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Wyświetlanie 1-2 z 2
Tytuł:
Wykorzystanie symboliki tetragramu w „O ślachetności a zacności płci niewieściej” (1575) Macieja Wirzbięty
The use of the tetragrammaton symbolism in “O ślachetności a zacności płci niewieściej” [On the nobility and excellence of the feminine sex] (1575) by Maciej Wirzbięta
Autorzy:
Wojtkowska-Maksymik, Marta
Powiązania:
https://bibliotekanauki.pl/articles/2012635.pdf
Data publikacji:
2016-06-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
kabała
gematria
tetragramat
Heinrich Cornelius Agrippa von Nettesheim
Maciej Wirzbięta
kabbalah
tetragrammaton
Opis:
The subject of this article is the comparative analysis of short excerpts of two works: De nobilitate et praecellentia foeminei sexus declamatio (Antwerp, 1529) by Heinrich Cornelius Agrippa von Nettesheim and the Polish translation of this work, i.e. O ślachetności a zacności płci niewieściej (Cracow, 1575) by Maciej Wirzbięta. The author concentrates on the question of meaning of the first parents names, Adam and Eve, which was addressed by both writers in order to prove the validity of the thesis on the superiority of women over men and reveals the resources used in the discourse: from the works of the Fathers and Doctors of the Church, (e.g. St. Jerome, Psuedo-Cyprian) to the works of philosophers and humanists at the turn of the 15th and 16th centuries (e.g. Heinrich Cornelius Agrippa, Johannes Reuchlin, Jacques Lefèvre d’Étaples) fascinated with Jewish Kabbalah and gematria and the related theory of the names of God and the symbolism of tetragrammaton (JHWH).
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2016, 6(9); 283-296
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Próba przybliżenia zagadnienia symboliki liczb w muzyce Johanna Sebastiana Bacha w kontekście historycznym oraz badań Christopha Bosserta i grupy Bach-Societät
Autorzy:
Presseisen, Filip
Powiązania:
https://bibliotekanauki.pl/articles/668843.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
Bach
Smend
Societaet
Societät
Bossert
Christoph Bossert
Lorenz Mitzler
Mitzler
Kolof
musica theologica
Philipp Nicolai
signature
Gesamttakt
symetry
Clavieruebung
Clavierübung
symbolism
symbol
numbers
number
Hexachordum
gematria
Johann Sebastian Bach
symbolika
gesamttakt
symetria
Opis:
In 1947 F. Smend has developed the theory about numerological symbolism in Bach`s music. In similar way to the cabalistic gematria, he discovered, the coinherence of symbolic name Bach as the number 14, and J.S.Bach as 41. He claimed, that it is possible to find that Bach has used that symbolism in his compositions. The exaple of this operation is possible to find in the first part of ClavierUbung: this work is made from 41 movements, and was published as the first printed work from Bach in his life. And Bach started to write this work, as he was 41 years old. On the Hausmann painting, Bach has got the manuscript contain fragment of 14 canons. The painting was made because of Bach`s joining as 14th member to the Mitzler Society. Those simple conclusions lead to establish the international searching group for common platform for music, theology and symbolical numbers in Bach`s ouvre. This group has mainly researched the text-based works, and didn`t focus on the correspondence among the series-work of Bach. Profesor Christoph Bossert with his over 20 years of his research work discovered the special code, which Bach might to used for his compositions. Based on that discoveries, he constitute the Bach-Societät group, which is focused on researches and discovering connections among the theology, symbolism and musical structures in whole Bach`s music.
In 1947 Friedrich Smend has developed the theory about numerological symbolism in Bach’s music. In similar way to the cabalistic gematria, he discovered, the coinherence of symbolic name “Bach” as the number 14, and “J.S.Bach” as 41. He claimed that it is possible to find that Bach has used that symbolism in his compositions. The exaple of this operation is possible to find in the first part of ClavierÜbung: this work is made from 41 movements, and was published as the first printed work from Bach in his life. And Bach started to write this work as he was 41 years old. On the Hausmann painting, Bach has got the manuscript contain fragment of 14 canons. The painting was made because of Bach’s joining as 14th member to the Mitzler Society. Those simple conclusions lead to establish the international searching group for common platform for music, theology and symbolical numbers in Bach’s ouvre. This group has mainly researched the text-based works, and did not focus on the correspondence among the series-work of Bach. Profesor Christoph Bossert with his over 20 years of his research work discovered the special code, which Bach might to used for his compositions. Based on that discoveries, he constitute the Bach-Societät group, which is focused on researches and discovering connections among the theology, symbolism and musical structures in whole Bach’s music.
Źródło:
Pro Musica Sacra; 2015, 13
2083-4039
Pojawia się w:
Pro Musica Sacra
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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