- Tytuł:
-
Różnica i powtórzenie jako aspekty reprezentacji w Variationen für Orchester op. 31 Arnolda Schönberga1
Difference and Repetition As the Aspects of Representation in Arnold Schoenberg’s Variations for Orchestra Op. 31 - Autorzy:
- Sowińska-Fruhtrunk, Iwona
- Powiązania:
- https://bibliotekanauki.pl/articles/514126.pdf
- Data publikacji:
- 2018
- Wydawca:
- Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
- Tematy:
-
Arnold Schoenberg
Gilles Deleuze
Variations for Orchestra Op. 31
dodecaphony
difference and repetition - Opis:
- The article focuses on the issues of difference and repetition, as defined by Gilles Deleuze, and their possible application to Arnold Schoenberg’s dodecaphonic work, Variations for Orchestra Op. 31. Although Schoenberg’s reflection on these problems comes from the earlier years than Deleuze’s, the correspondence of understanding the difference and repetition between them is striking. Two other terms by Deleuze and Guattari applied to the work are becoming and refrain. Repetition and refrain are associated with the representational moment in the work (motif B-A-C-H as a quote and as a type of refrain) while difference and becoming are associated with the anti-representational moment (dodecaphonic technique, developing variation technique, etc.).
- Źródło:
-
Kwartalnik Młodych Muzykologów UJ; 2018, 2(37); 125-158
2956-4107
2353-7094 - Pojawia się w:
- Kwartalnik Młodych Muzykologów UJ
- Dostawca treści:
- Biblioteka Nauki
Artykuł