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Wyświetlanie 1-15 z 867
Tytuł:
Wobec cielesnej ekspansji – poetyckie reakcje
In the face of bodily expansion - poetic reactions
Autorzy:
Przymuszała, Beata
Powiązania:
https://bibliotekanauki.pl/articles/1110608.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
body
contemporary poetry
contemporary culture
inexpressibility of poetics
Opis:
The article is devoted to selected descriptions of the body in contemporary poetry, indicating the emergence of a reflection on the possibility of the actual experience of someone else's flesh in connection with the characteristic of the latest expansion of the culture of different images of human physicality. Tadeusz Różewicz's and Marcin Baran's poetic reflection (poets who are divided by one generation) reveals their common sense of difficulty concerning fulfillment arise from the close proximity of others. The discussed poem, in the article, by Czesław Miłosz concerns the vision of bodily rapprochement that transforms not only lovers but also the world around them. Important for the above examples is the conviction of the need to search for a language that would allow to write about these experiences (and, therefore, they often use this characteristic approach of poetic inexpressibility).
Źródło:
Polonistyka. Innowacje; 2015, 1; 16-26
2450-6435
Pojawia się w:
Polonistyka. Innowacje
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Współczesna kulturologia rosyjska. Rekonesans
Contemporary Russian Culturology. Exploration
Autorzy:
Krzemień-Ojak, Sław
Powiązania:
https://bibliotekanauki.pl/articles/943317.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Contemporary Russian Culturology
Opis:
Over the last twenty years Russian cultural sciences, known there under the, now well established, term culturology, exist and expand very vigorously. At the beginning of the 90’s culturology became a required course in all colleges equally including those specializing in liberal arts and technology. This new, important milestone started a dynamic, rich process of the science’s development and metamorphoses. Exploratory text by the Author was conceived with the goal of introducing these processes and outlining their consequences
Źródło:
Przegląd Kulturoznawczy; 2011, 2(10); 146-162
1895-975X
2084-3860
Pojawia się w:
Przegląd Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rytmy czasu, meandry pamięci. O poezji Bogusławy Latawiec
Rhythms of time, the meanders of memory. On the poetry of Bogusława Latawiec
Autorzy:
Rygielska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1041619.pdf
Data publikacji:
2018-10-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
time
temporality
memory
contemporary poetry
time in contemporary poetry
Opis:
This paper deals with the problems of time and temporality in the poetry of Bogusława Latawiec ranging from one of her first volumes of poetry (Przestrzenie  [Spaces ], 1975) to the recently released Zmowy  [Collusions] (2015). The passage of time, various ways of perceiving and sensing it are the overarching themes of her oeuvre (both prose and poetry). Her poetry, characterized by a remarkable linguistic discipline, a skillful use of formal devices and a close connection between the images and the sonic layer of her poems, highlights the importance of linking the experience of time and its passage with the issues of subjectivity and identity. Personal time converges here with historical, physical and mechanical time. It gains a material dimension: it becomes measurable and even tangible. This is noticeable in the poet’s latest minor volumes: Gdyby czas był ziemią  [If time was the Earth ] (2011) and in Zmowy  [Collusions ] (2015).
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 32; 285-306
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Szkic o współczesnej narratologii
Contemporary Narratology Draft
Autorzy:
Tiupa, Walerij Igoriewicz
Powiązania:
https://bibliotekanauki.pl/articles/1038828.pdf
Data publikacji:
2020-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
contemporary narratology
rhetoric
poetics
Opis:
The article discusses the issues of contemporary narratology. The author assumes that narratology is inextricably linked to poetics and rhetoric. The object of narratology is cultural space, which is created by texts in a particular rhetorical modality. However, its reflections includes subjects such as communication strategies and discursive practices. Each narrative discourse involves combining referential and communication events. According to the author, such a view of contemporary narratology opens up a number of new interpretation possibilities.
Źródło:
Przestrzenie Teorii; 2020, 33; 419-454
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pomnikowe mody i tendencje III Rzeczpospolitej jako wyraz małej i wielkiej polityki
Tendencies of monumental public sculpture of Third Polish Republic: A mirror of small and big politics
Autorzy:
Ożóg, Kazimierz
Powiązania:
https://bibliotekanauki.pl/articles/531275.pdf
Data publikacji:
2017
Wydawca:
Fundacja Instytut Nauki o Polityce
Tematy:
monuments
contemporary Poland
politics
Opis:
The paper presents contemporary tendencies which can be seen in Polish monumental public sculpture of last three decades. They are connected with Polish history and especially new forms of historical policy, presenting problems avoided by official historiography of Poland before 1989. The monumental public sculpture has some features that can be easily noticed, like exaggeration, excess, and weakness of forms, as well as focusing on matters being result of martyrological shape of Polish memory.
Źródło:
Polish Journal of Political Science; 2017, 3, 3; 7-27
2391-3991
Pojawia się w:
Polish Journal of Political Science
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tuwim po latach
Tuwim: Years After
Autorzy:
Węgrzyniak, Anna
Powiązania:
https://bibliotekanauki.pl/articles/967554.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Julian Tuwim – contemporary reception
Opis:
The subject of the article is to present an outline of the reception of Julian Tuwim’s works in the last decade. “The Prince of Poets” of the interwar period, well known in the post-war era, is less and less known today. Post-war generations of poets made no particular references to Tuwim and his poetry, and even though many critical works are being published about him, Tuwim’s works do not engage critics who would be able to reconnect his writing with the contemporary world. Tuwim is disappearing from school literary curricula, contemporary readers remember only his children’s poems and one can doubt whether this situation can be changed by an extensive, multifaceted work by Piotr Matywiecki Twarz Tuwima (Tuwim’s face), the comprehensive and readable biography of the poet. It is an important book which tackles a number of vital questions concerning for instance the tragic alienation of the Polish Jew who lived between two cultures and wanted to be excluded from neither.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2014, 26, 4
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Współczesna polska paremiografia dla dzieci
Autorzy:
Szpila, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/1630432.pdf
Data publikacji:
2020-09-30
Wydawca:
Towarzystwo Kultury Języka
Tematy:
proverbs
contemporary paremiography
Polish
Opis:
The aim of this paper is a comprehensive examination of the contemporary collections and dictionaries of Polish proverbs for the young audience. The abundance of such publications in Poland enables the author to have a close look at numerous issues related to paremiography itself as well as the youngest readers. The paper analyses the content of the collections and dictionaries with a special focus on the selection of proverbs, the presentation of their semantics and pragmatics, their arrangement in the books and the illustration of their usage. The analysis reveals many differences between the collections regarding the number of items, their typology, the description of their meanings and use as well as the illustrative content. The paper suggests integrating the description of the contemporary proverb dictionaries for children with educational material with an eye to describing the ways in which proverbs are presented, explained and taught.
Źródło:
Poradnik Językowy; 2020, 776, 7; 85-97
0551-5343
Pojawia się w:
Poradnik Językowy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sztuka jako wyraz świadomości artysty
Art As An Expression Of The Artist’s Awareness
Autorzy:
Zagrodzki, Janusz
Powiązania:
https://bibliotekanauki.pl/articles/424492.pdf
Data publikacji:
2012
Wydawca:
Akademia Sztuk Pięknych w Gdańsku
Tematy:
CONTEMPORARY ART
CONCEPTUAL ART
CONCEPTUALISM
Opis:
Considerations upon the awareness that previously had been identified as the power of God's creation, a universal mind that binds all terrestrial matters together, are the source of an ancient thought. The term conceptualism — conceptus, defining a thought, a concept, an imagination—was inherited from the Latin, but as an idea it emerged in philosophical discussions long before Socrates. The idea of conceptual perception may be found in Plato's philosophy; the definition of creative awareness was not, however, precisely defined by him. It was only Aristotle who assumed that a condition for art to exist is “a permanent disposition capable of producing something with reason”. This direction of research was undertaken by Friedrich Wilhelm Joseph Schelling, one of the first philosophers examining consciousness, the author of the treatise entitled “Philosophy of Art”. The power of Schelling's thought was an emphasis on using symbols in art. Confronting hidden meanings with the literality of concepts based on tangible aspects of knowledge mean that his opinions are still of interest for researchers. The concept of a self-awareness we owe to the establishments of René Descartes. His principle “I think therefore I am” did not remove and in fact even highlighted the doubts that arise during creative activity. What is contemporary art?— a discipline which attempts to understand the power of the human mind, which enables artists to use the knowledge they possess in action. It is an inborn predisposition, or perhaps it is a disposition to produce something material with a thought and therefore it is conceptual in nature. The values in art result from the essence of a message, and the methods of transmitting and receiving are, in a natural way, linked to the intellectual process and it does not matter, which form of the ‘conceptualisation’ of the world the artist chose. Art understood as a concept is often identified as utopian. Utopia, on the other hand, is most often understood as an intentional attitude that exists in one’s consciousness, an idea which cannot be realised. The question arises: what is an artwork completed as an artistic fact. This apparent antinomy between the notions of reality, utopia and concept in art results from an assumption that something is possible and other things are not and that all arguments depend on the assumed point of reference. It is often claimed in colloquial sentences that a project turned out to be utopian. But what does it mean? Can art be utopian? Has any art program ever been fully completed? Can ideas stemming from one’s artistic statement, in their full complexity, demanding a lot of harmonious circumstances, ever be realised? So called utopian or conceptual thought is the basis of all meaningful art achievements, contrary to intentions thought to be realistic, which by their very down-to-earth nature, lack fantasy and therefore have little in common with art. The emergence of an art concept is parallel to the possibilities of its realisation. Not sooner does art exist for real, then as a result a conflict between creative ideas and changing reality appears. Sometimes artistic objectives do not develop further beyond the project stage, sometimes they turn into concrete objects, events or processes. The fact that their incarnations exist, does not determine the meanings. The essence of artistic work is to sustain the idea created. If it takes the form of a registered project then it automatically turns into a tangible object, an item, a phenomenon which can be a base for further actions. So, when the artist questions the rules of the surrounding reality, it is not a conceptual utopia that emerges, but new realities.
Źródło:
Sztuka i Dokumentacja; 2012, 6; 119-122
2080-413X
Pojawia się w:
Sztuka i Dokumentacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Teatralna „moda na Rosję”. Współczesna dramaturgia rosyjska na scenach polskich (po roku 1989)
„The fad for Russia at the stage. Contemporary Russian dramaturgy on Polish stages (after 1989)
Autorzy:
Semczuk, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/482541.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
contemporary Russian dramaturgy
Russian literature
Opis:
Since the political tranformations in Poland in 1989, theatre has been the only area, not affectedby the hostile attitude towards Russian culture.Initially, that is the years 1989-1995, the changes made Russian literature disappear from thePolish artistic marked completely. Only the second half of the last 20th century decade balance to it.The slighttest fluctuactions have been noticed at the theatre, where Russian art is the second mostpopular after Polish.In the beginning of 21th century the new Russian literature and the new Russian drama are verypopular in Poland.
Źródło:
Acta Polono-Ruthenica; 2008, 1, XIII; 169-180
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postać celebrytki w operze: rozwiązła księżna i króliczek „Playboya”
The Character of a Celebrity in an Opera: a Promiscuous Duchess and a “Playboy” Playmate
Autorzy:
Bogucki, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/2135474.pdf
Data publikacji:
2022-09-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
celebrity
contemporary opera
gender
sexuality
Opis:
The aim of the article is to analyse two British contemporary operas: Thomas Adès’s Powder Her Face and Mark Anthony Turnage’s Anna Nicole from the perspective of celebrity studies. Both of these works were inspired by the biographies of celebrities – Margaret Campbell, Duchess of Argyll’s and Anna Nicole Smith’s. The text analyses how their biographies were edited both in literary and musical terms, attempting to determine to what extent they are either pioneering or embedded in the traditions of the opera.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2022, 42; 229-248
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ochrona architektury Krakowa z lat 80. i 90. XX wieku
Protection of Krakow 1980s and 1990s architecture
Autorzy:
Motak, M.
Powiązania:
https://bibliotekanauki.pl/articles/217592.pdf
Data publikacji:
2017
Wydawca:
Stowarzyszenie Konserwatorów Zabytków
Tematy:
architektura współczesna
dobra kultury współczesnej
historia najnowsza
contemporary architecture
contemporary cultural asset
recent history
Opis:
Przemiany polityczne, gospodarcze i społeczne, które nastąpiły pomiędzy rokiem 1980 a rokiem 2004, znalazły odzwierciedlenie w architekturze polskiej tego okresu, w tym również w Krakowie – będącym jednym z jej głównych ośrodków. Powstały liczne obiekty użyteczności publicznej, mieszkaniowe oraz pełniące inne funkcje. Na ich wizerunku odcisnęły się wpływy późnego modernizmu i postmodernizmu, a w mniejszym stopniu także brutalizmu, minimalizmu, dekonstruktywizmu, architektury high tech i innych kierunków twórczych. Uznanie okazywane niektórym obiektom przez społeczeństwo i specjalistów stało się czynnikiem wskazującym na potrzebę ich ochrony. W artykule omówiono uwarunkowania tej ochrony, aktualny stan prawny i podstawowe definicje. Omówiono dotychczasowe działania, podjęte na rzecz ochrony dzieł architektury współczesnej, na tle wybranych poglądów teoretycznych. Przedstawiono również próby określenia potencjalnego zasobu dzieł oraz wskazania bezpośrednich i pośrednich celów ochrony.
Political, economic and social transformations, which took place between 1980 and 2004, were mirrored in Polish architecture of that period, including one of its leading centre – Krakow. Numerous buildings of public, residential and other functions were built. Their image was influenced by Late Modernism, Post Modernism and, to a smaller extent, Brutalism, Minimal Art, Deconstruction, High Tech, and other styles. The appreciation of some of the buildings expressed by the society and experts have indicated at their protection. The conditions of that protection, its legal status and basic definitions are discussed in the article. The actions initiated in order to protect the works of contemporary architecture are discussed against the background of selected theoretical views. The attempts undertaken to determine the scope of protection and to show its direct and indirect aims are also presented.
Źródło:
Wiadomości Konserwatorskie; 2017, 49; 91-101
0860-2395
2544-8870
Pojawia się w:
Wiadomości Konserwatorskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Współczesna Armenia na stronach „Biuletynu Ormiańskiego Towarzystwa Kulturalnego
Autorzy:
Pełczyński, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/470057.pdf
Data publikacji:
2017
Wydawca:
Poznańskie Towarzystwo Przyjaciół Nauk
Tematy:
Armenian magazines
contemporary Armenia
assimilation
Opis:
Magazines of national minorities can be a source to learn about them. The article analyzes selected issues of the journal “Biuletyn Ormiańskiego Towarzystwa Kulturalnego”, which have been published by Armenians in Poland since 1993. The author is interested in the picture of contemporary Armenia in this periodical. The analysis showed that there are relatively few messages about today’s Armenia in this journal. This is because Armenians in Poland are very assimilated and they are mainly interested in the history of their own group. And yet in the Bulletin there is more information about contemporary Armenia than in other Polish magazines.
Źródło:
Our Europe. Ethnography – Ethnology – Anthropology of Culture; 2017, 6; 41-46
2299-4645
Pojawia się w:
Our Europe. Ethnography – Ethnology – Anthropology of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problem tożsamości i poetyka współczesnych sztuk wizualnych. Poetycka reinterpretacja dziedzictwa
The Problem of Identity and the Poetics of Contemporary Visual Arts. Poetic Reinterpretation of Heritage
Autorzy:
Rafał, Solewski
Powiązania:
https://bibliotekanauki.pl/articles/521405.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
identity
heritage
contemporary
art
poetics
Opis:
Artykuł wprowadza w problematykę tożsamości osobowej podkreślając szczególnie rolę poszukiwania początku i punktu odniesienia. Analizy prac artystek działających na przełomie XX i XXI wieku (Louise Bourgeois, Kary Walker, Eleanor Antin, Marty Deskur i Joan Jonas) ukazują, jak sztuka przedstawia powracanie do własnego dziedzictwa biologicznego i kulturowego („archiwów”) oraz wyraża napięcie między reinterpretacją i reprojektowaniem w odniesieniu do tożsamości konstruowanej w oparciu o takie powracanie. Ostatecznie poetyckość reinterpretacji okazuje się podpowiedzią metafizycznego punktu odniesienia.
The article introduces the problem of personal identity studying in particular the role of searching the beginning and the reference point. An examination of the artists working at the turn of the century (Louise Bourgeois, Kara Walker, Eleanor Antin, Marty Deskur and Joan Jonas) presents how art shows return to personal biological and cultural heritage (“archive”) and expresses the tension between reinterpretation and re-projecting in the identity constructed on the basis of such return. Finally, poetic reinterpretation appears to suggest a metaphysical point of reference.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2015, 7, 1 "Re: Reprezentacja – Rekonstrukcja – Reinterpretacja"; 44-52
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rezydencja poezji. O liryce Marty Podgórnik
Residence of poetry. Lyrics by Marta Podgórnik
Autorzy:
Czyżak, Agnieszk
Powiązania:
https://bibliotekanauki.pl/articles/1041519.pdf
Data publikacji:
2018-10-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
contemporary poetry
woman lyric
individuality
Opis:
The article contains interpretations of verses written by Marta Podgórnik during last twenty years (1996-2016). This analysis of Silesian writer’s poetry lead to recognitions of aspects, themes, images, particularites it includes. Podgórnik creates pictures of unsubmissive and indyvidualistic women, which must exist out of main discourses: patriarchal and feministic. But the most important in this poetry is language used for poetic but subversive descriptions of painful experiences, also by using intertextual references.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 33; 41-54
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Utwory klawesynowe Weroniki Ratusińskiej-Zamuszko – między przeszłością a współczesnością
Works for Harpsichord by Weronika Ratusińska-Zamuszko — Between the Past and the Present
Autorzy:
Woźniak, Monika
Powiązania:
https://bibliotekanauki.pl/articles/2188953.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
harpsichord
contemporary music
postmodernism
composition
Opis:
The article is devoted to two works by Weronika Ratusińska-Zamuszko: the cycle Nymphs for soprano saxophone and harpsichord, and the miniature For Berenika. A miniature in the Baroque style. The introduction contains information about the composer and basic facts about the pieces in question. In the following sections of the article the author analyses: harmony (tonal arrangement and harmonic relations), form (formal models, motifs, rhythms), texture and sound as well as aesthetic aspects. Based on these elements, the key determinants of the composer's style are presented, referring to the Baroque techniques as well as those typical of the postmodern musical language, also discussing the issues of non-musical content resulting from the programme titles of the works. In the analytical part, the author presents an innovative analytical method consisting in reducing the notation of the harpsichord part to the basso continuo notation to verify the thesis that the choice of the instrument (in this case, the harpsichord) determines the style of the composition. The analytical argument leads to interesting research conclusions and is an attempt to define the composer's musical language.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2022, 2(53); 33-58
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
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