Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "galant" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Giovanni Battista Pergolesi i jego theatrum doloris
Autorzy:
Szywalski, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/668959.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
Giovanni Battista Pergolesi
opera
comic opera
opera buffa
the Enlightenment
sentimentalism
galant style
opera komiczna
oświecenie
sentymentalizm
styl galant
Opis:
Stabat Mater is one of the last compositions by Giovanni Battista Pergolesi and today it is probably the most well-known and valued arrangement of those ancient sequences. The composer translated the incredibly moving medieval poem into the sounds with a great mastery. He managed to create a musical fresco placing us in the centre of the suffering true mystery. The power of his music is so real and stimulating that it is not possible to remain indifferent.The following essay presents the phenomenon of Pergolesi’s artistic genius on the background of that time cultural changes and it focuses on his posthumous fame. The author analyses the composer’s achievement of galant style and discusses Pergolesi’s Stabat Mater in relation to the language of emotions related to sentimental literature. Moreover, he suggests to comprehend that music through the prism of the Italian Marian devotion phenomenon. Scientists are still intrigued by the figure of Giovanni Battista Pergolesi. They try to reconstruct his life story and to deal with the confusion concerning his legacy. The success story of Pergolesi’s Stabat Mater is particularly interesting. Thus, successive generations of musicologists ask a question what the fame origin of this work and its creator could be. The author of this essay presents a few clues that might help us to get closer to the answer to this question.
Stabat Mater is one of the last compositions by Giovanni Battista Pergolesi and today it is probably the most well-known and valued arrangement of those ancient sequences. The composer translated the incredibly moving medieval poem into the sounds with a great mastery. He managed to create a musical fresco placing us in the centre of the suffering true mystery. The power of his music is so real and stimulating that it is not possible to remain indifferent.The following essay presents the phenomenon of Pergolesi’s artistic genius on the background of that time cultural changes and it focuses on his posthumous fame. The author analyses the composer’s achievement of galant style and discusses Pergolesi’s Stabat Mater in relation to the language of emotions related to sentimental literature. Moreover, he suggests to comprehend that music through the prism of the Italian Marian devotion phenomenon. Scientists are still intrigued by the figure of Giovanni Battista Pergolesi. They try to reconstruct his life story and to deal with the confusion concerning his legacy. The success story of Pergolesi’s Stabat Mater is particularly interesting. Thus, successive generations of musicologists ask a question what the fame origin of this work and its creator could be. The author of this essay presents a few clues that might help us to get closer to the answer to this question.
Źródło:
Pro Musica Sacra; 2013, 11
2083-4039
Pojawia się w:
Pro Musica Sacra
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Na styku epok. Porównanie warsztatu twórczego Josepha Riepla i Marcina Józefa Żebrowskiego na przykładzie utworów pro processione
At the turn of the eras. A comparison of the compositional technique of Joseph Riepel and Marcin Józef Żebrowski based on the pro processione pieces
Autorzy:
Karasiński, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/513856.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Baroque
Classicism
Galant
Jasna Gora
Riepel
Żebrowski
Opis:
In this paper, the author compares aesthetic and stylistic attitude of two composers who worked in Jasna Gora Monastery at the turn of Baroque and Classical eras. The aim of this article is to capture the differences and similarities between the creative output of both artists by comparison of their pro processione pieces, which are a local variant of a church symphony. Collating complexive analysis, the author points characteristic solutions implemented by the composers, which gives rise to denotation their output as baroque or classical. In this way both composers were located on a stylistic timeline – Riepel as a baroque composer who already has implemented some classical elements into his style, and Żebrowski as a representant of galant style with baroque remainders. Outline of the compositional technique was depicted, what in the future can be a starting point for the further researches.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2016, 2(29); 70-91
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies