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Tytuł:
Językowo-kulturowa analiza sloganów reklamowych marki Żubr
A linguo-cultural analysis of advertsing slogans of the Żubr brand
Autorzy:
Szerszunowicz, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2117881.pdf
Data publikacji:
2016-12-30
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
slogan
beer advertising
linguo-cultural analysis
Żubr brand
Opis:
The aim of the paper is to analyse slogans of the Żubr brand in a linguocultural perspective. The focal issues of the study are the following aspects: creating the connotative potential of the names żubr (‘bison’, the name of the animal) and Żubr (the beer brand name), using nature as a topos as well as referring to the local color of the region of Podlasie. The cultural dissonance implementation and the ritualization references are also discussed. The linguistic aspects of the analysis comprise the use of lexis and fixed expressions, both in their standard and modified forms. Moreover, the intertextuality of the slogans is analyzed. The research study shows that thanks to the development of the advertising conception, the slogans of this brand play an important role in the creation of the brand on the market and the enhancement of its position.
Źródło:
Białostockie Archiwum Językowe; 2016, 16; 325-343
1641-6961
Pojawia się w:
Białostockie Archiwum Językowe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Artefakt kulturowy w humanistyce
A cultural artifact in the humanities
Autorzy:
Grodecka, Aneta
Powiązania:
https://bibliotekanauki.pl/articles/1391727.pdf
Data publikacji:
2015-11-24
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
artifact
interdisciplinarity
cultural analysis
literary and cultural comparison
artefakt
interdyscyplinarność
analiza kulturowa
komparatystyka literacko-kulturowa
Opis:
This article is devoted to the concept of an artifact, as derived from older methodological knowledge (J. Białostocki and E. Panofsky), which has been broadened to include new indicators, such as changes of the virtual era as well as the categories of experience and reflections on narration. By reconstructing the phenomenon of artifacts, the author refers to the category of ‘reality’ accordingto Heidegger and W. Toporow as well as the ideas of a ‘sign’ and ‘theme’, and Polish artistic practice (T. Kantor and Z. Herbert). The concept is situated within the arts as well as within a contextualized area of the social sciences (an actant) and aims to offer new perspectives on the study of culture.
Źródło:
Przestrzenie Teorii; 2015, 23; 53-69
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między autonomią a epifanią. Art based research, badania jakościowe i teoria sztuki
Between autonomy and epiphany. Art based research, qualitative research and the theory of art.
Autorzy:
Kosińska, Marta
Powiązania:
https://bibliotekanauki.pl/articles/424497.pdf
Data publikacji:
2016
Wydawca:
Akademia Sztuk Pięknych w Gdańsku
Tematy:
art based research, badania jakościowe, analiza kulturowa, teoria sztuki, epifania, heuretyka, aktywizm, qualitative research, cultural analysis, theory of art, epiphany, heuretics, activism
Opis:
The subject of the article is an analysis of the most important contexts of emergence and the crucial tendencies apparent in the field of contemporary art based research. The author reconstructs the historical coincidence in the humanities and social sciences, which enabled the emergence of art based research. The author analyzes the changes within the field of qualitative research and cultural studies, especially those being conducive to searching the qualities of socio-cultural phenomena through artistic practices. An analysis of the methodological tendencies and the basic aesthetic categories of that field is undertaken and a question about the value of the qualities gained in the course of the artisticly based research is posed. The article inscribes the art based research in the context of the fourth historical phases of qualitative research by the discerned Yvonne S. Lincoln and Norman K. Denzin, and also in the democratic and postmodern flow of cultural studies. It underlines the importance of the reflexive turn in anthropology, but most of all, the role of the cultural analysis of literature and the narrative turn. It punctuates as the most important in the field of art based research – the modern dichotomy between knowledge and emotion. From that dichotomy the basic ways of defining the cognitive possibilities of art has emerged. Artistic practices are treated here as evocative, revealing emphatic experience. Finally, the author undertakes a comparative analysis of the modern theory of art and the activity of symbolization in the conception of Susanne K. Langer with the conception of evocative, epiphanic genres and identifies them as the two crucial tendencies in the field of art based research. They are analyzed as defining differently the cognitive qualities of art, resulting in distinct ethical and political consequences.
Źródło:
Sztuka i Dokumentacja; 2016, 14; 12-27
2080-413X
Pojawia się w:
Sztuka i Dokumentacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sekcja 1. Badania inspirujące się sztuką: sztuka i humanistyka. Wstęp
Art Based Research: Arts and Humanities. Introduction
Autorzy:
Kosińska, Marta
Powiązania:
https://bibliotekanauki.pl/articles/424537.pdf
Data publikacji:
2016
Wydawca:
Akademia Sztuk Pięknych w Gdańsku
Tematy:
art based research, badania jakościowe, analiza kulturowa, teoria sztuki, epifania, heuretyka, aktywizm, qualitative research, cultural analysis, theory of art, ephiphany, heuretics, activism
Opis:
Contemporary discussion on the main tendencies in the field of art based research for qualitative research is based on the already accepted belief that art is also the cognitive practice. The discourse about artistic as cognitive should be then moved forward, and the questions about the concrete examples of synergy of artistic and qualitative research should be posed. The profits resulting from this contract should be evaluated, and the inventory of the real democratic equivalence of artistic and humanistic tools should be done. How the balance between competences and roles in the artistic-qualitative research is maintained? Can we speak about them as of art based, or maybe it would be better to cautiously think of them as of arts informed? Are these projects the most experimental and critical bridgehead of the qualitative research, or rather trade trend of proffesionals? Should we treat them as examples of the interdisciplinary practices, or rather as exemplars of the transdisciplinary cultural analysis? The last mentioned will serve here as the axis of deliberations: from the perspective of cultural analysis we will evaluate the role of art in the field of qualitative research. Articles gathered in this issue represent the wide range of the possible approaches to the art based research. The introductory article of my authorship, „Between authonomy and ephiphany. Art based research, qualitative research and the theory of art”, attempts the analysis of the main tendencies within the field of art based research in the historical, methodological and aesthetical terms. It draws the historical coincidence in the social sciences and the humanities which enabled the emergence of the artistic qualitative research, and emhasizes the special role of the narrative turn. It reveals the slits within the cultural analysis and the qualitative research which became the new places for the artistic-research practices. It also reveals the entanglement of these practices in the dichotomies founded on the modern theories of art and analyzes the most important of them: between the autonomy of artistic symbolical forms and the epiphanic evocativeness of art. The last mentioned emerges on the foundation of the presence and experience, and in the consequence, opens the social spaces for the ethics of care. An article of Dariusz Brzostek, „Black Science – Black Magic. Afrofuturism, narrative and cognition”, can serve as an example of the classical cultural analysis in the semiotic-critical spirit, representative for this version of cultural studies which was explicitly conducive for the growing tendencies of art based research. An analysis of afrofuturism as the narrative formation and speculative fiction which are formative for the specific socio-cultural groups, realizes an assumption of Paul Willis of searching the creative action in the practices of everyday life. The democratic impetus of cultural studies has diminished the historical burden of an autonomy of art, treating it as the one of many cultural practices, as a place of production of socially important meanings, and in the same time, has strenghtened the labourious practices of cultivation of every day – accentuating its creative aspects in the terms of art living. In the Brzostek’s cultural analysis which can be defined as artistically informed, one can also notice the clue of the narrative turn. The productive and formative aspects of the popular narrations are crucial in this analysis: they tie together the two records of the qualitative research – biographies and social structures. In the consequence, an analysis of afrofuturism reminds the best years of the cultural studies, as from the Paul Willis’ projects Learning to Labour: How Working Class Kids Get Working Class Jobs. The clue of the disciplinary thinking, attempting to situate the art based research in the front of, within, and besides other social sciences and the humanities is continued in the article of Dorota Łuczak, „The Iconology of X-Ray Images”. Łuczak analyzes the history of the process of including X-ray photography in the area of the interest of the history of art, especially in the project conducted by Horst Bredekamp, Das Technische Bild in years 2000-2012 in Hermann von Helmholtz–Zentrum für Kulturtechnik at the University in Berlin. In the epistemological and metodological aspect, the project raised the problem of the subject of the visual research and the role of technical images in the social process of construction of knowledge. The subject of the inquiry was rather not the prove of the social construction of the visual reality (as in the anglo-saxian visual studies) but rather an analysis of the reciprocial determination between systems of knowledge and the conventions of representation of technical images. Finally, in the conclusion an author points out, that it is not necassary to resign from the rigours of the art historian analysis (style, iconology, comparative studies), that they can be productive for the research of the bodily, perceptual, subjective and habitual contexts of the technical images. Most of all, the subjectivitizing category of style can be refferred to the mental constructs constituting the processes of knowing. The usage of drawing, sketching and doodling in the practice of the organizational development is the subject of consideration of Adam Dzidowski in his article „The formative role of art and organisational aesthetics – visualisation and drawing in organisational development”. Dzidowski analyzes drawing as an expressive medium, enabling to reveal the creative and innovative solutions. Drawing and sketching can be seen as a cognitive tools, resolving problems, representing the stage of the organizational development, diagnozing, searching for the creative solutions. In those areas their usage in the organizational development inscribes itself into the heuretic tendencies in the field of art based research – as the practices of creation of the generative formulas, resulting with the creative scripts of action. The achievement of these goals can be supported by the artictic practices changing the models of organizations and breaking the prevailing schemes of thinking. Dzidowski refers to the dychotomy between functionalism and the cultural and interpretive studies, outlining the situation in which the management practice is still founded on the functional paradigm and the artistic tool of drawing is intended to „soften” this quantitative and formal attitude. He refers to the old dychotomy between the structuralism and ethnography, the scientific heritage of Emile Durkheim and the sociological writings of Georg Simmel – revealing in the same time the deep entanglement of the art based research in the series of various oppositions. The most solid of them is the opposition between knowledge and emotion, from which the whole current Issue of Art and Documentation begins. The two articles in this Issue: of the duo Joanna Bielecka-Prus and Aneta Pepaś and an article of Karolina Sikorska, represent the activist tendency in the field of art based research. The perspective of Bielecka-Prus and Pepaś is the precise reconstruction of the realized by them project Where the cocs crow – the wedding ethnoperformance. This was the animation-research enterprise, organized by the City Culture Centre in Dynów, realized with the cooperation with ethnographers, anthropologists, ant socio-cultural animators. This two-voice reconstruction is then the record of the interdysciplinary art based research project. The aim of this ethnoperformative action was the reconstruction and play of the the wedding ceremony characteristic of the Dynów Foothill, for which the point of departure was a scenario of the wedding from Ulanica. It was not the accuracy of the ethnographic reconstruction at the stake of this action, but rather the mediation of tensions and relations in the local communities through the common, performative action. The wide range of the qualitative research has been centered around the scenario of the wedding ceremony, scenario negotiated with the local community. The final version of the ethnodrama, the performative scipt built on the basis of data gathered in the research, was the common decision of the inhabitants of the Dynów Foothill. An article of Karolina Sikorska, „Female artists in work and about work. The cognitive dimensions of art” reveals this version of the activist tendency in the field of art based research which does not exist without the critical theory. This perspective takes often the critically based form of detailed case studies. Sikorska in the context of the subject matter of this Issue draws the specific map of the problems specific for the cultural and political contexts of work of women artists at Academies and Universities. She poses fundamental questions for the practice of the art based research: what makes impossible and what enables being the artist-researcher functioning in the institutional structure and not in the partisan field beyond that. Finally Sikorska points out three concrete artistic-cognitive strategies taken by women making art about other women work. Paula Milczarczyk, an author of an article „Omnis natura artificiosa est. Project The Symbiosity of Creation” in the light of the theory of paraartistic values” analyzes the artistic practice of Jarosław Czarnecki/Elvin Flamingo in the context of an aesthetics of reality and the conception of paraartistic values of Maria Gołaszewska. Finally, Sebastian Dudzik and Marek Glinkowski in the dialogue „The graphic art as a cognitive tool. The two voices about the matrix” convey the conversation of the artist and art historian considering the cognitive aspects of the ways of thinking and action in the graphic art. They represent the graphic thinking as the paradigmatic for the media art, they define the notion of the matrix, the matrix thinking, the cultural matrix, the matrix trancoding, analyzing the transitivity of these notions from the classic graphical techniques to the new media art. Using the cultural matrix notion, they define graphic art as the medial tool of the cultural analysis. We were opening this section on art based research with the assumption of the qualitatively directed cultural analysis of Paul Willis, that the symbolical wholeness of the expressive human life is the sort of art, and its research demands aesthetic tools. Similarily, in the aesthetics of paraartistic values, artistic structures are treated as usable to the reality. Artist become in this context an accoucher, revealer, finder of the hidden aspects of the reality, who helps to see and analyze its qualities.
Źródło:
Sztuka i Dokumentacja; 2016, 14; 5-10
2080-413X
Pojawia się w:
Sztuka i Dokumentacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kuchnia w Biszkeku
Kitchen in Bishkek
Autorzy:
Gomóła, Anna
Ewa, Kosowska
Powiązania:
https://bibliotekanauki.pl/articles/507769.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
teoria potrzeb
teoria kultury
analiza instytucjonalna
Bronisław Malinowski
Laboratorium Kultury
theory of needs
theory of culture
institutional method of cultural analysis
Bronislaw
Malinowski
Opis:
Kuchnia w Biszkeku jest autoryzowanym zapisem rozmowy, przeprowadzonej jesienią 2013 r., w stolicy Kirgistanu. Dyskusja, inspirowana wizytą w lokalnym muzeum, dotyczyła problemów wynikających z kulturowych reakcji człowieka na potrzeby biologiczne i pozabiologiczne. Wychodząc od koncepcji Bronisława Malinowskiego autorki podjęły refleksję nad możliwościami budowania takiej teorii kultury, która by wykorzystywała zróżnicowane lokalnie reakcje na uniwersalne potrzeby człowieka.
Kitchen in Bishkek is an authorised transcription of a conversation which took place in autumn 2012, in the capital of Kirgizstan. The discussion, inspired by a visit to the local museum, was concerning the problems of a cultural reception of the human reaction to biological and non-biological needs. Using Bronisław Malinowski’s conception, the authors have pondered upon a possibility of creating a theory of culture, which would make a use of local differences of reactions to universal human needs.
Źródło:
Laboratorium Kultury; 2013, 2; 12-26
2084-4697
Pojawia się w:
Laboratorium Kultury
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poświęcić niepewność – prolegomena do badań nad kinem postsekularnym
Sacrifcing uncertainty – prolegomena to the study of post-secular cinema
Autorzy:
Piskorska, Anna Maria
Powiązania:
https://bibliotekanauki.pl/articles/2135411.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
postsecularism
postsecular cinema
postmodernism
cultural analysis
Mieke Bal
religious flm
European cinema
Bruno Dumont
Hadewijch
John McDonagh
Calvary
Xavier Beauvois
Of Gods and Men
Opis:
This article undertakes the issue of defining film phenomena which put forward questions of a primary religious nature (about the meaning of life, source of evil, life after death, the existence of Absolute, etc.) in a way that is independent from major religious traditions. The author posits that describing this phenomenon in the case of European film culture is done best by employing the philosophical thought of postsecularism. Utilizing Mieke Bal’s method of cultural analysis, the author takes as an example the term “sacrifice” to point to the existence of different models by which religious topics are undertaken by the cinema. This leads to a preliminary typology of the phenomenon which differentiates between ‘apologetic’ and ‘critical’ films and, furthermore, between films that refer to particular religious traditions and those expressing a postsecular perspective.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 30, 39; 47-66
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Analiza klasowa na rozdrożu? W stronę kulturowej koncepcji klas P. Bourdieu
Class Analysis at a Crossroads? Towards the Cultural Approach to Classes of P. Bourdieu
Autorzy:
Cebula, Michał
Powiązania:
https://bibliotekanauki.pl/articles/427274.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
analiza klasowa
przestrzeń społeczna
śmierć klas
Bourdieu
badania empiryczne
kulturowa analiza klas
class analysis
social space
the death of class
empirical research
cultural class analysis
Opis:
Analiza klasowa przechodzi obecnie głęboką zmianę spowodowaną falą krytyki. Z jednej strony teoria klas jest podważana przez teoretyków głoszących nadejście nowej fazy nowoczesności lub ponowoczesności, która czyni z „klasy” pojęcie przestarzałe. Z drugiej strony jesteśmy świadkami narastającego niezadowolenia z dominujących schematów klasowych (np. EGP) z powodu ich niezdolności do uchwycenia kulturowych i symbolicznych wymiarów struktury klasowej. Te okoliczności spowodowały zwrot ku nowemu paradygmatowi, tzw. kulturowej analizie klas, w dużej mierze inspirowanej pracami Pierre’a Bourdieu. Celem artykułu jest diagnoza aktualnego stanu analizy klasowej i zbadanie, jak koncepcja Bourdieu może przyczynić się do jej fundamentalnego przemyślenia.
The field of class analysis is currently undergoing profound change spawned by the wave of criticism, both externally and internally. On the one hand, the class theory was challenged by theorists hailing the coming of a new phase of modernity or postmodernity which renders „class” an obsolete concept. On the other hand we are witnessing mounting dissatisfaction with the dominant class scheme (e.g. EGP) because of its inability to adequately illuminate the cultural and symbolic dimensions of class structure. These circumstances have prompted a turn towards new class paradigm, so-called „cultural class analysis” largely inspired by the works of Pierre Bourdieu. The aim of the article is to diagnose the state of art in class analysis and scrutinize how the work of Bourdieu can provide a more foundational rethinking of it.
Źródło:
Studia Socjologiczne; 2017, 3(226); 33-69
0039-3371
Pojawia się w:
Studia Socjologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ukraińskie frazeologizmy w polskim przekładzie Piotra Kuprysia Eneidy Iwana Kotlarewskiego
Ukrainian set phrases in the Polish translation of Ivan Kotliarevsky’s Eneyida by Piotr Kupryś
Autorzy:
Czetyrba-Piszczako, Mirosława
Powiązania:
https://bibliotekanauki.pl/articles/481869.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
set phrases
translation strategies
comparative analysis
cultural context
Opis:
Folklore phraseology was a inexhaustible source of linguistic measures for Ivan Kotliarevsky, as it allowed him to build humorous and satirical effects through introducing into his literary works colloquial, dialectal and jocular set phrases. The aim of this paper is to undertake comparative analysis of set phrases in the original and in the Polish translation of Eneyida in order to point out similarities and differences in these two languages. The author focuses on the translation strategies implemented to translate set phrases, and analysing particular non-phraseme word connections which very often replace set phrases in the target text.
Źródło:
Acta Polono-Ruthenica; 2017, 3, XXII; 109-121
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sisu - fińska emocja kulturowa i jej mitoanaliza w koncepcji R. Shwedera
Sisu - Finnish cultural emotion and its myth analysis according to R. Shweder’s concept
Autorzy:
Pankalla, Andrzej
Grońska-Turunen, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2128486.pdf
Data publikacji:
2019-03-29
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
sisu
cultural psychology
Richard Shweder
finnish cultural emotion
psychology of myth
myth analysis
Opis:
Celem artykułu jest ukazanie znaczenia fińskiej emocji kulturowej sisu („wytrzymałość”, „odwaga”, „upór”, „determinacja”) i odczytanie jej w ramach założeń psychologii kulturowej emocji R. Shwe- dera. Traktowanie emocji jako determinowanych kulturowo skryptów i zastosowanie mitoanalizy (Shweder, Haidt 2005) stwarza narzędzie umożliwiające badanie i adekwatne rozumienie emocji kulturowych. Rozbiór emocji na człony narracyjne umożliwia precyzyjne zdefiniowanie i odczytanie znaczenia emocji kulturowych - nawet tak złożonych, jak sisu.
The study aims to examine the meaning of the Finnish cultural emotion sisu (“perseverance”, “courage”, “stubborn”, “determination”) and reads it through the paradigm of R. Shweder’s cultural psychology of emotions. The reading of emotions as culturally constructed scripts and applying myth analysis (Shweder, Haidt, 2005) should yield a new framework for examination and adequate comprehension of cultural emotions. The study attempts to expose that by decomposing an emotion-script into its constituent narrative slots, one can make visible the cultural underpinnings of emotions even such indefinable as sisu.
Źródło:
Roczniki Psychologiczne; 2010, 13, 2; 29-53
1507-7888
Pojawia się w:
Roczniki Psychologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wpływ projektów zagospodarowania obiektów dziedzictwa kulturowego na otoczenie – obszary oddziaływania i pomiar efektów
The influence of cultural heritage adaptation projects on environs - measuring the impact areas and effects
Autorzy:
Kołakowski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/533368.pdf
Data publikacji:
2015
Wydawca:
Wydawnictwo Uniwersytetu Ekonomicznego we Wrocławiu
Tematy:
cultural heritage
project
analysis
range of impact
impact assessment
Opis:
The article presents the possible directions of management of cultural heritage objects (CHO) and identifies potential areas and range of impact effects based on the above resources. The second part of the article presents a general summary of the analysis and assessments which potentially can be used for a survey of the socio-economic impact of these projects on local and regional development.
Źródło:
Społeczeństwo i Ekonomia; 2015, 1(3); 76-92
2353-8937
Pojawia się w:
Społeczeństwo i Ekonomia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rytuał – od antropologii kulturowej do analizy transakcyjnej
Ritual – from Cultural Anthropology to Transactional Analysis
Autorzy:
Motyl, Karol
Powiązania:
https://bibliotekanauki.pl/articles/445898.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Humanistyczno-Przyrodniczy im. Jana Długosza w Częstochowie. Wydawnictwo Uczelniane
Tematy:
rytuał
analiza transakcyjna
antropologia kulturowa
ritual
transactional analysis
cultural anthropology
Opis:
In the first part of the article the traditional meaning of the ritual is analysed. Then, the ritual is presented in the light of transactional analysis. Finally, the author discusses similarities and differences in different concepts of the ritual. The article does not attempt to address the complexity of this concept; its aim is to contribute to the discussion on the interdisciplinary nature of transactional analysis. The author’s aim is to exemplify the possibilities of applying this theory in humanities and social sciences.
Źródło:
Edukacyjna Analiza Transakcyjna; 2014, 3; 65-78
2299-7466
Pojawia się w:
Edukacyjna Analiza Transakcyjna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kilka uwag o prototypowości w kontekście kognitywnych rozważań nad istotą gatunków literackich (na podstawie Trans-Atlantyku Witolda Gombrowicza)
Some notes on prototype categories in the context of cognitive reflection on the essence of literary genres
Autorzy:
Dobrosz-Michiewicz, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/650198.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
literature
cognitive research
frame analysis
cultural studies
style and stylization
Opis:
The article presents the results of research conducted in the master degree thesis, prepared at the Institute of Theory of Literature, Theatre and Audiovisual Arts, University of Lodz, under the supervision of prof. Assoc. Jarosław Płuciennik. First I present a theoretical and methodological frame of analysis of the text (especially taken form cognitive psychology of concepts: category, categorization, prototype and similarity), the second I present interpretation of terminology in relation to the concept genre and based on it doing a cognitive analysis such categories as: epic poem, heroic poetry or monk heroic poetry, based on Trans-Atlantyk by Witold Gombrowicz. The summary is an attempt to reference the conclusions derived from the analysis to the debate on the nature of the two aestethic categories – ‘style’ and ‘stylization’. These concepts are not – I suppose – immanent properties of the text, but mental constructs, first existing on mind of cognizing person. The cognitive methodology allows this aspect capture and describe.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 18, 4; 99-113
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rekonstrukcje stref użytkowania krajobrazu i stopnia antropopresji na podstawie archiwów paleoekologicznych : przykłady ze środkowej Wielkopolski
Autorzy:
Makohonienko, M.
Powiązania:
https://bibliotekanauki.pl/articles/295248.pdf
Data publikacji:
2011
Wydawca:
Stowarzyszenie Geomorfologów Polskich
Tematy:
cultural landscape
terrestrial ecosystems
limnic ecosystems
zones of anthropopressure
Pediastrum
pollen analysis
Opis:
Results of pollen analysis and records of fossil plankton organisms indicate human activity in catchment areas of lakes. These records of human impact depend on the form of anthropogenic activity, scale of settlement processes and location of the zones of activity. Comparison of the two records, which illustrate transformations of terrestrial and limnic habitats, may indicate the zones of human activity. Some examples of correlation of palynological human impact indicators and Pediastrum from lakes in Wielkopolska have been discussed.
Źródło:
Landform Analysis; 2011, 16; 46-51
1429-799X
Pojawia się w:
Landform Analysis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Raman spectroscopic analysis of art and archaeological artefacts of relevance to the preservation of cultural heritage: the illumination of ancient mysteries
Spektroskopowa analiza ramanowska obiektów archeologicznych istotnych dla ochrony dziedzictwa kulturowego: oświecenie starożytnych tajemnic
Autorzy:
Edwards, H.G.M.
Powiązania:
https://bibliotekanauki.pl/articles/217782.pdf
Data publikacji:
2009
Wydawca:
Stowarzyszenie Konserwatorów Zabytków
Tematy:
analiza ramanowska
dziedzictwo kulturowe
obiekt archeologiczny
Raman analysis
Raman spectroscopy
cultural heritage
archaeological artefact
Opis:
This paper reviews the contributions of Raman spectroscopy to the non-destructive characterisation of biological materials, including the sourcing of resins and the identification of biodegradation of art and archaeological artefacts. The advantages of Raman spectroscopy for non-destructive analysis are well-appreciated. However, the ability to record molecular information about organic and inorganic species present in a heterogeneous specimen at the same time, the insensitivity of the Raman scattering process to water and hydroxyl groups which re moves the necessity for sample desiccation, and the ease of illumination for samples of very small and very large sizes and unusual shapes are also apparent. Several examples are used to illustrate the application of Raman spectroscopic techniques to the characterisation of biomaterials and for the preservation of cultural heritage through case studies in the following areas: wall-paintings and rock art, human and animal tissues and skeletal remains, fabrics, resins and ivories.
W artykule omówiono przydatność spektroskopii ramanowskiej dla niedestrukcyjnej charakterystyki materiałów biologicznych, np. badanie źródeł żywic i identyfikacja biodegradacji dzieł sztuki i obiektów archeologicznych. Zalety spektroskopii ramanowskiej w niedekstrukcyjnej analizie są powszechnie uznawane. Jednakże badania dowodzą także możliwości uzyskiwania informacji molekularnych o formach organicznych i nieorganicznych obecnych równocześnie w heterogenicznych próbkach, na braku wpływu wody i grupy hydroksylowej na rozproszenia ramanowskiego co likwiduje konieczność osuszania próbek oraz łatwość analizowania próbek o bardzo małych lub bardzo dużych rozmiarach albo nietypowych kształtach. W artykule przedstawiono kilka przykładów zastosowania spektroskopii ramanowskiej do charakterystyki biomateriałów i ochrony dziedzictwa kulturalnego. Studia przypadków dotyczyły następujących obszarów: malowidła ścienne i naskalne, tkanki ludzkie i zwierzęce oraz szczątki kości, tkaniny, żywice i kość słoniowa.
Źródło:
Wiadomości Konserwatorskie; 2009, 26; 55-64
0860-2395
2544-8870
Pojawia się w:
Wiadomości Konserwatorskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Telewizja publiczna „narzędziem” w konstruowaniu tożsamości kulturowej mniejszości narodowych i etnicznych w Polsce
Public Television as a “Tool” for the Formation of Cultural Identity of National and Ethnic Minorities in Poland
Autorzy:
Gruchoła, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1807271.pdf
Data publikacji:
2020-01-02
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
analiza
analiza zawartości
analiza ilościowa
tożsamość kulturowa
media publiczne
telewizja publiczna
polityka programowa
analysis
content analysis
quantitative analysis
cultural identity
public media
public television
programs policy
Opis:
Celem publikacji jest weryfikacja polityki programowej telewizji publicznej oraz analiza audycji dla mniejszości narodowych i etnicznych oraz społeczności posługującej się językiem regionalnym w programach ogólnokrajowych Telewizji Polskiej S.A.: TVP1 i TVP2, TVP3 Regionalna, TVP Info, TVP Regionalna oraz na antenach ośrodków regionalnych TVP w 2003 oraz w 2013 r. Po wstępnych rozważaniach terminologicznych (tożsamość kulturowa, mniejszości narodowe, mniejszości etniczne, język regionalny) przedstawiono podstawy prawne ochrony dostępu mniejszości narodowych i etnicznych do programów telewizji publicznej. Następnie dokonano ilościowej analizy zawartości oraz jakościowej analizy treści wspomnianych audycji w programach telewizji publicznej w 2003 oraz 2013 r. Odrębne analizy ilościowe i jakościowe zostały przeprowadzone dla audycji nadawanych w programach ogólnopolskich (Program 1, Program 2 TVP S.A.) oraz TVP Info (w tym pasmo wspólne oraz oddziały regionalne telewizji publicznej). Przedstawiono także wyniki monitoringu w zakresie przedmiotowych audycji, wyemitowanych w OTV Białystok oraz w OTV Gdańsk. Artykuł kończą podsumowujące wnioski. W artykule zastosowano metodę analityczno-opisową, ilościową analizę zawartości oraz jakościową analizę treści.
The aim of the publication is a verification of public television program policy and analysis content of broadcasts for national and ethnic minorities and community using the regional language in nationwide programs of Polish Television: TVP1 and TVP2, TVP3 Regional, TVP Info, TVP Regional and regional TVP centers in 2003 and 2013. After a preliminary discussion of terminology (cultural identity, national minorities, ethnic minorities, regional language), the article presents the legal basis for the protection of access to public television of national minorities and ethnic minorities. Subsequently, the paper analyzes the share of the aforementioned broadcasts in the public television programs in 2003 and 2013. Separate analyzes are conducted for broadcasts in 2004 and 2013, in nationwide programs (Program 1, Program 2 of TVP S.A.) and TVP Info (including the common band and regional branches of public television). The article presents also the results of the monitoring program of the broadcasts in question, issued by Polish Television TVP Gdańsk and TVP Białystok. The article ends with summary conclusions. The method of the paper involves descriptive analytical, content analysis and quantitative analysis.
Źródło:
Roczniki Kulturoznawcze; 2014, 5, 2; 59-84
2082-8578
Pojawia się w:
Roczniki Kulturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
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