin’s memoirs, whose controversial activity was condemned by Russian intellectual elites, as well as in A. Smirnova’s opinion, which represented the official line of the Russian aristocracy, we find negative images of Poles and the “Polish question”.
Źródło:
Acta Polono-Ruthenica; 2014, 1, XIX; 17-26
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Haupt postromantyczny? O czterech prozach i dwóch wierszach
Postromantic Haupt? On Four Texts in Prose and Two Poems
Autorzy:
Niewiadomski, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/1532819.pdf
Data publikacji:
2021-09-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
romanticism
modernity
metatextual/intertextual relationships
literary game
incommunicability
literary Mannerism
Opis:
The article is devoted to the relationship between Zygmunt Haupt’s prose and the romantic worldview, more precisely to the references to Juliusz Słowacki’s works clearly visible in Haupt’s prose. The issue, which has been previously pointed out by other researchers, required verification by means of close analysis of the specific kind of game that Haupt plays with Słowacki’s texts: Beniowski, Lilla Weneda, the poems Do pastereczki… (To a shepherdess…) and Patrz nad grotą… (Look, above the grotto…), and a fragment of Raptularz (Notebook). Seemingly simple references turn out to be part of a design of making a modern attempt at challenging the incommunicable by means of referring to both Słowacki’s text and his biography, together with an ambiguous, and suspended between repetition and ironic distance, attitude towards the romantic diagnoses of existence. Haupt’s prose, referring to many other traditions as well, presents a Mannerist creative design in which the romantic tradition plays a significant role, yet is not the only point of reference.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 40; 325-356
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„JA” W KRYTYCE. O ŚWIADOMOŚCI KRYTYCZNOLITERACKIEJ MICHAŁA GRABOWSKIEGO W KORESPONDENCJI DO JÓZEFA BOHDANA ZALESKIEGO
THE “I” IN CRITICISM. ON THE LITERARY CRITICAL AWARENESS OF MICHAŁ GRABOWSKI IN HIS CORRESPONDENCE TO JÓZEF BOHDAN ZALESKI
Autorzy:
Dymek, Dominika
Powiązania:
https://bibliotekanauki.pl/articles/564363.pdf
Data publikacji:
2017
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
świadomość krytycznoliteracka
korespondencja
wizerunek krytyka
listy literackie
relacje nadawczo-odbiorcze
literary critical awareness
correspondence
critic’s image
literary letters
sender-receiver relationships
Opis:
Letters of Michał Grabowski, a romantic novelist and critic, are an example of per-sonal correspondence dominated by reflections on literature and its transformations. In his correspondence, the author often addressed the issue of functioning on the literary scene. My primary objective was to understand how the author evaluated and understood his own literary critical skills. Grabowski’s remarks on himself (and also on the role of a “professional reader”) will allow one to recognize and then to better understand the formation process of his literary critical awareness. In the letters to Józef Bohdan Zaleski we can find comments on the practices of crit-ics and the development of their opinions about individual authors and their works. Therefore, this article is merely a selection of examples that will be used for a more pro-found analysis of the mechanisms of creating a critic’s image.
Źródło:
Świat Tekstów. Rocznik Słupski; 2017, 15; 5-20
2083-4721
Pojawia się w:
Świat Tekstów. Rocznik Słupski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Концепт ЖИЗНЬ в драме Василия Сигарева
The Concept of LIFE in the Drama by Vassily Sigarev
Autorzy:
Strycharski, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/444164.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
contemporary Russian drama
the text of belles-lettres
the individual concept of the author
literary concept
conceptual relationships
Vassily Sigarev
Opis:
The theoretical basis of the study is the theory of the concept, including the theory of literary concept. The works of the contemporary Russian dramatist Vassily Sigarev are the materials of the study. The aim of the article is to define the place and the role of the existential problem in Sigarev’s works. The scope and merit of the concept of LIFE is presented on the basis of the chosen fragments of the contexts including the words life, live and their derivatives from the drama Черное молоко. The analysis of the contexts shows that the literary concept which is presented in Sigarev’s works is identified with the nationwide concept. The feature of the author’s individual concept, as a literary version, is as follows: the semantic core of the concept LIFE, from living to philosophic, is presented in a clear way in the drama Черное молоко.
Źródło:
Acta Neophilologica; 2012, XIV/2; 221-230
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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