Temat: Boito - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Motywy polskie w twórczości krytycznoliterackiej Arriga Boito. Od Mickiewicza do Zaciśniętej pięści
Polish motifs in the critical and literary work of Arrigo Boito. From Mickiewicz to The Clenched Fist
Autorzy:: Filonik, Apolonia
Powiązania:: https://bibliotekanauki.pl/articles/20451698.pdf
Data publikacji:: 2023
Wydawca:: Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:: Boito
Mickiewicz
Scapigliatura
Opis:: Arrigo Boito’s (1842–1918) relationship with poland has been studied extensively since 1963, when Walerian preisner published a monographic study of Boito and his connections to poland. In subsequent years, additional publications focusing on this artist with polish roots have appeared. The article on polish motifs in Boito’s critical and literary work summarizes the influence of polish literature, particularly the works of Adam Mickiewicz, on the Italian’s oeuvre. This article not only builds on the research of previous scholars but also offers new insights and observations.
Źródło:: Colloquia Litteraria; 2023, 34, 1; 113-126
1896-3455
Pojawia się w:: Colloquia Litteraria
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Skocz do pozycji: 2.

Tytuł:: Konserwacja kościoła de Fontaines w Neuchâtel
RESTORATION OF DE FONTAINES CHURCH AT NEUCHÂTEL, SWITZERLAND
Autorzy:: Łysiak, Waldemar
Powiązania:: https://bibliotekanauki.pl/articles/536139.pdf
Data publikacji:: 1972
Wydawca:: Narodowy Instytut Dziedzictwa
Tematy:: kościół de Fontaines w Neuchâtel
Neuchatel w Szwajcarii
Camillo Boito
idea Viollet-le-Duca
Viollet-le-Duc
duch zabytku
Opis:: Basing on example of a small de Fontaines church at Neuchâtel, Switzerland the author deals With an essential problem of adaptative restoration works being undertaken in architectural objects of historical character. Though the building in question, when considered from the viewpoint of history of art, cannot be classified as one belonging to the top category the restoration works carried out gave rise to a great deal of interesting discussion. The problems involved in restoration of th a t church were presented in the summer of 1971 at the International Centre for the Study of Preservation and the Restoration of Cultural Property, Rome, th a t has been established under the auspices of UNESCO, as a specific fea ture in certain modern tendencies present in the conservator’s work. During th e course of restoration in 1969 from the church interior were removed its neo-Gothic fittings made of wood, except for pulpit, whose place took a number of wood furnishings extremely simple in their shapes. In this strive to achieve an intended simplicity and the most functional character of the church’s interior the conservators have, however, advanced too far, as the new fittings are quite drastically modern as to their forms and worse still in sharp contrast to architecture. In this connection the fact th a t from among elements of the former fittings the pulpit has been left as the only element seems to be a misunderstanding or even failure. The author emphasizes th a t it is not the change of fittings alone with which he is dealing in his article but the so-called spirit of the monument meant as the character and climate of authenticity. The excessively modernized interior of de Fontaines church has become one sterile and deprived of colour thus loosing its intrinsic climate and character.
Źródło:: Ochrona Zabytków; 1972, 1; 27-31
0029-8247
Pojawia się w:: Ochrona Zabytków
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Informacja

Wyszukujesz frazę "Boito" wg kryterium: Temat

Źródło danych

Dostawca treści

Kolekcja

Rok wydania

Wydawca

Temat

Autor

Typ dokumentu

Język