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Tytuł:
Rijeka i oko nje kod Matoša
Rijeka and Suroundings in Matoš’s Work
Autorzy:
Sorel, Sanjin
Powiązania:
https://bibliotekanauki.pl/articles/635659.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antun Gustav Matoš
Rijeka
ideology
colonialism
landscape
Opis:
The article discusses the relationship between A.G. Matoš and the city of Rijeka, which can be seen in his work „Oko Rijeke”. The focus of the analysis is in the ideology by which the discourse subject observes the city. From the viewpoint of patriotic ideology, the subject comments on the colonialist relations that occur at the time in Rijeka, but his idealization of patriotic culture, as opposed to „negative” historic, landscape and political status of the city, impede his ability to give an accurate insight. Therefore, his work is inclined to be more political than literary.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hrvatska kratka priča i Antun Gustav Matoš
Croatian Short Story and Antun Gustav Matoš
Autorzy:
Sablić Tomić, Helena
Powiązania:
https://bibliotekanauki.pl/articles/635730.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
modernism
short story
Antun Gustav Matoš
plot
citation
Opis:
Antun Gustav Matoš has affirmed the Croatian short story and that is why his short story collections have initiated a major „breakthrough” in terms of this genre’s reception. His narrative oeuvre includes the following collections: Iverje (Wood Shavings, 1899), Novo iverje (New Wood Shavings, 1900) and Umorne priče (Tired Tales, 1909). Depending on the type of motif, his short stories have been read as follows: 1. stories about local people and events; 2. humorous stories about people at home and abroad; 3. stories about unusual, unbelievable „unreal” events; 4. stories of enchanting and yearning love; 5. lyrical cadenzas. His symbolic-grotesque-fantastic story Moć savjesti (The Power of Conscience) marked his entry into the world of narrative literature. In this story, the binary relationship between the theme and the motif is recognised in the gap between the world of wakefulness and the world of dreams, reality and fantasy, what is real and what is unreal, the actual life and the ideal life, the object and the subject. At the same time, however, Matoš is trying to unite these opposites. In his other short stories, unusual plots become an expression of a deep ontological crisis which engulfed the European culture and art during modernism. The maxim of modern art at the turn of the century is „the world is a text”: art is a subjective reconstruction of the world and therefore plots, with all their logical cause and effect relationships, are no longer important since they cannot express other spheres of consciousness. In his short stories, the bizarre plots were used by Matoš to join two worlds, the world of outward reality and the world of imagination, the empirical and the fantastic, the possible and the impossible.
Antun Gustav Matoš has affirmed the Croatian short story and that is why his short story collections have initiated a major „breakthrough” in terms of this genre’s reception. His narrative oeuvre includes the following collections: Iverje (Wood Shavings, 1899), Novo iverje (New Wood Shavings, 1900) and Umorne priče (Tired Tales, 1909). Depending on the type of motif, his short stories have been read as follows: 1. stories about local people and events; 2. humorous stories about people at home and abroad; 3. stories about unusual, unbelievable „unreal” events; 4. stories of enchanting and yearning love; 5. lyrical cadenzas. His symbolic-grotesque-fantastic story Moć savjesti (The Power of Conscience) marked his entry into the world of narrative literature. In this story, the binary relationship between the theme and the motif is recognised in the gap between the world of wakefulness and the world of dreams, reality and fantasy, what is real and what is unreal, the actual life and the ideal life, the object and the subject. At the same time, however, Matoš is trying to unite these opposites. In his other short stories, unusual plots become an expression of a deep ontological crisis which engulfed the European culture and art during modernism. The maxim of modern art at the turn of the century is „the world is a text”: art is a subjective reconstruction of the world and therefore plots, with all their logical cause and effect relationships, are no longer important since they cannot express other spheres of consciousness. In his short stories, the bizarre plots were used by Matoš to join two worlds, the world of outward reality and the world of imagination, the empirical and the fantastic, the possible and the impossible.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polemički stil A.G. Matoša
A.G. Matoš’s Polemical Style
Autorzy:
Bagić, Krešimir
Powiązania:
https://bibliotekanauki.pl/articles/635430.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antun Gustav Matoš
fiction
polemics
procedure
style
text
Opis:
Antun Gustav Matoš is the father of the Croatian literary polemics. By confronting his con- temporaries, he shaped a unique style of polemicizing which is characterized by straight- forwardness, wit, elegance of speech and artistry. This style is based on various procedures which Matoš used in his polemics as well as on different textual patterns through which he articulated his polemical thought. The paper descibes and exemplifi es seven stylistic proce- dures (portraying in oposition, polemical quote, polemical naming, polemical verb, polemical maxim, word play, polemical point) and eight textual patterns (literary criticism, fi ctitious dialogue, comical story, polemical poem, aphorism, drama, polemical epistle). The opulence of Matoš’s style produces a polemics which is both carnevalesque and fi ctional. He brings together what is seemingly incompatible – the polemics which is based on the truth principle and fi ction which is essentially indifferent towards that principle.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7; 21-36
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Antun Gustav Matoš’ autobiographische Märchen
Autobiographical Fables by Antun Gustav Matoš
Autorzy:
Katušić, Bernarda
Powiązania:
https://bibliotekanauki.pl/articles/635776.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antun Gustav Matoš
folk tale
literary fable
variations
autobiography
Opis:
The paper aims to show that in his prose oeuvre, Matoš appropriates the typical fairy tale elements, unifies different fairy tale traditions and adapts them pursuant to the symbolist poetics in order to create his own variation of a modernist literary fable (Kunstlermärchen).
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Spacijalnost Matoševa glasa
Spaciousness of the Matoš’s Voice
Autorzy:
Pinter, Kornelija
Powiązania:
https://bibliotekanauki.pl/articles/635786.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antun Gustav Matoš
voice
body
voice metaphor
relationship
spaciousness
Opis:
The voice connections observed within the A.G. Matos’s poetry establish the poem’s space/ the poem’s body. The grammar of the speech, grammar of the body and grammar of the poem are connected with the same category – the spaciousness. The insight of the voice metaphors highlights the relationship between the voice, body and space stressing the relationship as a condition of the poem’s voice and body existence.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Projekt Matoševa spomenika u Zagrebu godine 1938. s pregledom vrijedne likovne „matošiane”
The Project of Matoš Monument in Zagreb in 1938 and an Overview of the Valuable Visual Art Works of „Matošiana”
Autorzy:
Čorkalo Jemrić, Katica
Powiązania:
https://bibliotekanauki.pl/articles/635440.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
the unrealized monument to Antun Gustav Matoš in Zagreb
the monument of Ivan Kožarić
busts
portraits
caricatures
Antun Gustav Matoš in Tovarnik
Opis:
The paper describes the first organized attempt to erect a monument to A.G. Matoš in Zagreb (1938), an erected monument – Matoš on the bench – made by I. Kozarić (1978), as well as other visual art works inspired by Matoš – portraits, busts, and caricatures. At the end a description of the memorial house of Matoš and other memorials in his born-town Tovarnik is given, with emphasizing of the future activities in the memorial house. Inspired by the important book To the memory of A.G. Matoš, this paper gives an overview of the memorial heritage dedicated to the great poet.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7; 63-78
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Matoš w nowej optyce teoretycznej
New Theoretical Approach of Matoš
Autorzy:
Nemec, Krešimir
Powiązania:
https://bibliotekanauki.pl/articles/635726.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
A.G. Matoš
teoria literatury
Dubravka Oraić Tolić
Čitanja Matoša
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7; 322-327
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Matošev Cvijet sa raskršća – alegorijom do konfiguracije sebstva
Matošʼs Cvijet sa raskršća [Flower from the Crossroads] – Through Allegory to the Configuration of Self
Autorzy:
Pšihistal, Ružica
Powiązania:
https://bibliotekanauki.pl/articles/635780.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antun Gustav Matoš
Cvijet sa raskršća
self
allegory
flaneur’s subjectivity
Opis:
Flower from the Crossroads (1902) belongs to the group of Matoš’s symbolistic novellas, rendered by the symbolically coded title, teleogenetic plot, characters as personified abstractions, motive topography (path, crossroads, garden) and especially the name of the protagonist (Solus). The name Solus, as an autofictional figure, contains its own glossary and reading instructions towards the solipsistic narrative matrix, which is supported by the diegetic level of the story through unusual events bordering dream and reality. With the help of the basic guidelines of Paul Ricoeur on storytelling as a hermeneutical mediation of the self and narrative analysis of the story, the main question of the allegorical interpretation in this study is: which model of self is offered by the narrative identity of Solus?
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Intermedijalna korespondencija: A.G.M. – Ljudevit Šestić i Josip Leović
Intermedial Correspondence: A.G.M. – Ljudevit Šeštić and Josip Leović
Autorzy:
Mrkonjić, Anđelko
Powiązania:
https://bibliotekanauki.pl/articles/635784.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antun Gustav Matoš
Ljudevit Šestić
Josip Leović
impressionism
symbolism
intertextuality
intermediacy
Opis:
The content of the paper examines the intermediate dialogue of the poetic and artistic text on the paradigm of A.G. Matoš’s poetry and the painting created by Ljudevit Šestić and Josip Leović. The main thought derives from Miroslav Šincel’s ascertainment how the works of Matoš „mirror the most important features of our symbolical-impressionistic modernism”. Šestić’s continental landscape impressionist painting and Leović’s symbolism in his painting, open therefore the possibility of intermediate style, content and biographical link (Tovarnik, Osijek, Đakovo, Paris, music...), keeping in mind the different positioning on the map of national cultural heritage. And with Matoš’s pictorial construction of lyrical text and his artistic sensibility, that is very much possible. In the field of stylistic link, purity of style can be read out, but also stylistic impurities caused by a personal and Homeland fate. This paper is of culturological nature.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Matoš i Radić: dwie koncepcje kultury
Matoš and Radić: Two Concepts of Culture
Autorzy:
Falski, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/635460.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antun Gustav Matoš
Antun Radić
Croatian culture
authenticity
peasantry
Croatian elites
Opis:
Antun Gustav Matoš and Antun Radić were leading the Croatian intellectuals of their era. Radić, an ethnologist, formulated the concept of culture, in which the most important significance for the national identity was attributed to the people. He considered peasantry authentic and free of contaminations, accusing the elite of cosmopolitanism and abandoning of the Croatian source values. Meanwhile, for Matoš the most important factor in the Croatian culture was opening to the foreign influences and to their creative force. As a consequence, the opposition between the writer and the ethnologist appears, corresponding to the concept of open and closed culture. Despite the use of the same dichotomy of the elites and the people, each of them assigns different values of both cultural strata. Radić politicizes the peasantry and tries to bring it to the public sphere, pretending to defend the values of the indigenous Croatian culture, while Matoš, regardless of his political nationalism, creates the elitist vision of open and inclusive culture.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Supstancijalni i diseminirani Matoš
Substantial and Disseminated Matoš
Autorzy:
Medve, Zoltán A.
Powiązania:
https://bibliotekanauki.pl/articles/635778.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antun Gustav Matoš
Croatian literary modernism
Hungarian literary modernism
language
style
dissemination
Opis:
This paper deals with the literary works of A.G. Matoš. It attempts to demonstrate that in his works a whole period of the Croatian literature modernism is concentrated. It also explores a question: Why cannot the opus of this Croatian author be absorbed into the Hungarian literature? In the Hungarian literature of modernism Matoš would be disseminated first of all because of his strong literary authority and his very special language use. Despite difficulties, the author of this paper finds some parallels between Matoš and the Hungarian authors of modernism. As a coherent and strong author of extraordinary fantasy, languge usage and style, Matoš can be only partly assimilated into the Hungarian literature.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Život kao artefakt: Matoševo autorstvo. Povodom knjige Dubravke Oraić Tolić Čitanja Matoša
Life as a Work of Art: Matoš’ Authorship. Regarding Dubravka Oraić Tolić’ book Čitanja Matoša
Autorzy:
Protrka Štimec, Marina
Powiązania:
https://bibliotekanauki.pl/articles/635728.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antun Gustav Matoš
authorship
critical reception
Croatian literature
Dubravka Oraić Tolić
flâneur
dandy bohem
nation
identity
Opis:
Paper deals with a conception of Antun Gustav Matoš authorship, regarding his own definition of his life as a work of art. Performing his authorship in a variety of literary texts, letters and notices, he lived in extremes, being flaneur, dandy and a bohem, world traveler and a nationalist ideologist, what influenced reception of his work until recent period. Critical and historiographic, as much as other literary works related to AGM follow this „author-centered” positions regarding his life as a work of art, as much as his literary texts as a reflection of his life. Latest Croatian „Matosiana” book, Dubravka Oraić Tolić̕ Reading Matoš (Čitanja Matoša, 2013), attests some traditional critical assumptions regarding authorship of this canonical writer end expands them in a new context. Different theories of literary canon formation, especially those grounded on feminist or psychoanalytical approach, call in question usual strategies in creation and understanding AGMs authorship, aestheticism and anti-modernism.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Krugowcy o Matošu
The Krugovi Generation about Matoš
Autorzy:
Wyszogrodzka-Liberadzka, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/635724.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antun Gustav Matoš
Krugovi literary journal
Krugovi generation
Croatian writers
Croatian literature
Croatian Modernism
literature in 1950’s
Opis:
Antun Gustav Matoš, central figure of Croatian Modernism became an icon and a legend yet in life, which, after the artistʼs death, only strengthened and his influence on the further shape of Croatian literature is difficult to deny. On the other hand, he is not the very often mentioned author the literary journal „Krugovi”, and also he is not considered in the first row of the most influential literary patterns for this generation of writers. However, Antun Gustav Matoš’s image that emerges from the pages of „Krugovi”, although incomplete and fragmentary, is extremely interesting. Young writers attempted to comprehensively educate their literary model reader, so they drew attention to artists who were the most valuable for the native literary tradition. Understanding and acknowledging the importance of his achievements and well-deserved place in the history of Croatian literature, young artists were able, however, to an analytical and critical approach, in the majority of cases presenting a solid argument, not limited to duplication of hackneyed slogans.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Matošev Prolog drami Prokletstvo Milana Ogrizovića i Andrije Milčinovića
Matošʼs "Prolog" to the Milan Ogrizović’s and Andrija Milčinović’s Play "Prokletstvo"
Autorzy:
Trojan, Ivan
Powiązania:
https://bibliotekanauki.pl/articles/635648.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Milan Ogrizović
Andrija Milčinović Prokletstvo
Antun Gustav Matoš Prologue
individuality
conscience
Croatian Writers Association
theatrical affair
controversy
Censorship
Opis:
On 7th May 1907, after publishing the play Prokletstvo in literary magazine „Savremenik”, the censorship approved performing the play in the Croatian national theatre in the theater season 1906/1907 under the condition that it would have passed through some radical changes. However, twenty days later all rehearsals were banned. Authors, Milan Ogrizović and Andrija Milčinović, show their brief union in resisting censorship publishing Prokletstvo into a separate book in year 1907 with Matosʼ Prologue that critically assails the institutions that stopped the play. Content and repercussions of Matosʼ editorial in Prokletstvo are the starting point of this article that outlines the cultural and political situation in Croatia in the first decade of the 20th century.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Antun Gustav Matoš i Đakovo
Antun Gustav Matoš and Đakovo
Autorzy:
Ćurić, Mirko
Powiązania:
https://bibliotekanauki.pl/articles/635445.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Đakovo
Antun Gustav Matoš
Josip Juraj Strossmayer
travel account
Croatian Party of Rights
Croatian Moderna
politics and literature
culture
Opis:
The paper deals with the relationship between Antun Gustav Matoš and the most important people of the town’s cultural and political life at the turn of the 19th into 20th century. The relationship between Matoš and the town Đakovo is considered from two perspectives: the first being the perspective of Matoš, which is based on his two travel accounts and numerous writings about Đakovo, i.e. the Bishop of the Diocese of Đakovo, Josip Juraj Strossmayer; the second perspective is that of Đakovo-based writers and considers their attitudes towards Matoš, with a special regard to the Bishop Strossmayer. The relationship between Antun Gustav Matoš and the Bishop Strossmayer was complex, even though it was, seemingly paradoxical, one-sided. Strossmayer was in many, ways an extraordinarily important person for Matoš, who wrote many texts about Strossmayer, for Strossmayer however, Matoš was only one among many young Croatian writers who were asking him for help and wrote about him. Strossmayer refused to provide Matoš with patronage, therefore the aim of this paper is to establish the reasons behind that decision, and determine why Croatia’s most prominent patron could not, or refused to, acknowledge one of Croatia’s most important writers.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7; 79-90
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
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