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Tytuł:
Muzyka klasyczna w Imperium Osmańskim
European Classical Music in the Ottoman Empire
Autorzy:
Pawlina, Agata
Powiązania:
https://bibliotekanauki.pl/articles/578010.pdf
Data publikacji:
2014
Wydawca:
Polskie Towarzystwo Orientalistyczne
Tematy:
music
Ottoman music
Turkish music
westernization (Turkey)
Opis:
This paper aims to present a historical overview of the westernization process in music culture of the Ottoman Empire. Contrary to what is generally believed, the transformation of Ottoman music from the monophonic system based on melodic and rhythmic patterns (makams and usuls) to the European polyphony was not the idea of the newly formed Turkish state of the early 20th century. In the beginning of the 19th century, the Ottoman Empire faced decline. Under the threat of European domination, remaining sultans tried to balance the level of development in science and technology between the West and their own country by great reforms. In the 19th century, for the Ottoman court the adaptation of the western music system was a symbol of acculturation and modernization. In the last decades of the Ottoman Empire, with the help of European musicans and theoreticians, the first institutions of western style music education were established. Thus, surprisingly, music culture seems to be a shared heritage of the Ottoman Empire and the Republic of Turkey.
Źródło:
Przegląd Orientalistyczny; 2014, 1-2; 61-76
0033-2283
Pojawia się w:
Przegląd Orientalistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Filozofia nowej muzyki – rediviva
Autorzy:
Brożek, Anna
Powiązania:
https://bibliotekanauki.pl/articles/429145.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
philosophy of music
epistemology of music
ontology of music
axiology of music
Opis:
Problems of the philosophy of music may be divided into three domain: ontological, epistemological and axiological one. In the ontological domain, the ontological status of such objects as sounds and wholes composed of them, especially of musical compositions, is a leading problem. In the epistemological domain, the problem of how to obtain the adequate cognition of music plays a similar role. Finely, in the axiological domain, one finds the problem of what is the general value of musical composition which is based on partial values of different kinds as a crucial problem. In the paper, I analyze these problems from the point of view of traditional music and describe how the perspective changes if we take new music into considerations.
Źródło:
Semina Scientiarum; 2011, 10
1644-3365
Pojawia się w:
Semina Scientiarum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sinfonietta na orkiestrę smyczkową Weroniki Ratusińskiej w kontekście problematyki (pod)gatunkowej
Sinfonietta for String Orchestra by Weronika Ratusińska in the Context of the Issue of (Sub)Genre
Autorzy:
Krymska, Martyna
Powiązania:
https://bibliotekanauki.pl/articles/2154761.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
sinfonietta
chamber music
Polish music
Opis:
The purpose of the article is to focus on certain terminological and historical aspects related to the genre of sinfonietta in the Polish music of the 20th and 21st century. In the introduction, the author presents the definition and general characteristics, listing the sources and the most representative works in the Polish music. Additionally, she presents numerical statistics and classification of the sinfonietta in Polish music and on this basis she analyses one of the most interesting works representing the type of sinfonietta-transcription – Sinfonietta for string orchestra by Weronika Ratusińska from 2009. The author analyses the use and manner of modification of musical motifs, the way in which the sound layer is shaped and the relation between Ratusińska's work and tradition of the genre.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 2(45); 61-86
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jadwiga Szajna-Lewandowska dzieciom
Jadwiga Szajna-Lewandowska for Children
Autorzy:
Machura, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/513978.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
20th-century Polish music
music for children
genres of stage music
music pedagogy
Opis:
In the second half of the twentieth century, music for children was enriched by the works of Jadwiga Szajna-Lewandowska (1912–1994). The Wrocław’s pianist, composer and pedagogue wrote most of her pieces for the youngest and thus the most sensitive recipient. The vast majority of her works is stage music for children, mainly ballet. In this category, Szajna-Lewandowska has no equal. She is the one of the rare composers who devoted most of their works to children. Her music for the youngest comprises not only stage works, but also compositions written for children as performers or listeners. Among them, there are instrumental, vocal- instrumental and choral pieces. Therefore, it can be claimed that Jadwiga Szajna-Lewandowska is a composer who made a significant contribution to Polish children’s and young adult literature.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 2(37); 175-187
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzyka soul – geneza, historia, uwarunkowania społeczno-kulturowe oraz rodzaje inspiracji tym stylem w twórczości rodzimej
Soul music – the origins, history, socio-cultural base and the kinds of soul inspiration in the Polish music
Autorzy:
Jaczyński, Michał
Powiązania:
https://bibliotekanauki.pl/articles/513904.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
soul music
popular music
American culture
Polish music
Czesław Niemen
Opis:
The theme of this study is a historical reconnaissance of soul music, taking into account the global context, with all the social and historical conditions that accompanied the development of the style. The main aim that the author set himself is to find sources of Polish musicians’ inspirations that can be found in American music from the 60s of the twentieth century. The main section of this paper is an attempt to define soul music and the characteristic of the style in a variety of shots – strictly musical, social, political, historical, racial and the general-culture one. The final chapter undertakes the task of showing the results of analysis of native music in terms of its membership to the style. In this section, a very broad meaning of the term ’soul’ has been assumed, which in this context is merely a reflection of the original phenomenon. The author hopes that this study will contribute to the dissemination of knowledge that soul music – both worldwide and in Poland – is an original and valuable style.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2015, 1(24); 46-69
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fryderyk Chopin in popular instrumental music
Autorzy:
Kasperski, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/780379.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Fryderyk Chopin
popular culture
popular music
instrumental music
rock music
electronic music
inspiration
reception
Opis:
The author considers whether Fryderyk Chopin and his oeuvre may be regarded as part of popular culture - and if so, to what extent. However, the text is mostly taken up with analysis of popular instrumental music inspired by Chopin’s works in various ways: from simple quotation, adaptation and transcription to more sophisticated instrumentation and arrangement, free improvisation or even the creation of a completely new work derived from a single motif or sample from Chopin. Consequently, the author deals with the problem of reception, but also with the issue of transculturation and the relationship between high and popular culture. The article shows and describes the variety of Chopin inspiration in a wide range of styles and genres of popular music, such as rock music, easy-listening, electronic music, dance music and disco.
Źródło:
Interdisciplinary Studies in Musicology; 2010, 9; 357-370
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Johann Baptist Schiedermayr – życie i twórczość. Przyczynek do monografii1
Introduction to Life and Output of Johann Baptist Schiedermayr
Autorzy:
Bujas, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/514049.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
church music
Johann Baptist Schiedermayr
music in Linz
Classical music
Opis:
Although nowadays the output of Johann Baptist Schiedermayr is almost completely forgotten, in the 19th century the composer was widely recognized as an author of both sacred and secular music. His compositions were performed mostly in Central Europe, but it should be underlined that the preserved manuscripts display an impressive area in which he must have been known. There are thousands preserved sources that confirm his popularity in the past; therefore, it is disturbing as well as intriguing that Schiedermayr is usually overlooked by scholars investigating music of the early 19th century. In my paper, I present life of the composer, including existing literature that concerns this topic, and I make an attempt to reconstruct his output as hitherto no one have done it. It appears that Johann Baptist Schiedermayr was well-educated and played a crucial role in the musical life of Linz at his time. Besides his achievements as a musi¬cian, conductor and teacher, he composed a vast variety of musical pieces, although he focused mostly on church music. Based on the studies done so far, we can assume that he created hundreds of compositions presenting his excellent compositional technique as well as musicality; many of them were also printed. Nevertheless, further research is absolutely necessary in order to broaden knowledge of this brilliant persona and his oeuvre.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 2(37); 63-99
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poezja konkretna i muzyka
Concrete poetry and music
Autorzy:
Pieruszewska-Kobiela, Grażyna
Powiązania:
https://bibliotekanauki.pl/articles/649494.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
contemporary poetry
concrete poetry
music
music and technology
industrial music
avantgard
Opis:
The article shows the functioning of concrete poetry in the sphere dominated by techno-logical solutions, being characteristic of the culture associated with new media. Sub-jected to analysis and interpretation is the multimedia performance by Marcin Dymiter and Ludomir Franczak, who combined Polish, Czech and German literary texts with electronic music. In their vision, the life of concrete poetry develops in the dimension of the contemporary urban subculture and in the world of sound generated by various types of apparatus. The relationship between poetry and music abounds in various defects and interfer-ences, which are a deliberate effect introduced by of the authors of this artistic experi-ment. The broad range of rustles and murmurs draw on the sound tradition of modern poetry, as well as industrial music. The performance exposes the symbolic meaning of the emission of sound coming into interaction with poetic text.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 15, 1; 267-282
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Muzykoterapia – rozprawa z mitami…”
„Music therapy - dispose of myths...”
Autorzy:
Stachyra, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/566550.pdf
Data publikacji:
2020-01-10
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
muzykoterapia
definiowanie muzykoterapii
muzyka w terapii muzycznej
music therapy
defining music therapy
music in music therapy
Opis:
Music therapy is a field that is undergoing intense development. At the same time, as the interest in music therapy increases, there are more and more distortions about what forms of contact with music can be described as music therapy. It is coming to the situation in which either the area of music therapy is significantly narrowing or, on the contrary, all forms of contact with music are attributed to it. The author attempts to explain what lies behind the term music therapy, refuting at the same time myths that commonly exist in the media. He uses this polemic as a background to show the humanistic nature of this form of therapy.
Źródło:
Ars inter Culturas; 2019, 8; 293-304
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The commentary to some motifs of Peter Faltins semiotics of music
Autorzy:
Fujak, Julius
Powiązania:
https://bibliotekanauki.pl/articles/780393.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
semiotics of music
music syntax
meaning
Opis:
The article is focused on original musical semiotics of well known Slovak theoretician Peter Faltin (1939-1981), especially on his original semiotic theories in 1970s, including his last (unfinished) work Signification of Aesthetic Signs Music and Language based on L. Wittgenstein's philosophy. The paper also delas with studies of contemporary representatives of Slovak and Czech semiotics, aesthetics and postmodern philosophy such as Eubomir Chalupka, Jarmila Doubravovâ, Klement Mitterpach and Jûlius Fujak, who commented, explained and developed Faltin's thoughts in the frame of their research.
Źródło:
Interdisciplinary Studies in Musicology; 2015, 14; 100-112
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From Kotoński to Duchnowski. Polish electroacoustic music
Autorzy:
Kominek, Mieczysław
Powiązania:
https://bibliotekanauki.pl/articles/780237.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
electroacoustic music
electronic music
concrete music
music for tape
generators
experimental Studio of Polish Radio
“Warsaw Autumn” International Festival of Contemporary Music
live electronic
synthesisers
computer music
Opis:
Founded in November 1957, the Experimental Studio of Polish Radio (SEPR) was the fifth electronic music studio in Europe and the seventh in the world. It was an extraordinary phenomenon in the reality of the People’s Poland of those times, equally exceptional as the Warsaw Autumn International Festival of Contemporary Music, established around the same time - in 1956. Both these ‘institutions’ would be of fundamental significance for contemporary Polish music, and they would collaborate closely with one another. But the history of Polish electroacoustic music would to a large extent be the history of the Experimental Studio. The first autonomous work for tape in Poland was Włodzimierz Kotoñski’s Etiuda konkretna (na jedno uderzenie w talerz) [Concrete study (for a single strike of a cymbal)], completed in November 1958. It was performed at the Warsaw Autumn in i960, and from then on electroacoustic music was a fixture at the festival, even a marker of the festival’s ‘modernity’, up to 2002 - the year when the last special ‘concert of electroacoustic music’ appeared on the programme. In 2004, the SEPR ceased its activities, but thanks to computers, every composer can now have a studio at home. There are also thriving electroacoustic studios at music academies, with the Wroclaw studio to the fore, founded in 1998 by Stanisław Krupowicz, the leading light of which became Cezary Duchnowski. Also established in Wroclaw, in 2005, was the biennial International Festival of Electroacoustic Music ‘Música Electrónica Nova’.
Źródło:
Interdisciplinary Studies in Musicology; 2011, 10; 141-154
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Liszt and the issue of so called Gypsy music
Autorzy:
Piotrowska, Anna G.
Powiązania:
https://bibliotekanauki.pl/articles/780221.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Franz Liszt
Gypsy music
Hungary
Hungarian music
national music
Bela Bartok
Opis:
The article attempts to shed light on Liszt’s connections with so called Gypsy music, with particular emphasis on the sources and manifestations of the composer’s interest in the subject. The paper also shows the effects of Liszt’s thought on his academic successors. Liszt’s fascination with Gypsy music and culture is discussed by outlining his childhood memories as well as indicating numerous personal contacts he had with renowned Gypsy musicians. The author of the paper also links Liszt’s enchantment with Gypsy culture with his readiness to identify his travelling virtuoso status with that of a Gypsy-wanderer. Special attention in the article is put on Liszt’s book Des Bohemiens et de leur musique en Hongrie (1859). The author of the article claims that Liszt’s cosmopolitanism may be a key factor while explaining the composer’s predilection to Gypsy culture and music. While focusing on the reception of Liszt’s views on so called Gypsy music by the posterity Bartok’s interpretation of Liszt’s ideas is reminded. Discussed are also their repercussions in the second half of the twentieth century and early twenty first century.
Źródło:
Interdisciplinary Studies in Musicology; 2014, 13; 127-140
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rozwój polskiej rockologii
Autorzy:
Kasperski, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/1186426.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
rock music
Polish rock
rockology
rock music studies
popular
music studies
Opis:
The article highlights the development of rock music studies in Poland, taking into account both (auto)biographical, journalistic, lowbrow and academic approaches. From a historical perspective, the subsequent stages of the formation of rockology are discussed here: from popularization works in the People’s Republic of Poland, through free-market publications appearing since the 1990s, which filled the gaps from the previous era, satisfying the hunger for knowledge among rock fans, to the development of rock studies at universities, institutionalization of research, diversification and development of thematic specializations within individual disciplines. The article presents the development of the music press, book literature, publishing houses and institutions specializing in rock research. The issue of its future perspectives future is also raised: challenges, threats, but also the shortcomings of Polish ‘rockology’ in relation to the international context.
Źródło:
Załącznik Kulturoznawczy; 2020, 7; 273-299
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tradycje muzyczne Żydów aszkenazyjskich a Radical Jewish Culture: definicje i treści dawnej i współczesnej muzyki żydowskiej
The Music Traditions of the Ashkenazi Jews and Radical Jewish Culture: A Brief Outline of the Definitions and Content of Jewish Music in the Past and Nowadays
Autorzy:
Zapiór, Luiza
Powiązania:
https://bibliotekanauki.pl/articles/2176092.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Jewish music
instrumental music
John Zorn
Radical Jewish Culture
contemporary music
Opis:
The main purpose of the article is to describe John Zorn’s approach to klezmer music and Jewish music tradition in general. The text was split into shorter paragraphs. The first part of the article is dedicated to providing an overview of the problems concerning the definition of Jewish music. The second part focuses on analysing klezmer motifs in John Zorn’s selected works and Jewish symbols present in the visual layer connected with his works. The last paragraph contains a summary and conclusions.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 4(47); 215-228
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stopy metryczne jako jednostki kształtujące przebieg utworu fortepianowego
Metric Feet as Units Shaping the Course of a Piano Piece
Autorzy:
Knapiński, Karol
Powiązania:
https://bibliotekanauki.pl/articles/21379381.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
cognitivism
music
metric feet
perception of music
Opis:
In this paper, I make an attempt to present the analytical possibilities offered by using metric feet as units that shape the course of a (piano) piece. This approach results from cognitive studies that clearly show that the perception of auditory events is based on grouping them into larger units on the basic strong–weak axis. In this approach, the foot is a scheme of one strong sound and one or two weak sounds (in different combinations) that repeats regularly in the course of the work. In this article, I present the most common ways of distinguishing strong sounds: using duration, dynamics, and pitch (features derived analogously from language, distinguishing strong syllables from the speech stream) and characterising the most common feet.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2022, 4(55); 5-37
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł

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