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Wyświetlanie 1-15 z 108
Tytuł:
Paratexte der Romantik
Autorzy:
Breuer, Ulrich
Powiązania:
https://bibliotekanauki.pl/articles/700365.pdf
Data publikacji:
2013
Wydawca:
Stowarzyszenie Germanistów Polskich
Tematy:
paratext, romanticism, book, author, materiality
Opis:
The paper presents the research paradigm of paratext analysis. It demonstrates that with its help the book-like form of presenting literary texts will receive special attention. Paratext analysis generates new questions in cultural and media history of romanticism, but also important philological questions can be continued.
Źródło:
Zeitschrift des Verbandes Polnischer Germanisten; 2013, 2, 3
2353-656X
2353-4893
Pojawia się w:
Zeitschrift des Verbandes Polnischer Germanisten
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Emocje, czyli o poszukiwaniu językowych środków ekspresywności w listach anonimowych
Emotions – A Search for Linguistic Means of Expressions in Anonymous Letters
Autorzy:
Witczak, Anna
Powiązania:
https://bibliotekanauki.pl/articles/458665.pdf
Data publikacji:
2020-06-20
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
anonymous post
author identification
emotions
expressivity
Opis:
Anonymous letters are a challenge for linguists and raise a whole range of questions that ultimately allow a creation of the linguistic portrait of the possible author. One of these questions concerns the emotional layer of the anonymous letter and the way anonymous authors express their emotions in language. This article is a contribution to the discussion and analysis of a specific type of speech genre, which is anonymous letter. The data comes from a pilot study of the original anonymous letters, the primary purpose of which is to create a corpus of those letters.
Źródło:
Linguistische Treffen in Wrocław; 2020, 17; 339-354
2084-3062
2657-5647
Pojawia się w:
Linguistische Treffen in Wrocław
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O stylu indywidualnym Stanisława Gajdy. Parę myśli po lekturze
Individual style of Stanisław Gajda. A few thoughts after reading
Autorzy:
Witosz, Bożena
Powiązania:
https://bibliotekanauki.pl/articles/615443.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Opolski
Tematy:
author
individual style
scientific style
science
Opis:
The author is looking for traces of subjectivity in the scientific texts of an eminent Polish linguist. As the determinants of individual style, she recognizes certificates of reading (not only what the author reads but also how he reads), recognizing that the figures of the intertextual relationship (references, quotations, allusions, polemics) allows one to define the personality of the subject. She is interested in the plane of reflection, which manifests itself in the attitude of the scholar to the values of contemporary culture, to the change in the ideals of science, to the place and tasks of the choices of humanists and scholars (methodology, issues, forms of expression). She also finds features of individuality in the preferences of the author in the structure of his speech – composition, construction, syntax, lexis.
Źródło:
Stylistyka; 2016, 25; 47-57
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kamera i poeta doctus? O filmach Edwarda Żebrowskiego z perspektywy lotu ptaka
Camera and poeta doctus? About Edward Żebrowski’s Films
Autorzy:
Szpulak, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/919837.pdf
Data publikacji:
2011-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
author film
ethical problems
Polish cinema
Opis:
This text conserns the excelent polish director Edwrad Żebrowski’ creation. It has character of synthetic discussion. It shows main formal questions of it this creation and main problems of it. It is considered also the question of anachronism of these movies.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 9, 17-18; 220-231
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Epifania i doświadczenie krystalizujące w biografii twórczej – próba zarysowania pola badawczego
Epiphany and Crystallizing Experience in Authors’ Biography – an Attempt of Defining a Research Field
Autorzy:
Szmidt, Krzysztof J.
Powiązania:
https://bibliotekanauki.pl/articles/2141800.pdf
Data publikacji:
2012-12-31
Wydawca:
Wydawnictwo Naukowe Dolnośląskiej Szkoły Wyższej
Tematy:
biografia
biografia twórcza
biography
author's biography
Opis:
The topic of the article are experiences defined as epiphanies (N. Denzin) and as crystallizing experiences (H. Gardner), being the turning points in biographies of famous authors. The writer is undertaking an attempt of defining the nature of these experiences and their significance for the course of their artistic work and life of selected authors, describes the types of epiphanies and crystallizing experiences as well as he gives two spectacular examples. Epiphanies and crystallizing experiences may constitute an interesting and attractive subject of biographical research in pedagogy. The scope of problems of such a research is outlined by the writer in the second part of the text and it concerns various issues of the formation of a mature biography. The departure point for these problems is a self-attempt of classifying these turning points in authors’ biographies.
Źródło:
Teraźniejszość – Człowiek – Edukacja; 2012, 15, 4(60); 73-86
1505-8808
2450-3428
Pojawia się w:
Teraźniejszość – Człowiek – Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poczucie braku bezpieczeństwa w tekstach polskich zespołów punkrockowych i postpunkowych napisanych po 1989 roku
The Feeling of Insecurity in the Texts Written by Polish Punk-Rock and Post-Punk bands after 1989
Autorzy:
Kasprzycki, Remigiusz
Powiązania:
https://bibliotekanauki.pl/articles/489295.pdf
Data publikacji:
2016
Wydawca:
Polskie Towarzystwo Naukowe w Żytomierzu
Tematy:
punk
rock
threat
security
music
text
author
Opis:
Representatives of the Polish punk-rock scene were careful observers of political, social and economic unrest in the world since the late 1970s and in the 1980s. A large part of the texts, written at that time, aptly commented on the tragic events in the world. Unfortunately, some of them haven’t lost their validity, like the song by KSU entitled ‘Liban’ [‘Lebanon’], or by the band ‘Brak’ [‘The Lack’] entitled ‘Na Bliskim Wschodzie wszystko w porządku’ [‘In the Middle East Everything’s All Right’]. After 1989, more songs, referring to various old or new threats in the world, were written. Songs, produced within the punk scene, describe the problems of political, economic and social nature, which remain unresolved. Authors, such as Maciej Augustyn, Krzysztof Grabowski, Kazik Staszewski not only point to the genesis of security problems in the world, but sometimes predict the consequences of such events in a broader perspective. Surprisingly, anticipations of some authors who are not political scientists or sociologists, come true more frequently than scientific analyses made by security experts. Suffice it to say that almost at the same time when Fukuyma guaranteed that happiness of humanity would be manifested in liberal democracy, Staszewski and Grabowski warned people of imminent wars, crises, a new division of the world and exploitation.
Źródło:
Studia Politologica Ucraino-Polona; 2016, 6; 267-279
2312-8933
Pojawia się w:
Studia Politologica Ucraino-Polona
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Curiositas i kobiety
Curiosity and women
Autorzy:
Partyka, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1041719.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
curiositas
knowledge
the educated woman
woman author
Opis:
Since ancient times, curiosity (curiositas) was perceived as a misdeed, negative passion resulting from an irrepressible drive in the pursuit of knowledge and associated with conceit. However, its positive aspect did not go unnoticed. This was associated with moderate inquisitiveness, which did not exceed the limits of cognition, and was determined by the existing worldview (curiositas versus studiositas). There existed a conviction that women, being closer to nature and unable to control their emotions, were more likely to succumb to undesirable curiosity; the mythical Pandora and biblical Eve being cited as examples to further underscore the point. Hence, they were taught the ability to refrain from wanting to satisfy their curiosity. In spite of this, 17th century Europe witnessed the emergence of women, many of whom were authors of scholarly essays and dissertations, works of encyclopedic nature, of textbooks and manuals on natural philosophy, “books of secrets”, of women’s writing, and of poems describing the universe. In the Republic of Poland, though, this type of creative activity was, for quite some time, met with utter incomprehension or no acceptance, if not outright criticism.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2017, 31; 71-87
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Niechciana obecność autora – filmowy przypadek Václava Havla
The Unwanted Presence of the Author – Václav Havel in Film
Autorzy:
Guzek, Mariusz
Powiązania:
https://bibliotekanauki.pl/articles/1038951.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
author
Czech film
Václav Havel
theater semiotics
Opis:
Guzek Mariusz, Niechciana obecność autora – filmowy przypadek Václava Havla [The Unwanted Presence of the Author – Václav Havel in Film]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 115–128. ISSN 1644-6763. DOI 10.14746/pt.2019.32.5. Václav Havel had his views on film, participated in the life of the new wave artist community, had walk-on parts, wrote screenplays, and at the end of his life, made one picture based on his own stage drama Leaving. For Havel, film was a part of a larger cultural challenge, appointed by the Central European character of the second half of the 20th century. In his plays and essays, he discussed the topics of enslavement, lies and resistance to these, constructing a kind of antinomical model of self-power. Repeatedly, the starting point of his work was the Czech reflections included in the theoretical texts of Jan Ivo Osolsobě or the aesthetic manifestos of Karel Teige. As a film director, he created a show of allusions, absurdity and exaggerations, by entering the entire catalogue of experiences, thoughts and techniques of being a “citizen of culture” into diagetic meaning.
Źródło:
Przestrzenie Teorii; 2019, 32; 115-128
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przestępstwo naruszenia autorskich praw osobistych z art. 115 ust. 3 Ustawy z dnia 4 lutego 1994 r. o prawie autorskim i prawach pokrewnych w świetle zasady określoności
The offence of violation of author’s moral rights under Article 115 para. 3 of the Act of 4 February 1994 on copyright and related rights
Autorzy:
Piesiewicz, Piotr F.
Powiązania:
https://bibliotekanauki.pl/articles/927555.pdf
Data publikacji:
2019-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
author’s moral rights
copyright
criminal liability
Opis:
The Act of February 4, 1994 on Copyright and Related Rights, which regulates issues related to the protection of copyrights, belongs to the private law system (its provi- sions protect the private interest). However, the Act includes both administrative and criminal law provisions aimed at protecting the public interest. The literature rightly points out that the systemic division into public and private law is becoming increasingly less pronounced, due to the permeation of legal domains belonging to both systems. An example of such interpenetration are the provisions of copyright law. This statement is significant for the considerations made in this article due to the statutory method of penalising certain behaviour contained in the provisions of the Copyright and Related Rights Act. Criminal law provisions, systemically related to public law and protecting the public interest, contain references to the provisions of the Copyright and Related Rights Act regulating the scope of copyright protection, i.e. private law norms. In the context of the requirements that should be met by criminal law, such a reference raises doubts, which are particularly highlighted in Art. 115 para. 3 of the Copyright and Related Rights Act. This issue is impor- tant because the Constitutional Tribunal in its judgment of 17 February 2015, Ref. K 15/13 recognised this provision as constitutional. Therefore, he concluded that the principle of the specificity of a criminal act does not preclude the legislator from using terms that are imprecise or vague if their designations can be determined. At the same time, the Constitutional Tribunal has not presented any arguments indicating that in this case the determination of the designates of Art. 115 para. 3 of the Copyright and Related Rights Act does not cause any difficulties. The author of this article attempts to determine the extent of criminal liability in the event of a violation of author’s moral rights (Article 115 section 3 of the Copyright and Related Rights Act), at the same time indicating the difficulties that are associated with the unambiguous determination of behaviour which Art. 115 para. 3 of the Copyright and Related Rights Act penalises.
Źródło:
Studia Prawa Publicznego; 2018, 2 (22); 29-48
2300-3936
Pojawia się w:
Studia Prawa Publicznego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kuszenie historią: zwrot narracyjny we współczesnej powieści galicyjskiej
Autorzy:
Poliszczuk, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/776988.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
history
narrative
interpretation
novel
author
hero
play
sense
image
Opis:
A review of modern historiography shows the traditional methods of the description of history and of appeals to certain private, subjective and emotional facts. In the context of this problem, the author researches novels of contemporary Ukrainian literature which have a historical background. These are The Pharmacist (2015) by Yuriy Vynnychuk, Felix Austria (2014) by Sophia Andruchovych and Kornelia (2015) by Nadia Morykvas. These writers don’t suggest an absolutely new concept of the past, but their interpretations of history show signs of a new method which hasn’t been invented just for today. Writers show history as the private experience of separate heroes, as in such an interpretation it takes the new plot. Such a literary position demonstrates a dissatisfaction with memorial culture, which is typical nowadays.
Źródło:
Slavia Occidentalis; 2016, 73/2; 109-121
0081-0002
Pojawia się w:
Slavia Occidentalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problematyka Powstania Wielkopolskiego 1918/1919 w wybranych dziedzinach kultury (w literaturze i twórczości plastycznej)
Autorzy:
Karwat, Janusz
Powiązania:
https://bibliotekanauki.pl/articles/631049.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
uprising
literature
author
creative works
memory
graphic arts
poster
Opis:
Apart from historical studies and monographs, cultural initiatives are an important way of commemorating the Greater Poland Uprising of 1918-1919. Among such undertakings, literary works and products of visual arts are predominant. The greatest number of those are created on round anniversaries of this armed effort. One of their prominent features is realism, as they are intended for the broadest audience.  
Źródło:
Studia Europaea Gnesnensia; 2015, 11; 97-122
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wyrok Rafała Wojaczka jako kres możliwości podmiotu
Rafał Wojaczek’s “Wyrok” as the limit of capabilities of the subject
Autorzy:
Pertek, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/1534331.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Rafał Wojaczek
Freud
psychoanalysis
Oedipus complex
unawareness
author
interpretation
Opis:
The present article attempts to interpret the poem Wyrok [The Verdict] written by Rafał Wojaczek. The author tries to reveal the rules of the game in the play with psychoanalysis that are set in motion in the poem by the introduction of the Freudian signature to the text. Citing the Oedipus complex as one of the “representative” mechanisms for the development of the phenomenon of unawareness, he proceeds to prove that the theory of psychoanalysis as the interpretative context can function on the principle of the paradox, i.e. the stronger the denial of it within the subject, the more important it becomes for the understanding of the work. In this way, Wojaczek, by making the poem heretically sealed, opens it up to interpretation and, eventually, implies that its sense goes beyond any explanation (negation of psychoanalysis as an interpretative method). This last statement makes the basis for a formulation of further assumptions on the psychical structure of the subject (conscious unawareness and unconscious awareness), as well as the relations between the author, the subject and the lyrical protagonist where the author, after exceeding the limits of the poem, splits himself into two instances: textual representation (that of the father) and the lyrical “I” that is the irrevocable verdict condemning the poet to making them fit into language and grammar. An attempt, then, at salvation and a coupling of the body (blood) with the lingering word turns out, however, to be deadly, a carrying out of the verdict.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 173-187
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przygoda człowieka myślącego
An Adventure of a Thinking Person
Autorzy:
Maciejewski, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/31341622.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
Barbara Hollender
kino polskie
kino autorskie
Polish cinema
author cinema
Opis:
Recenzja dwóch tomów z serii Barbary Hollender o polskich reżyserach (tom trzeci w przygotowaniu). W pracach Od Wajdy do Komasy (2014) oraz Od Kutza do Czekaja (2016) autorka przybliża pięćdziesiąt portretów reżyserskich reprezentujących różne pokolenia – od nestorów i klasyków polskiego kina po najmłodszych filmowców. Struktura esejów jest podobna. Hollender opisuje drogę twórczą każdego bohatera, zestawiając cytaty z licznych rozmów z analizami wybranych tytułów, kontekstami socjologicznymi i obyczajowymi. To zarazem kronika polskiego kina i jego koryfeuszy – z Hasem, Wajdą, Kutzem, Zanussim, Kawalerowiczem na czele. Pasjonujące są jednak również opowieści najmłodszych bohaterów: Szumowskiej, Czekaja czy Komasy. Dorastali oni w innym okresie, mają odmienne plany na przyszłość i marzenia, jednak podobnie jak ich mistrzowie chcą tworzyć, pracować, wierzą w spełnienie. Bohaterów książek Hollender dzieli zatem niemal wszystko – temperament artystyczny, ambicje, poglądy na rzeczywistość, wreszcie dorobek. Łączy zaś jedno – pasja tworzenia. Wszyscy mieszkamy w kinie – podkreśla Filip Bajon.
A book review of two volumes from Barbara Hollender’s series on Polish film directors (the third volume is being prepared). In the volumes Od Wajdy do Komasy [From Wajda to Komasa] (2014) and Od Kutza do Czekaja [From Kutz to Czekaj] (2016) the author presents fifty portraits of directors representing various generations – from the masters and classics of the Polish cinema to the youngest of filmmakers. She maintains a similar structure in all the essays. Hollender describes the creative path of each director, she presents quotes from numerous interviews together with analysis of chosen titles, sociological and cultural contexts. It is also a chronicle of Polish cinema and its coryphes – with Has, Wajda, Kutz, Zanussi and Kawalerowicz at the helm. However the stories of the younger directors are also fascinating: Szumowska, Czekaj or Komasa. They grew up in a different era, and have different dreams and plans for the future, but just like their masters they want to create and work, and they believe in professional fulfilment. So the people portrayed by Hollender are different in almost every respect – artistic temperament, ambition, views on reality, and finally achievements. But they do share one thing – a creative passion. As Filip Bajon emphasises: We all live in the cinema.
Źródło:
Kwartalnik Filmowy; 2016, 96; 238-243
0452-9502
2719-2725
Pojawia się w:
Kwartalnik Filmowy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O tłumaczeniu tytułów piosenek autorskich (na materiale twórczości Włodzimierza Wysockiego i Bułata Okudżawy)
Autorzy:
Bryzek, Szymon
Powiązania:
https://bibliotekanauki.pl/articles/1376021.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
авторская песня
перевод
переводческая стратегия
author song
translation
translation strategy
Opis:
Названия произведений выполняют прежде всего идентифицирующую функцию – они выделяют данный текст среди других. Однако, помимо прочего, в зависимости от жанра, название произведения может выполнять также другие функции. Итак, в литературной традиции авторской песни заголовок песни тесно связан с текстом, являясь своего рода «введением» в текст. Он обращает он внимание на его смысл, подчеркивает то, что было важным для автора оригинального произведения. В нашей статье рассматриваются переводческие стратегии польских переводов заголовков песен Владимира Высоцкого и Булата Окуджавы. Нами обсуждаются переводческие решения и приемы, обнаруженные в процессе их перевода (опущения, замена, дополнение, буквальный перевод). Нами также была предпринята попытка дать ответ на вопрос, в какой степени эти трансформации влияют на восприятие текста. 
The titles of works mainly have an identifying function – they highlight text among other texts. However, in addition, depending on the genre, the title of a work may also perform other functions. So, in the literary tradition of the author’s song, the title of the song is closely related to the text, being a kind of “introduction” to the text, it draws attention to its meaning, emphasizes what the author conveys in the text. Our article deals with the translation strategies of the song title by the Polish translators of the works of Vladimir Vysotsky and Bulat Okudzhava. We analyze the trends we observe in their translation (omissions, substitutions, additions, literal translation) and try to give an answer as to how they affect the perception of the text.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis | Studia Russologica; 2020, 13; 187-193
1689-9911
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis | Studia Russologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Habitus sztuki a autorzy
The habitus of art vs authors
Autorzy:
Daszkiewicz, Joanna
Doda-Wyszyńska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/945790.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
art brut
author
fancier
education
experience
autor
amator
edukacja
doświadczenie
Opis:
The French term art brut (English - outsider art), meaning "raw art" or "rough art", is a label created by French artist Jean Dubuffet to describe art created outside the boundaries of mainstream culture. In the centre of our discussion is the category of the author (the creator) and the category of the fancier (the recipient loving art). These two categories were analysed by Alain Bouillet - a researcher of art brut of 30 years, who has accumulated an impressive collection of this kind of art. Pierre Bourdieu in Distinction (1979), argues that judgments of taste are related to social position. From time to time, the focus of the dominant class changes from education to experience. Especially today, the involvement in the creation process becomes more important. We have to introduce various issues in art in a different manner. What kind of experience the art opens us up to? It is largely contradictory to the educational experience.
Źródło:
Internetowy Magazyn Filozoficzny Hybris; 2015, 31 (4)
1689-4286
Pojawia się w:
Internetowy Magazyn Filozoficzny Hybris
Dostawca treści:
Biblioteka Nauki
Artykuł
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