Temat: folk law - Katalog OPAC zbiorów

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Tytuł:: Głosa w sprawie polskich uniwersytetów ludowych
A GLOSS ON THE POLISH FOLK HIGH SCHOOLS
Autorzy:: Maliszewski, Tomasz
Powiązania:: https://bibliotekanauki.pl/articles/417501.pdf
Data publikacji:: 2010
Wydawca:: Akademickie Towarzystwo Andragogiczne
Tematy:: ADULT EDUCATION LAW
FOLK HIGH SCHOOLS - LEGISLATION IN POLAND
HISTORY AND THE PRESENT TIMES OF FOLK HIGH SCHOOLS
Opis:: This text is an appeal to Polish Members of Parliament - members of National and Ethnic Minorities Committee visiting Pomeranian Region in July 2010 to take notice of the social usefulness of Folk High Schools. The author recalls the contributions of those institutions in the development of Polish rural areas, and shows - on the example of Kashubian Folk High School - how important those institutions of adult education can be in building local democracy outside big agglomerations also today. The appeal, in a form of a typical gloss, once again tries to encourage the members of the Parliament of the Republic of Poland to make the effort of providing comprehensive regulation of legal and organizational situation of Polish Folk High Schools and other adult education entities of non-commercial character.
Źródło:: Rocznik Andragogiczny; 2010, R. 2010
1429-186X
2391-7571
Pojawia się w:: Rocznik Andragogiczny
Dostawca treści:: Biblioteka Nauki

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Tytuł:: „Talent to dobro powierzone...” – etyka chrześcijańska w postawie twórczej i życiowej Witolda Lutosławskiego
Autorzy:: Bolesławska-Lewandowska, Beata
Powiązania:: https://bibliotekanauki.pl/articles/668977.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:: Witold Lutosławski
history of Polish music
WWII
Martial Law in Poland
folk songs
Christmas carols
Opis:: „Talent is a form of wealth entrusted to us” – these words may serve as Witold Lutosławski’s motto. He repeated them often and at many occasions, emphasising that each creative artist is obliged to treat his talent carefully and develop it to produce great results for public consumption. This corresponds well with Biblical parable on talents but does it mean that Lutosławski was a religious man? Was Christian ethic important to him? In his music there is no much connection with religion – only his youthful Lacrimosa for soprano, choir and orchestra, and the arrangements of traditional Polish Christmas carols, composed shortly after the Second World War, present his direct relations to religious inspirations. However, he did not like to talk about his beliefs and worldview, especially in the context of his own music, which for him always was abstract and free from any extra-musical features. But his attitude to composing, as well as to the public activity, reveals many connections with Christianity values. He was brought up in the family of strongly catholic and patriotic beliefs, connected with high moral principles. An atmosphere of Lutosławskis’ family, which belonged to the intellectual elites of pre-war Poland, made strong influence on young Witold. For the rest of his life he felt obliged to pay his duties both as a composer and as a man of a high moral standards. He not only concentrated on his creative work (though it was his main life obligation) but searched for public weal in his social activity, always aiming „to behave decently”. This corresponds perfectly with Christian ethic and indeed in one of his interviews Lutosławski openly admitted that not only his worldview was formed by Catholicism, towards which he remained faithful, but also that in his opinion Christian ethic remains pre-eminent among all ethic systems formed by the humanity.
„Talent is a form of wealth entrusted to us” – these words may serve as Witold Lutosławski’s motto. He repeated them often and at many occasions, emphasising that each creative artist is obliged to treat his talent carefully and develop it to produce great results for public consumption. This corresponds well with Biblical parable on talents but does it mean that Lutosławski was a religious man? Was Christian ethic important to him? In his music there is no much connection with religion – only his youthful Lacrimosa for soprano, choir and orchestra, and the arrangements of traditional Polish Christmas carols, composed shortly after the Second World War, present his direct relations to religious inspirations. However, he did not like to talk about his beliefs and worldview, especially in the context of his own music, which for him always was abstract and free from any extra-musical features. But his attitude to composing, as well as to the public activity, reveals many connections with Christianity values. He was brought up in the family of strongly catholic and patriotic beliefs, connected with high moral principles. An atmosphere of Lutosławskis’ family, which belonged to the intellectual elites of pre-war Poland, made strong influence on young Witold. For the rest of his life he felt obliged to pay his duties both as a composer and as a man of a high moral standards. He not only concentrated on his creative work (though it was his main life obligation) but searched for public weal in his social activity, always aiming „to behave decently”. This corresponds perfectly with Christian ethic and indeed in one of his interviews Lutosławski openly admitted that not only his worldview was formed by Catholicism, towards which he remained faithful, but also that in his opinion Christian ethic remains pre-eminent among all ethic systems formed by the humanity.
Źródło:: Pro Musica Sacra; 2013, 11
2083-4039
Pojawia się w:: Pro Musica Sacra
Dostawca treści:: Biblioteka Nauki

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